The Beau Brummels (1928)

팔순의 고령에도 불구하고 여전히 젊음을 과시하는 내트(Nat Moyer: 월터 매튜 분)는 거침없는 말솜씨와 뛰어난 재치의 소유자로, 끊임없이 사고를 일으키는 트러블 메이커이다. 참견과 간섭, 서기를 주저하지 않는 그는 양로원, 슈퍼마켓 할 것 없이 좌충우돌 크고 작은 사고를 일으키는데, 그 때마다 곤욕을 치르는 사람은 바로 내트의 딸이다. 그녀는 내트가 양로원에 들어가 편안한 노후를 보내기를 원하지만 아직도 혈기왕성한 내트의 고집을 꺾을 수 없다. 그런 내트가 자주 찾는 곳은 뉴욕의 명소 센트럴 파크. 오갈 곳 없는 노인에서부터 매일 섹스폰을 불고 있는 무명의 연주자와 공원 주위를 스케치하는 젊은 여성까지 센트럴 파크는 다양한 사람들의 편안한 쉼터가 되는 곳이다. 그중 카터(Midge Carter: 오시 데이비스 분)도 센트럴 파크를 찾는 수많은 사람들 가운데 한 사람으로, 매일 공원의 벤치에 앉아 신문 읽는 것을 낙으로 삼고 있다. 그러던 어느 날, 다른 날과 마찬가지로 공원의 벤치에 앉아 신문을 읽고 있던 카터의 옆자리에 내트가 앉게 되면서 두 사람은 서로의 이야기를 하면서 금세 가까워진다. 그러나 내트가 카터의 사적인 문제에 사사건건 간섭하기 시작하고 카터는 그런 내트를 달가워하지 않는다. 그런데, 불의를 보면 참지 못하는 내트의 성격 탓에 두 사람의 생활도 편안하지만은 않다. 급기야 내트는 칼을 든 불량배에게 겁없이 달려들다 부상을 입게 되는데 .

두 명의 보드빌 배우가 사랑에 빠지지만, 제1차 세계대전이 발발하면서 그들의 관계는 위기에 빠진다.

Foreign investors converge on a luxury hotel in China to bid on a new kind of radioscope. But, this is a hotel where Burns and Allen are the in-house medical staff, a measles risk sends the whole building into quarantine, and a madcap millionaire crashes dinner in his autogyro. Hotel and radioscope become a stage for an all-star cast of comedians and musicians, from vaudeville to the new generation.

The pursuit of Hop Lee by an irate policeman.

Vaudeville team Shaw & Lee sing songs and tell jokes in hilarious deadpan.

A married couple who have a song-and-dance act in vaudeville are in trouble. Their struggling act is going nowhere, they're almost broke and they have to do something to get them back on top or they'll really be in trouble. They decide to put their young son in the act in hopes of attracting some new attention. The boy turns out to be a major talent, audiences love him and the act is on its way to the top. That's when an organization whose purpose is to stop children from performing on stage shows up, and they're dead set on breaking up the act.

A woman shows off her trained dogs.

The champion lady boxers of the world. Shows two female pugilists who are really clever. They engage in a hot one-round sparring bout. A park, with marble entrance and walk, and beautiful trees and shrubbery, make a very pleasing background. The exhibition is very lively from start to finish; the blows fall thick and fast, and some very clever pugilistic generalship is shown. Sold complete or in separate lengths.

In this Vitaphone Broadway Brevity musical short, Hal and Dawn work at the same vaudeville theater, where he's an usher, she's a chorus girl. When they both get fired, they form an act and vow to get back to their old theater, as performers.

Construction worker Buzz Blackwell becomes the guardian of 12-year-old Pat Johnson after one of his buddies, her father, is killed. Buzz and Pat, along with their chum Axel Swensen, head to New York to look for the girl's uncle. The trio soon unexpectedly become owners of a tired restaurant.

Comedian Pat West performs his vaudeville act.

Post-revolucionary Mexico. War secretary Ignacio Jimenez is chosen as the candidate for presidency, but he isn't so sure about it, because he knows that his boss and current president, El Caudillo, has chosen a second one.

Olive rushes over to show Popeye the headline: Vaudeville is coming back. They agree to rehearse their old act. After a brief song-and-dance intro, the act begins: Popeye demonstrating his strength while Olive displays her flexibility and balance; impersonations of Jimmy Durante, Stan Laurel and Groucho Marx; and the last act, more feats of strength and agility.

Vaudeville act performed by husband and wife team Russ Brown and Jean Whitaker.

An "Out of the Inkwell" cartoon featuring Ko-Ko the Clown.

Harry Fox performs his vaudeville act.

Two men box in a comedic manner, with the film opening as one man in a cap punches the other and then ducks behind him.

Ben Bernie and his orchestra play a few songs for a vitaphone recording.

A short black-and-white silent documentary film featuring one dog jumping through hoops and another dancing in a costume, which was considered lost until footage from an 1896 Fairground Programme was identified as being from this film.

Camera iris opens to six ponies with decorated harnesses and plumed halters, standing in the center of a stage with a painted backdrop of mountains. Cuts to two ponies on a seesaw, with a moustached man in a white uniform with dark piping and a white cap holding their leads. A second trainer in a dark suit can also be seen occasionally with the ponies. Individual ponies perform a variety of tricks, including rolling a slatted barrel across the stage with front legs and then with a nose, knocking over the barrel, "limping" across the stage with one front leg held off the ground, and pushing the trainer over with a nose-butt.