Girl in Wheelchair (2017)
장르 : 다큐멘터리
상영시간 : 1시간 19분
연출 : Bei Chuan
시놉시스
In Yuncheng County, Shandong, there is a girl born in the 90s named Han Wenjing who was paraplegic in a car accident in her childhood. As Han Wenjing gets older and older, she is worried about her future life. Marriage has become the biggest concern of parents. Han Wenjing got acquainted with a soldier online, but finally broke up under his father's opposition. The younger sister-in-law also had a dispute between the two over her marriage. When Han Wenjing was depressed, her father proposed to carry her to Liangshan. First, fulfilling Han Wenjing's wish was also compensation for Han Wenjing. Later, Han Wenjing met a dumb while studying e-commerce sales. The dumb liked her very much. Both parents were satisfied when they met. However, Han Wenjing felt that she still couldn't accept the disabled and wanted to try to combine healthy people, even if it failed. Under the pressure of her parents and sister-in-law on Han Wenjing, Han Wenjing still insists on her choice
떳떳한 가장이 되기 위해 직장이 필요한 ‘델’(케빈 하트)은 24시간 케어가 필요한 뉴욕의 주식부자 ‘필립’(브라이언 크랜스톤)과 면접을 본다. ‘이본’(니콜 키드먼)은 전과자에 무신경한 ‘델’이 못마땅하지만 ‘필립’은 자신을 동정하지 않는 ‘델’을 채용한다. 입 떡 벌어지는 주급에 좋은 가장이 될 수 있다는 꿈에 부푼 ‘델’, 기쁨도 잠시.. 첫 날부터 X센 극한직업이 시작되는데... 2012년 개봉한 프랑스 영화 '언터처블: 1%의 우정'의 미국 리메이크
젊은 카우보이 브래디는 낙마 사고를 겪은 뒤 트라우마에 시달린다. 인생에 목적을 제공해주던 ´승마와 경쟁´을 더 이상 할 수 없게 된 것을 깨달은 카우보이가 이제 무엇을 위해 살아야 하는가를 찾게 되는 성장드라마.
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A high school student becomes convinced that the world is lost to evil and begins to challenge the morals and beliefs of the adults surrounding him.
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부부인 톰과 니콜라는 부러울 것이 없는 행복한 삶을 살고 있다. 어느 날 톰은 박테리아로 얼굴이 일그러지는 불치의 병에 걸리게 되고 행복했던 그들의 삶도 파괴되기 시작한다. 실제로 있었던 끔찍한 사건을 다룬 감동 스토리로 다시 한 번 가족의 소중함을 느끼게 해주는 작품. (2016년 21회 부산국제영화제)
When a riot breaks out in Milwaukee, America's most segregated city, medical transport driver Vic is torn between his promise to get a group of elderly Russians to a funeral and his desire to help Tracy, a young black woman with ALS.
철도 위에서 3년 이상 촬영하면서 빛과 어둠, 언어와 제스처가 교차하며 변화하는 중국의 내면을 담았다. 추상회화를 연상케 하는 프레임을 통해 인간과 기계의 만남을 묘사한다. 기차의 일상과 인간을 추상적 이미지로 조형한 에세이 필름. (2015년 제16회 전주국제영화제) 리뷰 3년의 시간 동안 중국의 원근각지를 이동하는 철도의 이모저모를 편집하여 만든 에세이 다큐멘터리이다. 철로, 곤히 잠자는 사람들, 콩나물시루 같은 기차의 낭하, 좁은 통로에서 담배를 피우는 사람들은 중국 사회의 빛과 그림자를 무연히 은유한다. J. P 스니아데키 감독은 추상회화를 연상케 하는 회화적인 프레임 구성을 즐겨 사용한다. 순간순간 카메라의 존재를 드러나거나 카메라 뒤에 있는 자신을 드러내기도 한다. 육중한 철의 질감, 비곗덩어리, 핏물이 흐르는 내장 등의 오브제들을 활용하면서 그는 빈 라덴이나 카다피와 모택동을 비교하는 중국 사람들의 이야기를 슬쩍 끼워 넣음으로써 사회학과 문화인류학을 오간다. 슬금슬금 옆걸음질 치며 잠행하는 카메라는 영화의 말미에 쾌적한 상 등급 고속열차로 점핑한다. 철도, 기차의 일상, 인간을 추상적인 이미지로 조형해낸 이 에세이 필름은 사물을 응시하는 밝은 눈을 지닌 예술가의 노력에 의해 탄생했다. 2014년 「필름코멘트」가 선정한 10대 영화에 이름을 올렸다. (2015년 제16회 전주국제영화제/장병원)
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The story of 3 different generations living in the same city. Alper, his best friend Soner and his long-time girlfriend Hazan are studying at the same university. Lately the relation between Hazan and Alper do not go well. Soner supports them for the recovery of the relationship. Hakan, Barker and Serhat who are their twenties live in another district of the same city. They plan a vacation at a resort. They steal money and the car of their parents. Another generation living in this city are 12-year-old friends Mutafa and Emre. Their dream is to make programs at a radio. These three lives knotted together at some point at an unexpected time.
In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.
The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.
An Interpol agent is out for revenge against the gangsters that cut off his arm and killed his bride. This tragedy left him deeply depressed, and his battle with depression has to be won first before he can be thoroughly trained in martial arts. After his training, Ortega hunts down his adversaries for a final reckoning.
Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.
"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.
The engineer Rosalie leads a life without standing still. She doesn't feel old for a long time, only mature. When Rosalie returns to Germany after a fainting spell at a solar project in Africa, it's just supposed to be a breather. When she shows up at her bourgeois sister Margret's with a huge container, she is not very enthusiastic about the surprise visit. The retired teacher sees right through that Rosalie isn't staying with her voluntarily. The well-travelled woman is broke! It seems like a miracle that there are a huge chunk of banknotes in a hole in the wall of the room. On the other side of the wall there is the room of the highly talented high school graduate Karla, who rents a part of Margret's house with her father Harald. After a failed first meeting, Rosalie befriends with the wheelchair-bound teenager and sets her mind on getting Karla out of her sheltered isolation, even against her will.
It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue
The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.
