닥터 슬럼프-닥터 마시리트 아바레짱 (2007)

When love first makes its appearance in the life of teenager Liv, her parents announce that they are getting a divorce. A film about disappointment and pink hair.

The inhabited world is a constructed environment: a space that has been defined, created, and scaled for the sustenance and privilege of the human species alone. Humans have created a language that we cannot see beyond, one based on capital that hurdles us towards social and climate collapse. Contours reveals this position while also meditating on what it would mean to move away from this language in order to privilege not only the human but the other than human as well.

Animation film about a friendship between young Wolfy and Kapitoshka. Wolfy tries to learn how to be scary and threatening. But then he meets a drop of rain, Kapitoshka, which makes him realize that it is not necessary to be scary.

A wolf cub misses his friend Kapitoshka and wants to see him again and have fun with him. Kapitoshka is an unusual creature that is completely made of the water, which wears a funny beret and loves to sing and play. A letter brought by a crow will help shed light on whether Kapitoshka will be able to return to the wolf.

A dark and stormy night in a drugstore. The druggist mixes a potion and falls asleep. The skull-and-crossbones on the bottle comes to life and drips the potion on the druggist.

It's St. Valentine's Day. Cupid is having fun arranging, while a young devil is making mischief sabotaging, love affairs.

A (barely) two minute short is that it was made specially for a Paramount newsreel segment on Bute and Nemeth making films in their teensy New York apartment. Paramount apparently never got round to including the filmmakers in any newsreel, but their own film survived in the Bute-Nemeth Archive. (weirdwildrealm.com) To the rhythm of music that sounds a bit like a Busby Berkeley tune, lines and circles appear against a black background. Then triangles, in groups. Black and white squares move in tandem. Sparkling forms turn in kaleidoscopic patterns. Then cubes appear, white against the background, bouncing; a yin and yang rotate a few times before the film ends with an quick burst of scattering light.

The "Our Gang" kids stage a production of "Romeo and Juliet," but the show is threatened when leading lady Darla walks out on star Alfalfa.

When the caddies at the local golf course go on strike, the gang steps in to earn some money.

The gang help Scotty and his grandfather after an obnoxious lunch counter owner forces them to move their lemonade stand.

The gang puts a phony absent note on their teacher's desk so they can go to the circus, then have to get it back when they find out that the class was going on a field trip to the circus anyway.

A lonely, rich, hypochondriac is celebrating her 65th birthday in the same manner in which she observes the other 364 days of the year by complaining, berating her servants, taking her pills and grumping about everything around her, including the sunshine. A toy airplane comes flying through an open window and breaks a vase, and when its owner, Spanky, comes in search of it he is informed he will have to pay seventy-five cents for the broken vase. Spanly has never seen six-bit, much less having it in his pants, so he offers his and his friend's help in cleaning up the yard in exchange. Before the kids are through, they've given the old lady a new outlook on life.

라이프스트림의 무한한 생명 에너지를 바탕으로 세상을 지배하게 된 신라컴퍼니와 그에 맞선 솔져 세피로스 간의 전쟁으로 세상은 폐허가 되어버렸고, 사람들은 혼란을 극복하지 못하고 있었다. 그로부터 2년이 지난 지금에도 세상의 혼란은 더욱 심해져 가기만 하는데, 이 때 세피로스의 피를 이어받아 새로운 세상을 세우려는 무리가 나타나기 시작한다. 한때 신라컴퍼니에서 함께 몸을 담았던 솔져 카다쥬와 아쥬. 이들은 세피로스의 세포를 통해 새로운 몸으로 막강한 힘을 가짐으로써 신라와 맞서고, 세상의 모든 것을 없애고자 한다. 한편 이들과 같은 세포를 이어받았고 또 함께 솔져에 몸담았던 클라우드는 2년 전의 전쟁에서 자신이 지키지 못한 사람들에 대한 죄책감으로 자신의 우리 안에 자신을 가둔 채 주변의 친구들을 받아들이려 하지 않는다. 그러던 어느 날 카다쥬 무리가 세상의 재편을 위해 아이들을 끌어모으던 중 클라우드가 돌보던 덴젤에게까지 손을 내밀고...

A pilot, travelling through space, returns from a mission...

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”

Every October, Mr. Tricker has the best Halloween decorations in town. While setting up his annual display, a quirky neighbor gets too close to figuring out why his decor is so lifelike.

A lonely young man's increasingly creative attempts to attract the attention of the girl of his dreams.