Max Willenz

Emery Slade was one of the brightest stars in Hollywood in 1932, but by 1949 his career has hit the skids. Fortunately, he is able to convince studio head Melville Crossman to cast him in the adaptation of a hit Broadway show. Crossman has one condition: Slade must travel to New York and convince the female star of the stage production to join the film. Slade goes, but, when he eyes the winsome Julie Clarke, he hatches a different scheme.

A shell-shocked young GI mistakenly believes he is dying, and a young artist takes it upon herself to prove to him that he's not.

A New Yorker hobo moves into a mansion and along the way he gathers friends to live in the house with him. Before he knows it, he is living with the actual home owners.

Two newlyweds spy on the Nazis for the British Secret Service during their honeymoon in Europe.

Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without telling Mary who she is.

A humble cantor, Oysher yearns to be an opera singer. He deserts his tiny village to pursue his dream, but when his voice breaks he sheepishly returns, resigned to attending but not singing at the Yom Kippur services. Upon his return, Oysher is informed that his son has died. Out of grief is wrought a miracle: Oysher's voice returns, more powerful than ever. After performing the Day of Atonement services, Oysher suddenly collapses, peacefully joining his son in death. If you wish to see the touching Overture to Glory, by all means seek out a decent print; many extant copies are so washed out that, not only are the English subtitles unreadable, but it's extremely difficult to tell one actor from another.