Asad (2012)

A German couple adopts in Kolkata an Indian orphan. Their child suddenly disappears and they realize that they are part of the problem.

Set against the dramatic landscape of contemporary Afghanistan and the National sport of Buzkashi - a brutal game of horse polo played with a dead goat - Buzkashi Boys tells the coming of age story of two best friends, a charismatic street urchin and a defiant blacksmith's son, who struggle to realize their dreams as they make their way to manhood in one of the most war-torn countries on Earth. Shot on location in Kabul city by an alliance of Afghan and international film makers, Buzkashi Boys is a look at the life that continues beyond the headlines of war in Afghanistan.

Henry, a great concert pianist, has his life thrown in turmoil the day the love of this life, Maria, disappears mysteriously. He'll then discover the inevitable verdict of life.

Na Wewe is a 2010 Belgian short film directed by Ivan Goldschmidt, set in Burundi in 1994 or thereabouts. There is a civil war on, a genocidal conflict opposing Hutus and Tutsis. The film follows an attack by rebels of a minibus transporting ordinary passengers -- but who is a Hutu and who is a Tutsi? The film was nominated for an Oscar for Best Live Action Short Film.

Aquél no Era Yo [That Wasn't Me] is a 2012 Spanish short film directed by Esteban Crespo. It tells the story of Paul and Kaney. Two characters, an African child and a Spanish woman, who could have nothing in common, but will get to join their lives forever through a life-giving shot. Kaney is an African child soldier. He lives with many child soldiers and obeys the orders given by the man who has become like their father, the General of the Rebel Army. Paula is a Spanish aid worker who moved to Africa following her boyfriend, Juanjo, in order to bring help and to rescue the child soldiers who live there. In a border crossing point, Paula and Kaney meet each other and this will be the starting point of this dramatic story, full of fear, violence and redemption. The film was nominated for an Oscar for Best Live Action Short Film.

Ireland 1977. Eleven-year-old Damian Lynch (Scott Graham) is called in at the last moment to serve as an altar boy at an important mass in his local parish. Following his last appearance as an altar boy when he knocked Father O'Toole off the altar, Damien is serving a 3 month ban from his only passion in life...football. To make matters worse, Damian's team, Liverpool FC, are playing in their first European cup final in two weeks time. Damien's father (Michael McElhatton) offers him a reprieve and crucially a chance to see the European cup final if he serves the mass correctly. Damien now faces a choice: either conform to the status quo or never watch his beloved Liverpool play again...

Parvaneh is a young Afghan immigrant who recently arrived at a transit centre for asylum seekers in the Swiss Alps. The only things she has got to know yet are the rural area surrounding the centre and the centre itself.

Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

An attempted robbery goes awry. In vain gangsters try to calm their Albanese boss. Meanwhile one of them can't resist taking a mysterious drug. The consequences are disastrous.

Blending animation, live action, and stereoscopic 3D, Cochemare is an immersive, tactile, and sensory experience. As the viewer journeys from the mystical Forest of Storms to the orbiting International Space Station, the film forces us to confront our notions of voyeurism, femininity, and the separation of body and mind.

A comedy about a chaotic morning in a family with kids, and a mother who is determined that it's best to take care of everything herself.

Love and a severed foot at the end of the world.

Efrain, known as the Reaper, has worked at a slaughterhouse for 25 years. We will discover his deep relationship with death and his struggle to live.

In an endless loop, unexposed film runs through the projector. The resulting projected image shows a surface illuminated by a bright light, occasionally altered by the appearance of scratches and dust particles in the surface of the damaged film material. This a film which depicts only its own material qualities; An "anti-film", meant to encourage viewers to focus on the lack of concrete images.

Yaguiné and Fodé, schoolboys who try in vain to find work to help their poor families. Lured by the symbols of Western affluence and power that surround them, the two stow away on a flight to Europe.

Vilaeiha is the story of the families of the Iranian's army leaders in 1986. Aziz is a 50 years old woman who enters the Villas complex with her grand children. Elyas is a driver who when comes here, all become tension that maybe he brings bad news about the army leaders who fight in the front lines. After a while Cima who is Aziz' daughter-in-law comes to take her children away with her.

This short from the UPA studio was nominated for the 1952 Oscars. Based on the Madeline series of children's books.

Jūzō Itami's debut short film, concerning a group of unique young people in the high economic growth period who are into games with rubber band pistols.

Rinko and Isamu have been living together for three years in what seems like an idyllic situation, except for one detail: they broke up months ago. Even so, despite misgivings from her friends, the setup is comfortable enough for Rinko not to feel pressured to change it. When an attractive graduate student takes an interest in Isamu, however, Rinko is forced to confront her remaining feelings for him and the reality of their cohabitation.