Il lago (soggettivo-oggettivo) (1965)

Having remained wrapped up in a dark basement for over forty years, Marinella Pirelli's 16mm film explorations of light and movement have only recently resurfaced. Active in the 1960s and 70s, and one of the few Italian woman artists working in experimental film, her works traverse numerous thematics connected to the body, the gaze and the relationship with the cinema apparatus/projection event.