Evocation (2023)

Oddball 핫도그 공급 업체 Albert는 자신이 수수께끼 같은 NYC 사진 작가 Ivan Worthington의 기묘한 뮤즈가되어 버리는 것에 충격을받습니다. 그러나 충격은 그의 세계에서 성공하는 것이 얼마나 어려운지를 발견했을 때 그의 매우 독특하고 매우 제한된 기술에 맞는 자신의 사진을 찍을 수있게 해줍니다. (구글번역)

Arthur Egeli directs this multifaceted romance set on the beaches of Cape Cod, the story of young painter Steven Buchanan (Pablo Bryant) and his interactions with three beautiful women vying to be his muse. There's Melissa (Isabelle Dahlin), the student who admires him; Theresa (Jessica Brytn Flannery), the model who inspires him; and Mary (Aleksandra Kaniak), the fellow artist who transforms him.

Henry and Fay's son Ned sets out to find and kill his father for destroying his mother's life. But his aims are frustrated by the troublesome Susan, whose connection to Henry predates even his arrival in the lives of the Grim family.

Numerals on clear film from 1 to 1000."

Johnny Minotaur is a lyrical explosion of taboos: incest, intergenerational desire, pansexuality and autoeroticism are a few of the issues Charles Henri Ford grapples with through mythopoeic, sensual imagery, recitations of his diaries and a philosophical debate featuring an impressive narration by such artists as Salvador Dali, Allen Ginsberg, Warren Sonbert and Lynne Tillman.

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi Test for "experimental diagnosis of human impulses" are shown in pre-specified lengths (between one and eight frames).

An old woman has died and her widower with dementia confesses to killing her. After this, the story goes back in time to show the events leading up to her death.

“Even in hell, I would still paint.” Dimitris Andrianopoulos paints relentlessly. However, he refuses to sell his artwork, he doesn’t exhibit and he signs his wife’s name. On his 79th birthday he agrees to open up the door to his painting and share his art and thoughts in a documentary film. Over a period of 12 months, the camera records the microcosm of his colors and his life. The film follows his wanderings in search of answers regarding the relationship between the artist and his work, the difficulty of parting with his works, the mystery of inspiration and the unfathomable influence of the unknown

Stuart Cooper's short about the work of Spanish artist Juan Genovés is an inspired introduction to the works of this extraordinary artist, exploring its minimalist aesthetic and storytelling qualities through a variety of cinematic techniques, including rostrum, animation, news footage and live action recreations.

What does modern art mean for ordinary visitors to an exhibition?

꿈과 광기의 왕국은 미야자키와 다카하타, 그리고 두 사람의 손과 발이었던 프로듀서 스즈키 토시오까지, 스튜디오 지브리를 견인해온 세 사람의 과거와 현재를 들여다보는 작품이다. 영화는 2013년 9월 1일 미야자키 하야오 감독이 은퇴를 선언하기 전 1년의 시간을 담고 있다. 하나의 애니메이션이 탄생하기 위한 결정적 순간들과, 미야자키, 다카하타, 스즈키 세 사람이 장기간 함께 작업하며 쌓아온 서로간의 애증, 스큐디오 지브리의 마지막 작품인 카구야 공주 이야기를 제작하면서 벌어졌던 비하인드 에피소드들을 포착했다.

Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)

A kind of home movie made in Brus' apartment. Brus' Christmas wishes can be seen on a poster which he painted and which he holds for a short time in front of the camera.

"In 1983, I got a job as a museum attendant and abandoned film-making entirely. And so the question arose: "no film?," and the conclusion I came to was: no film. Question mark." (K.K.)

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

Documentary - COUNTERFEIT CULTURE is a one-hour documentary that explores the dangerous and sometimes deadly world of fake products. An industry that once dealt in imitation designer handbags and shoes has exploded into a global epidemic of counterfeit pharmaceuticals, foods, toys, electronic goods, car parts and microchips. COUNTERFEIT CULTURE challenges consumers to take a deeper look at what appears to be harmless knock-offs at bargain prices. - Ann-Marie MacDonald, Tim Phillips, Todd Gilmore

Echoing the vertical movement of the film through the projector, pieces of sheet lead fall into the image field. Serra’s hand opens and closes as it tries to catch them, and when it succeeds, immediately lets them go again.

This documentary brings alive a remarkable artist’s passionate journey through a turbulent century. Both epic and surprisingly intimate, the film presents a classic American immigrant saga, an inspiring search for artistic independence, and a great romance. Along the way, Biberman's growing commitment to social justice and struggle against McCarthy-era repression (his brother, director Herbert Biberman, went to prison as one of The Hollywood Ten) combine with his efforts to create both a loving family life and a groundbreaking body of work. With its grand scope, rich personalities, and vast array of breathtaking artwork, Brush With Life connects us in a deeply personal way to a brilliant artist who lived by the same high standards he set for his paintings.