No Surrender (2011)
장르 : 드라마, 스릴러, TV 영화
상영시간 : 1시간 30분
연출 : Tristan DuBois
각본 : Mike Ades, Scott Abramovitch
시놉시스
Amelia's blog empowering women not to tolerate violent relationships has brought her fame, fortune and now someone is out to kill her. Is it the new man in her life, her now paroled ex who inspired the blog, or a deranged fan? Just as she has put the pieces of her life back together, Amelia must figure out who is behind the bizarre string of attacks and stop them before her own life comes to an ironic and violent end.
A father and husband going through the fourth stage of grief confronts his wife in hopes of getting their family back together.
After her father unexpectedly hits her, a young girl decides to toughen up.
Noah, an aimless college dropout, is constantly getting swept up in romances that always end in heartbreak. At work, he is paired to train Autumn, an infectious, enigmatic and fun new girl, who challenges his views on love, relationships and life.
The story of a little girl who went to live with her uncles after seeing her mother being murdered by her boyfriend
지금은 나이지리아의 자리아라 불리는 곳. 16세기 자자우에서 공주 아미나가 왕국을 지키기 위한 필사의 싸움을 시작한다. 뛰어난 기술과 전략으로 무장한 전사, 실화 바탕 이야기로 찾아온다.
Xóchitl is an indigenous woman who must fight for her freedom before the birth of her baby, since she finds herself trapped in an abusive relationship. She will have to face a town full of prejudices and accomplices of her abuser. However, Xóchitl has the inner strength of her lineage, which will manifest itself in her favor.
Three months after surviving a terrorist attack in a bistro, Mia is still traumatized and unable to recall the events of that night. In an effort to move forward, she investigates her memories and retraces her steps.
Three inmates awaken confused and shackled inside the dystopian super-prison Cybolica.
While exploring a decrepit and abandoned facility, an auspicious photographer faces off against her traumatic past.
The youngsters housed in the "Almafuerte" Maximum Security Juvenile Institute have their first approach to audiovisual recording. A film and documentary video workshop serves as an excuse for them to make a short film inside the prison. The camera is a rabid toy that generates fascination in them and rescues a sheltered, innocent smile that seemed forgotten under the shadows. While inside libertarian cries bounce against the walls, outside sounds fanfares of an iron fist.
The story centres on Sylvie, a nearly sixty-year-old woman who has fallen in love with Michel, a thug she marries in prison. The two of them dream of starting again with a clean slate by opening a flower shop. But Sylvie’s son Abel, convinced that Michel will fall into a life of crime, disapproves of this relationship…
A hand-drawn animation about a teen boy who must save his younger self from the hideous monster that is his past trauma.
Lex is staying at his family's house with best friend Kenny. The former is recovering from a recent suicide attempt, while the latter is trying to spend a summer apart from his husband. Screenwriter Shane is staying in the summerhouse, while Lex's overbearing actor brother and his girlfriend are staying too. Add their neighbour into the mix, who is in love with Lex, who is in love with Shane, who is in love with Kenny... and the pressure cooker is primed and ready to blow, especially with Shane writing about a family secret that Lex would much rather keep hidden.
Paris in 1942. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.
The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.
A young woman deals with a self-centered, abusive boyfriend.
After his date never texts him back, a neurotic man searches for the reason, driving his roommate insane in the process.
Two friends play a silly game they see from TikTok. What started out as a fun-time quickly turns into an exploration of trauma, guilt, and bloodshed.