Jak se kominíci naučili mýt (1974)
장르 : 가족
상영시간 : 0분
연출 : Zdeněk Miczko
각본 : Zdeněk Florian
시놉시스
알프스의 아름다운 자연에 둘러싸인 오스트리아의 잘츠부르크 수도원. 음악을 사랑하는 말괄량이 견습 수녀 마리아는 원장 수녀의 권유로 해군 명문 집안 폰 트랩가의 가정교사가 된다. 마리아는 좀처럼 마음의 문을 열지 않는 폰 트랩가의 일곱 아이들에게 노래를 가르치며 점차 교감하게 되고, 엄격한 폰 트랩 대령 역시 마음의 문을 열게 된다. 그러던 어느 날, 마리아는 자신이 폰 트랩 대령을 사랑하고 있다는 사실을 깨닫게 되고, 자신만의 비밀을 간직한 채 아이들의 곁을 떠나 다시 수녀원에 들어가기로 결심하는데...
어린이 프로그램 ‘미스터 로저스의 이웃 Mister Rogers’ Neighborhood’의 사회자인 프레드 로저스의 일대기. 폭력적인 TV 프로그램이 넘쳐나는 시대에 프레드 로저스는 형형색색의 꼭두각시 인형들을 사용하여 창의적인 방법으로 공감과 수용의 메세지를 30년 넘게 전달했다. 아카이브 영상들과 더불어, 로저스와 함께 공연했던 동료들이 평생을 미디어 선교사로 살아온 그의 업적을 돌아본다.
Bravely going where no ventriloquist has gone before, Nina Conti concocts a virtual zoo of puckish characters for this world premiere show. Talk to the Hand is an hour of nimble, profanity-strewn stand-up from the vibrant Nina Conti and her touring companions: the scruffy monkey, a posh-sounding owl-poet with a taste for generic verse, a Scottish granny, and the vodka-loving Lydia, recently purchased from another ventriloquist and yet to find a voice she likes. Her alter-egos come face to face with apparitions, special guests and real live humans which means you can rely on consistent lashings of warmth, technical brilliance, and vibrant wit.
An alien duo arrive on earth and begin to enslave humans, using a local Public Access Children's show as a front. Things get out of hand when a human is forcibly turned into one of them and joins a resistance to overthrow the aliens.
The host of a children's TV show is really a psychopathic killer, and when he hears stories from the kids who watch his show about the abuse they get from their parents, he starts visiting the parents and murdering them.
Monty is a young cute rat in a rat world living beneath the streeets of Manhattan. When exterminator Dollart gets a new lethal spray to kill all the rodents, Monty, his friend Isabella and Jean-Paul Canalligator have to travel to magic land to make things right.
A feature-length adaptation of the award-winning digital broadcast, "Tell 'em Steve-Dave". Sort of like the Muppets, but with much darker subject matter. Bry, Walt and Q (with occasional guests) host a weekly podcast #TESD to discuss the ups and downs of their life. For the first time ever, experience some of the most popular of their legendary tales through the medium of puppetry.
Tulio is forced by Sr. Manguera to put on a Christmas show, so he and the rest of the team put one together in record time. While Tulio discovers the true wrerwriwro of Christmas, Bodoque is in charge of going to look for the gifts, avoiding being tempted by Tío Pelado to bet on horse races.
Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.
Focuses on the collaboration between cabaret and drag artist Joey Arias and master puppeteer Basil Twist, whose 2008 show brought them some of the biggest success of their careers.
The curtains of a theatre open onto a smaller puppet theatre presided over by Marianne. The ringmaster waves her baton at three shadowy acrobats that climb one by one out of her hat. Each performs his number, although not without some difficulty. The clumsiness of the first, the mischievousness of the second, and the fieriness of the third trigger a few clashes that ultimately lead to chaos. How can Marianne create harmony without losing control? Will her show flop? Who's really calling the shots, the little puppet or her acrobats?
Mario and Netta Show is a quite successful show. Mario is the ventriloquist, Netta is the puppet with whom he shares the scene. Theirs is a complicated relationship, not just on stage.