Passportless Mess (2022)

A boy writes a comic book with his best friend, and finds situations depicted in the comic book coming to life. Along with the appearance of a mysterious girl, the boy is forced to face the reality of what he has written, and begins a battle to attempt to rewrite death.

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.

Jakub Strach aka NobodyListen is a successful Czech DJ and music producer. A portrait of his life and work can be seen as a manifesto of the millennial club-going generation. After hundreds of shows and preparations for the upcoming, renowned Addict party, the DJ must deal with the consequences of inflicting a wound scarring his image. Footage from the club backstage mingles with scenes of everyday life in which NobodyListen ponders the dark sides of the club scene, like drugs and misogyny. During the shooting, the Covid pandemic strikes, revealing the insecurities of work in culture.

A 1950s Hollywood actress struggles with addiction, mental illness, and intrusive media attention whilst presenting a falsely positive image for her adoring crowds.

A story of grief and loss as a result of a plane crash. The family must deal with the death of a loved one while living it all over again.

An idiot for some, a genius for others. Zoran is an urban legend of a Serbian block of flats who allegedly travelled the whole world without a single ID on him. After that, he went nuts due to politics, war and MDMA. “I saw it with my own naked eye,” nodded a half-blind old man. Though a clear answer to the question who Zoran really was is not to be expected at the end of this semi-serious manhunt, it is more than sure that even if he did not exist, the locals must have had to think him up.

Two instants separated by 99 days conflict with each other.

In rural 1950s Ireland, Emer's only daughter is rushed away to hospital after being badly beaten by her teacher. In defiance of her husband, she marches down to the headmaster's office. Faced with systemic abuse, Emer decides to take matters into her own hands.

Dirty Laundry illustrates the vulnerable reality of Burmese women forced to confront the deep-seated misogyny that surfaces in their everyday lives

화산섬 거주민들은 끝없이 반복되는 폭발과 지진, 그리고 그들에게 닥쳤던 과거의 트라우마에 갇혀있다. 어떤 이들은 신화와 종교적 믿음으로 그들의 불안정한 상황을 해석하려 하고, 어떤 이들은 화산암으로 마을을 다시 되살려보려 한다.

Children at UK schools with individual special educational needs (SEN) make up 14.9% of the student population (a figure that is predicted to rise). So it raises questions to why the education system isn’t adapting to meet these needs? And, how does it feel to be one of these kids stuck in an institution which isn’t accommodating you? Teach Me as a documentary sets out to understand these experiences in the present moment from children who are at the age when school makes up a large portion of their daily experiences. The documentary interviews four children all ages 12 and 13 and each of them with individual and overlapping SEN. Using childlike paper cut-outs and school supplies to form a stylish stop motion that transports you into the world/mind of Dan, Lydia, Martha and Annie.

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.

Following his kidnapping, Kyle must escape the forest before he’s killed by a vicious serial killer in a game of cat and mouse. After receiving a mysterious call about the disappearance of her brother, Anna must track him down before it's too late.

Recently widowed Liz struggles with grief while raising her two daughters - Gigi, a cynical teen venturing into romance, and pre-teen Stacy, whose imaginary boyfriend is her getting bullied at school. A coming-of-age, drama-comedy mockumentary about three women, all operating on what-ifs and varying circumstances of the heart.

Mae and Gemma spend one last night together knowing that, in the morning, their relationship will be over. Mae struggles to get through to Gemma, who does everything to cling onto what she thinks is the perfect relationship. Through manipulation and seduction, the two women try to understand how what is tearing them apart is also what is keeping them together.

The film explores the taboo subject of homosexuality within the Roma community through the personal story of a Roma activist who happens to be gay. Though his job has earned him respect among his peers, by coming out his status is in jeopardy. However, the desire to share his complex story prompted him to write a screenplay based on his life. Partly a documentary about his autobiographical script, the film switches between documentary and narrative storytelling. Owing to its distinctive style, the film offers a glimpse into the protagonist's world as he faces triple discrimination: as a Roma, as a gay man, and as a gay man in the Roma community.

마르타는 주목받는 젊은 모델이다. 영화는 마르타의 바쁜 작업 과정과 일상의 활기찬 생활을 기록하는 한편, 그 사이에 종종 찾아오는 마르타의 무표정을 가만히 포착한다. 한 인물에 대한 다큐멘터리적 접근이 돋보이는 베라 히틸로바의 초기 단편.

A recent college dropout returns to her hometown only to discover that a string of missing people are connected to a mysterious creature haunting her dreams.

Nikola has just graduated and has a clear idea about the future. After the breakup with her boyfriend, plans start to fall apart. She gets up on her feet, takes a job in a strip club and tries to flee from her dysfunctional relationships.