Hood Sucker (2020)

A fresh face comes to Hollywood to act in movies but only the gay porn studios are eager to provide him with work.

Despite his marginal and extrovert looks, Jérémie is a shy teenager who keeps a heavy secret: his homosexuality. While trying to find his way between his classmate and sexual fantasy Damien and his very generous but protective mother Gina, his life is about to change.

A serial killer is on the loose in Paris and he seems to be an american citizen working in the US embassy and being in the middle of a french-american economical affair.

우여곡절 끝에 'Will you marry me?'를 외친 짐. 그의 청혼을 여자친구 미셸(알리슨 해니건)은 흔쾌히 받아들이고 이제 두 사람은 결혼식 준비를 시작한다. 첫 관문은 양가의 상견례. 하지만 짐은 장인 장모를 처음 보는 자리에서 어처구니없는 실수를 저지른다. 그럴수록 이들로부터 믿음직한 사위로 인정받겠다고 결심하는 짐. 짐은 미셸이 원하는 드레스를 찾기 위해 이웃 도시를 샅샅이 뒤지기를 주저하지 않는 한편 못 말리는 `몸치`임에도 피로연에서 출 춤을 연습하기 위해 동분서주 한다. 한편 핀치는 스티플러의 어머니와 아버지가 재결합 하려 한다는 말을 듣고 다시 한번 딜레마에 빠진다. 핀치는 그들의 결혼을 반드시 막아야 했지만 스티플러는 그에게 결혼 날짜와 장소를 말해주지 않는다. 핀치와 스티플러는 각기 다른 방법으로 짐에게 커다란 파티를 열어 주고, 그 광란의 밤 이후에 짐와 그의 일당들은 그들이 여태껏 들어보지 못한 시골의 작은 마을의 버려진 창고에서 깨어나게 된다. 짐은 반드시 자신의 결혼 시간에 맞춰 도착해야 하고, 스티플러는 어머니가 결혼하는 장소를 알아야 하는데..

전세계를 전율시킨 충격의 화제작! 진실을 파헤치는 기자와 용 문신을 한 천재 해커가 밝혀내는 충격적 진실! 40년 전 어느 날, 명망 있는 뱅거 가문 소유의 외딴 섬에서 가족 모임을 하던 중 뱅거 가문의 일원이었던 ‘하리에트 뱅거’가 실종된다. 그녀의 삼촌은 그녀가 살해당했을 것이라고 추측하고 불명예로 기자 생활을 접어야 하는 ‘미카엘 블룸키스트’와 문신이 새겨진 반항적인 컴퓨터 해커 ‘리스베트 살란다’에게 이 사건 조사를 의뢰 한다. ‘하리에트’의 실종을 조사하던 이 둘은 40년 전에 일어난 끔찍한 연쇄 살인 사건과 그녀의 실종이 연관되어 있음을 알게 되고 음침하고도 간담이 서늘한 가족 역사의 비밀을 밝혀나가기 시작하는데…

Self-effacing, boyish Sean moves to LA to pursue a career in movies but finds it tougher than he imagined. He stumbles onto porn star Johnny Rebel - a handsome, muscled dream of men and women alike - who awakens Sean’s deep obsession.

Graying Spaniard Daniel has a healthy budget for indulging in the finer things in life. Daniel's favorite luxury is playing sponsor to younger men amid the lights and sights of Madrid's gay club scene. After Daniel shares a night with handsome Bulgarian emigre Kyril, he finds himself consumed with an insatiable lust for the charismatic foreigner. But, as their relationship takes shape, Daniel's latest conquest reveals his own manipulative tendencies.

A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

A man finds himself homeless after a fight with his significant other.

A writer, researching a book on male prostitutes, finds a young man to serve as a guide on the streets of Los Angeles.

From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.

A look behind the scenes of the Czech gay porn boom.

드디어 마련한 조던 운동화. 이걸 신으니 여자애들의 시선이 달라진다. 하지만 불량배의 시선도 끌게 될 줄이야. 끝내 빼앗긴 운동화를 돌려받으려 오클랜드로 향하는 15살 소년. 위험한 여정이 끝날 때쯤이면 조던을 되찾을 수 있겠지?

Freshman Neil's Vanguard stories are all he cares about...until he meets the older Julia, who pushes him to put his own fan fic online. When the website's moderator takes a special interest in Neil's work, it opens up a whole new universe.

Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.

Martin moves around Buenos Aires at night, picking up guys, going to clubs, scoring drugs and having sex. Sometimes he’s paying and sometimes his trans sex-worker friend or another woman takes him along for a threesome.

Every image in The Fall of Communism as Seen in Gay Pornography comes from gay erotic videos produced in Eastern Europe since the introduction of capitalism. The video provides a glimpse of young men responding to the pressures of an unfamiliar world, one in which money, power and sex are now connected.

Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay. Curiously, there is a disproportionate percentage of men working in gay porn who identify as straight. Why would a straight man do gay porn? What motivates him to try this or make a career of it? Why is there such keen interest and debate into the sexuality and personal lives of these men? And what does it say about us, the viewer that so much of gay porn is dominated by images of straight men?

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.