Beats of the Heart: Roots Rock Reggae (1977)

올림픽 육상 금메달리스트였던 아버지의 뒤를 이어 올림픽 100미터 출전을 꿈꾸던 디라이스는 출전권 경기에서 사고로 넘어져 꿈이 무산된다. 그러던 중 시청에서 우연히 봅슬레이 올림픽 금메달리스트였던 어브가 자메이카에 살고 있음을 알고, 쌍카, 율브리너, 주니어 세 친구와 함께 올림픽 출전을 목표로 훈련을 받는다. 그러나 눈도 얼음도 없는 열대의 자메이카에서 봅슬레이 훈련을 한다는 것은 여간 어려운 일이 아니며, 주위 사람들조차 그들을 실없는 사람 취급한다. 그러나 그들은 아랑곳 없이 연습한 끝에 캘거리 동계올림픽 예선에 출전하게 되는데...

자메이카의 빈민가를 배경으로, 도시에 온 순진한 시골 청년이 레게 음악시장에 침투해 있는 부패한 경찰과 갱의 싸움에 끼어들게 되면서 벌어지는 이야기를 그린 작품.

Horsemouth, a drummer living in a ghetto of Kingston, plans to make money selling records. After his prized motorcycle is stolen, his plans fall through and he's forced to adapt.

Kassa a free-wheelin rasta man, falls for a straight laced gospel singer Serena, when they both meet as they enter a music contest. Serena's father the pastor forbids her to see him and wants her to marry one of his church members. Meanwhile the record boss organizing the contest, tries to get Kassa's band to sign to his label on his terms not theirs. By using heavy tactics, he pushes the band to fight back.

Recorded in California at the Santa Barbara County Bowl, this live concert appearance from Bob Marley and the Wailers was filmed on November 25, 1979. One of the last shows to be recorded before Marley's untimely demise, the gig is a scintillating mix of reggae classics and provides a fitting epitaph to the influential musician. Tracks include "I Shot the Sheriff," "Exodus," "Is This Love" and many more.

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

The Wailers, featuring the legendary Bob Marley, Peter Tosh and Bunny Wailer, became the most influential band in the history of Reggae music. "Catch a Fire," their first Island album, released in 1973, introduced them to an international rock audience. The principal figures in the creation of the album tell the story of how this record was designed to "cross-over." The program features a unique interview and performance with Bunny Wailer, rare archive interviews with Bob Marley and Peter Tosh and contributions in words and music from many of those who performed, Rare home movies of the Wailers in Jamaica, unseen footage lots more.

Over the course of more than two decades, Birmingham's UB40 have become global ambassadors for reggae, a journey captured perfectly on The Collection. This programme is split into two main sections: a 26-track video collection and a documentary detailing their 20th anniversary concert in September 2001. Forgoing chronology in favour of a more random approach, the video selection is slightly disjointed on a visual level, leaping from decade to decade within the space of a couple of tracks. While they have never made a truly great video (most feature the band lip-synching in various places around the world) UB40 have certainly been prolific over the years. "One In Ten" and "Food for Thought", their earliest work, represented the sound of young, multicultural Britain just as well as the more lauded Specials. And while there have perhaps been a few too many covers in recent times, it is hard to deny the effectiveness of "Red, Red Wine" and "Kingston Town".

Documentary on the London punk-rock scene, circa '78

Straight out of This is England! Or was it the other other way round? Never mind, now a classic, World of Skinhead seeks out the roots of skinhead culture - from Detroit to Bergen, from Glasgow to Berlin, honouring its true spirit.

A powerful portrait of the leaders of the reggae music Movement, and how Reggae has become a worldwide phenomenon. The film showcases performances by the best Reggae and Dance Hall artists ever assembled. From their native ghetto to international fame, "Made in Jamaica" is the story of the artists who represent the Jamaican Dream.

Easy Skanking In Boston 78' consists of intimate footage captured by a fan that Marley allowed to sit right at the front of the stage during one of his sets. The result is impeccable, rare footage of Bob Marley performing . In addition, to the raw footage, animation by Craig Bernard and Sara Mora Ivicevich has been included for smooth transitions and a modern touch, since (during that time) the cinematographer was shooting with film and needed to change rolls during the performance.

Reggae documentary of the One Love Peace Concert held in Kingston, Jamaica in 1978. In addition to the music, this film features the return to Jamaica of Bob Marley after a 16-month hiatus following an attempt on his life.

Forty years ago, Bob Marley embarked on a tour of Europe and the United States with The Wailers in support of their Uprising album. The 38-show excursion would be the last for the reggae icon, who succumbed to cancer on May 11, 1981. Marley & The Wailers brought the run to Dortmund, Germany on June 13, 1980 and the concert was filmed for the German live music television program Rockpalast.

Over the years, few video documents have been issued about one of reggae's most popular and enduring bands, Toots & the Maytals. With their slinky and extremely danceable rhythms and passionate concert performances, the outfit has long been one of reggae's top live acts. Released in 2001, the Live DVD is a fine document of the latter-day Toots & the Maytals live experience, recorded in front of a large and receptive crowed at the Santa Monica Pier in California on August 7, 1997. Featuring ten tracks overall and clocking in at an hour, Live features stirring renditions of many of the group's best-known tracks, including such highlights as "Pomps and Pride," "Funky Kingston," "Monkey Man," and "54-46 Was My Number," among others.

They have raged on for forty years, cutting a swath across continents and lighting the fuse of revolutionary thought. From the pressure-cooker ghettos of England to the mighty gates of 1600 Pennsylvania Avenue, one band has forged an enduring legacy. This is their story.

This vibrant portrait of dub poet and political activist Linton Kwesi Johnson transports us back to the turbulent streets of Brixton in the late 1970s. Jamaican-born Johnson explains with precise and powerful eloquence the violence and racism meted out to Black and Asian communities in London and beyond - and how his poetry acts as a weapon in the struggle for justice.

The Uprising Tour was Bob Marley's last tour before his tragic early death in May 1981. Marley's energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later. This live show from Dortmund's Westfalenhalle was filmed for the famous German music TV series Rockpalast on June 13th 1980, featuring Bob Marley on superb form. Expertly delivering a set of hit singles and classic album tracks, Marley's energetic, charismatic performance includes I Shot The Sheriff, Get Up, Stand Up and No Woman, No Cry and the film has been substantially restored to a high level.

The Amandla Festival of Unity was a world music festival held at Harvard Stadium in Boston, Massachusetts, on July 21, 1979. The festival was held in an effort to support and celebrate the liberation of South Africa and the on-going efforts of people in Boston to address racism in their families, schools, workplaces and communities. Performers include soul legend Patti LaBelle, jazz pianist Eddie Palmieri, drummer Babatunde Olatunji, the South African band Jabula and comedian Dick Gregory, who gives a 15-minute racially-charged speech before Marley’s performance.