8 Points (2022)

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

A lost and disillusioned film director finds himself stuck in creative limbo. A way out presents itself in the form of a peculiar film project.

A person ponders where their life is headed, in their own anxiety-ridden mind.

An exclusive interview with Death as he goes about his everyday business.

The utterings of a faceless narrator are intercut with the tale of an estranged woodland inhabitant, who makes a peculiar discovery.

In this early exercise work of the director, three vignettes get intertwined within space and time. Often raw, often illusory, each vignette focuses on different surfaces of existential crisis of seemingly different characters. But, are they really different at all?

Nearing the end of his university studies, a soon-to-be graduate reflects on his life up to this point, all through the lens of a Handycam his father used to use.

A man and his conscience are shown on their way to paradise as the only illusion that saves him the present civilization's hell. However, it is the same people and same events that await him there.

The young man, originally a Jew, is deeply burdened by the consequences of war, in which he had lost his loved ones. He is considering himself mandatory to take revenge to former commander of the concentration camp where his family was killed, and who returns from prison after serving the minimum sentence. Coincidentally, planned revenge takes a different turn.

연인으로 떠나는 첫 여행, 기대감은커녕 한 가지 생각만 맴돈다. 이제 그만 끝낼까 해. 한 여자가 새로 사귄 남자 친구 제이크의 부모님이 계신 농장으로 향한다. 그리고 어딘가 모르게 기이한 그의 어머니와 아버지를 만나고 눈보라에 발이 묶이면서 의문을 품게 된다. 그와 그녀 자신에 대해. 눈앞에 보이는 현실과 이제까지 알고 있고 이해하고 있다고 생각했던 모든 것에 대해.

In his most personal, revealing work, writer-narrator Stan Lee bares his soul in a story-poem about religion and humanity, adapted into animation by Deadpool creator Fabian Nicieza and a team of artists and animators.

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

Set in the dark depths of a strange and mysterious power supply complex, ELLIOT tells the tale of a conflicted humanoid (Elliot) struggling to maintain his reality and understand his true identity. Elliot is thrust into a disconcerting downward spiral of despair in which he is forced to recognize the perils of his own cognition and constructed ideals in a crumbling universe where the lines between fantasy, simulation, and reality are blurred, and the fibers of Elliot’s fragile existence are ruptured.

A woman in her thirties who wanted more of life jumps into an extramarital affair, only to lose her husband, her job, and finally her lover as well. However, she thinks she should start anew and have fun no matter the consequences.

Makulatura [which means both scrap paper and pulp fiction in Russian] is a duo of poets Evgeniy Alyokhin and Konstantin Speransky, who have been performing together since 2003. Blending classic literature references, mind-bending introspection, musings on modern love and an ironic attitude to their act, they create what faithful fans and listeners call “existential rap.” The film follows Makulatura on tour through several Russian cities.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A man sits with his cat on a lonely day and calls the operator, asking if there is a number for God. Premiered on the BBC Culture Show and featured in The Animation Show Vol. 4.

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.