The Hot Wife Who Just Moved In Next Door Never Wears Underwear! Rio Kokona (2020)
장르 : 드라마
상영시간 : 2시간 0분
연출 : Kabin Kizakura
시놉시스
A nipple that pops out and a lower butt that pops out! Rio Kokona, a beautiful wife who pretends to be neat and clean and is a horny bitch! Her husband is frustrated because he is away from home, so he seduces the man who lives in the next room in order to satisfy the pain of his dry pussy! A skimpy dirty shirt that fascinates the breasts, a tight miniskirt that appeals to the buttocks, and finally masturbation in the middle of the day to show off and provoke! And Rio's temptation succeeds splendidly! Sucking plenty of the man's erect cock that was lured out, squeezing it a lot, and fucking it all the way to the back of the uterus Rio! And Rio and man's affair SEX escalates, and finally Namahame creampie SEX...!
An ambitious suburban housewife, tired of forever being in debt, sets up an independent stenography business. Finding that her clients are more interested in the women than the dictation, she revamps it into a discreet and highly profitable prostitution ring made up of neighbourhood wives.
Pascale, married to an architect, misses her flight to London and is forced to stay in Berlin, at the Kleinhoff Hotel where she stayed as a student. Karl, a would-be revolutionary lives in the adjoining room and Pascale spies him and his ex-girl-friend through a hole. Then she follows him to a questionable place where she is arrested by the police during a revolutionists raid. When she returns to the Kleinhoff Hotel, Pascale finds Karl crying, and enters his room to console him and they have a love affair.
Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.
A group of models fly into the jungle of some South American country to look for a photo location. Their plane is shot down and they are captured by a drug baron's private army. At the same time, the Mafia's representative arrive to negotiate future collaboration.
A grim police detective embarks on a one-man crusade to track down a depraved sex maniac when a nightclub deejay receives a disturbing series of obscene phone calls. Finding himself getting far too close to the victim for comfort, the hard-boiled cop must track down the unbalanced pervert before he can carry out his sick threats...
Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can forget her hilarious housekeeping and marriage tips, her beleaguered husband Fang, her cackling laugh and self-deprecating sense of humor? Phyllis Diller: Not Just Another Pretty Face highlights some of her best routines. Special guest stars such as Don Rickles and Dean Martin make this a fun trip back in time.
S&Man (also known as Sandman) is a 2006 pseudo-documentary film that examines the underground subculture of horror films. It combines real interviews with indie horror film makers and a scripted plot that does not immediately come into focus until the second half of the film.
범죄자 살인청부를 맡아 거칠게 살아가는 브릭(클래인 크로포드), 맥퀸(트레비스 피멜), 링컨(다니엘 커드모어) 우디 삼형제. 어느 날 그들에게 셀레스트(에바 롱고리아)가 찾아와 자신의 전 남편 칼로스 (빌리 밥 손튼)가 롭(토마스 생스터)의 부모를 죽이고 롭의 신탁기금을 가로채려 한다고 밝히며 자신의 대자를 찾아주면 거액을 주겠다고 제안한다. 이에 우디 삼형제는 롭을 데리고 있는 칼로스에게서 롭을 데려오지만 지적 장애를 가진 롭의 모습에 당황한다. 무법자 세 형제와 롭은 칼로스가 보낸 암살단에게 쫓기며 예기치 않은 여행을 시작하게 되는데……
Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease.
Monika is young, beautiful and a virgin. She is only 16 years old, and, beside getting the attention of all her classmates, she also attracts older men. She has a relationship with a boy, Leo, but she doesn't know that he uses to pimp the girls he seduces to rich businessmen. One of Leo's client befriends Monika and becomes so obsessed that he pays Leo to get her. But Monika turns her attention to her art professor, unknowing that he too has his secrets.
Julia Barker, an over-worked, middle-aged Texas woman is haunted by psychic visions which drive her to New York in search of the Room.
Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.
An oft-naked male reporter decides to do an expose on "sexual widows", housewives who are neglected by their busy husbands. - This cheaper sex film is disguised as a report about green widows.
This is the last of the infamous German "Schoolgirl Report" movies. The story involves a bunch of teenagers and their teacher rehearsing "Romeo and Juliet" and discussing tales of modern love.
In Montreal, the unemployed fashion designer Sophie Malaterre is shown a website, switch.com, where it is possible to switch houses with a stranger for vacation. Sophie seeks an apartment in Paris nearby the Eiffel Tower that belongs to Bénédicte Serteaux and they change apartments. Sophie arrives in Paris on Saturday morning. The next morning, policemen break in the apartment and arrest Sophie while she is having a bath. Detective Damien Forgeat interrogates Sophie believing that she is Bénédicte and she learns that a beheaded body was found in her room and all evidence of her life has been deleted.
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins.
An attractive but conservative mid-30's housewife stays at the house of her sexually open daughter and soon becomes involved in her daughter's swinger lifestyle.
Betsy Norman is a happy assistant at a luxurious Spanish hotel. Shiela, the hotel owner, caters for all wishes of her clientele with another lucrative business, the brothel "Rio Amore" where clients from all over the world come to relax with the girls and watch the sado-masochistic shows. Linda, Betsy's sister, is drugged and forced to work as a prostitute there.
While traveling for work in a city far from their homes, a novelist and a corporate accountant find themselves in bed together. Although she’s married, and he’s seeing someone, their intense attraction turns a one-night stand into an unexpected relationship and a respite from the obligations of daily life. Through a series of moments – some profound, some silly, some intensely intimate – we see a portrait of an evolving relationship that could become the most significant one of their lives.
