A veteran neurosurgeon returns home to find navigating the health care system confusing and frustrating. He is torn between his duty to follow protocols and his sense of compassion for his patients.
Today, Julie is strong, She is independent. She can go back home. Her family is waiting for her, they love her : her mother, her brother, her sister... and her father.
A woman with a strange look is sat drinking in a soulless bar on a desert area road. She’s waiting for the arrival of a man, maybe an old love that abandoned her there, leaving the place looking for a different life. The reencounter is tense, almost like a duel, and arises the resentment of the one that stays, the guilt of the one that leaves, the overcoming of the instilled tradition...
Hannah and Natan are both anti-heroes with anti-superpowers. Natan raises his arm? Bang! Lightning strikes him right away. Hannah likes someone or something? Drip drop! Rain starts pouring over her in a second. Their meeting could turn into a major meteorological disaster... or maybe not?
Stars, hide your fires; let not light see my black and deep desires. Nor any truck.
The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. 12+1 kids and the carcass of a whale washed ashore…
Timecode is a 2016 Spanish live-action short film directed by Juanjo Giménez. Luna and Diego are the parking lot security guards. Diego does the night shift, and Luna works by day. One day, Luna's boss asks her to investigate a broken tail light. It won the Short Film Palme d'Or award at 69th annual Cannes Film Festival in 2016. It is also nominated for an Academy Award for Best Live Action Short Film at the 89th Academy Awards in 2017.
The revolution is over, but outlaws in the arid Chaco still harass the poor. An old woman reluctantly welcomes a lone gaucho.
사울은 HIV 검사를 하러 갔다가 체조선수 올란도와 우연히 마주친다. 서로에게 강한 끌림을 느끼는 두 사람. 하지만 자신이 HIV 양성이라는 사실을 당당히 밝히는 올란도와 달리, 사울은 그와의 관계를 두려워한다.
At night, alone at his place, Edouard gets ready. He crosses Brussels to go to another man's home.
When Imani goes to her friend's housewarming party, she meets a boy who piques her interest. She invites him over to hang out, only to realise that they have more in common than she thought.
It's Eva's weekend out with her friends, and her boyfriend Sergio complains she won't take him with her. He decides to go out on his own without knowing what terror he will eventually have to go through.
Nearly 3 hours of LGBTQ and Coming-of-Age short films and music videos await you in the debut of Altered Innocence’s cinematic mixtape supreme! Films from established auteurs like Peter Strickland, Cam Archer, João Nicolau, and Yann Gonzalez join fresh new voices such as Alexis Langlois, Shaun Hughes, Caroline Poggi, and Jonathan Vinel. Cruising, dancing, naked wrestling, trans terrorism, first love, bullies, femme fatales, band practice, and more is in store! The short films are: After School Knife Fight (2017); Bunny (2018); Doors Cut Down [En malas compañías] (2000); Gabber Lover (2016); Wild Haggis [Gambozinos] (2013); GUO4 (2019); Hunt [Jakt] (2018); Terror, Sisters! [De la terreur, mes sœurs!] (2019). The music videos are: 'Les vacances continuent' by Perez (2015); 'Niemand' by Kompromat (2019); 'Our Time' by Imperial Teen (2002).
Fish Boy lives in darkness, his guilt about the past slowly consuming him. His girlfriend Laura is a light of hope in his dark world. But despite his efforts, his past continues to chase him, eventually putting them both in danger.
A teenager filmbuff and a single woman in her forties meet each other. Then they meet again and start to realize that they might have more in common, than meets the eye, and form an unlikely connection.
Zoli is about to be taken out of school by his parents to make him work for the family. The headmaster regards the issue as a simple administrative routine, but Zoli is not willing to accept that his future is decided by others.
Bruno and Margaux are traveling to Portugal to meet her family. During the journey Bruno's behavior becomes increasingly erratic, forcing Margaux to face a reality she refused to acknowledge.
