A Submarine Pirate (1915)

Mysterious towering tepuis in South America have been the inspiration for movies such as Avatar and Up, and Sir Arthur Conan Doyle's novel The Lost World. A team of explorers repels down the mystical mountains of this legendary lost world to uncover evolutionary secrets of some of the most unique ecosystems in the world.

Derek, divorces his violent wife Grace and remarries Lena. However, after remarrying Lena, Derek discovers that some secrets were never meant to be revealed.

Short film about the underground part, both geographical and social, of the city of Montreal, through the obsession of a business magnate for a young woman.

Set in the concrete jungle of Compton, CA in the early '00s, a young man who discovers how hard it is to live in his truth after experiencing the bitterness of the real world. He has a choice, to conform to societal norms, or...be the sweet amongst the sour.

소원을 이뤄주는 성스러운 장소, 그곳을 찾으려는 어린 전사의 노력. 수호자와 정령들의 심기를 건드리지 않도록 주의하라. 익숙하지만 환상적인 모험의 세계가 열린다.

While we have a few minutes before the show, stop by our refreshment stand! We have all kinds of tasty treats! Popcorn for all eternity! Hell's on it's way!

"In computing , a cache ( /kæ?/ ( listen ) kash , [1] or /'ke??/ kaysh in AuE[2] ) is a hardware or software component that stores data so that future requests for that data can be served faster; the data stored in a cache might be the result of an earlier computation or a copy of data stored elsewhere. A cache hit occurs when the requested data can be found in a cache, while a cache miss occurs when it cannot. Cache hits are served by reading data from the cache, which is faster than recomputing a result or reading from a slower data store; thus, the more requests that can be served from the cache, the faster the system performs." (Wikipedia)

Entrop draws inspiration from the pre-film animation device called the cylindrical zoetrope: a spinning cylinder containing a sequence of images or three dimensional objects resulting in the illusion of motion. Entrop is based on a virtual three dimensional version of such a zoetrope, using digital means to go beyond the traditional physical relation of energy and movement. The work explores the tension between various forces and spatial perception in sound and moving image: energy is being fed into a system, resulting in movement and centrifugal forces. During this build up of energy and speed the system becomes unstable and new accidental possibilities of sensory perception present themselves.

'In All, or Nothing at All one can see the latest developments in the works of Margit Lukács and Persijn Broersen, exploring the hybridity, in image and sound, of the ultra-thin surface of digital photography in order to contemplate its role in shaping our experience and memory. Using the figure of the digital ruin in a game-like environment, the artists show the glitches and hollowness behind and between the sequential images. The artists, in between the striking beauty of the images and sound, show the viewer how photographs no longer count as documentation of the past but are an overpowering part of everyday reality, something to touch and interact with, but also something fluid, like water, mirroring something like a reality that we never seem to be able …

Decorosa keeps a skeleton costume in her bedroom closet, between her nightgowns. It is what love has.

In the 3D-movie “Mad Mieter” the protagonist in this case is a lonely praying mantis, who lives in a bourgeois furnished apartment, where it comes to a cruel end after an initially delicate approach.

With few words and leaving it to the spectator to fill in blanks, this short subject contemplates one ordinary day in the life of a single woman and her child.

A film about obsession, sexuality, devotion and paranoia.

1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.

This short film is a metaphore for the destruction of the indian culture by the 'white man'.

A young mother called Maria is returning home after a long abscence. Her kids have created their own fantasies as to why their mother has been away for such a long time.