Los (2001)

1947년, 전국민중대학생연합에 소속된 청년 공산당원들이 교회와 중학교를 점령한다. 마르크스주의의 유효성을 토론하며, 학생들을 자극하는 청년들. 학생 몇 명을 체포하러 온 경찰관을 두고 거친 논쟁이 벌어지고, 리더인 ‘라치’는 자리에서 물러난다. 그의 권력을 이어받은 두 여학생이 사제들의 옷을 벗기고, 책을 던지고, 창문을 깨트리는 폭력을 행사하면서 사태는 더욱 악화되는데…. 혁명이라는 이름으로 자행되는 폭력의 악순환과 권력욕을 비판하는 강렬한 수작. (한글자막 제공_전주국제영화제)

Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi.

György Fehèr’s aim was to “make a film which is similar to the last salvaged print of a long lost film”. The passions he investigates are centred on primeval fears and cravings and a sense of inescapable doom. Shot in powerful black and white with excellent central performances.

전도유망한 젊은 의사 ‘암브루슈’는 은퇴한 노교수가 존재감을 증명하려고 집도하는 심장 수술에 참여한다. 수술 이후 자신의 삶에 회의를 품게 된 ‘암브루슈’는 목적 없는 인생과 미래를 알 수 없는 사랑에 지쳐 고향으로 떠난다. 그리고 귀향길에서 아버지의 신념과 인간애를 느끼며, 다시 새로운 희망을 얻는다. (한글자막 제공_전주국제영화제)

"Budapest Tales" is about a group of people (consisting of Szabo regular Andras Balint along with Ildiko Bansagi and Karoly Kovacs) who find a broken down tram while trying to go to the city. The people band together and try to get the tram back on the train tracks and head towards the city. Along this journey the passengers encounter many people who join them on the tram. What started out as only a handful of people has now turned into a small village. As the people travel on to the city each person takes on certain roles and through the course of time these roles will change. Some people fall in love, others out of love, and a few even die. But life goes on. The people keep the tram going hoping to reach Budapest.

A family's place in the wilderness, outside of time; free-range animals and children, junk and nature, all within the most sublime landscape. The work aims at an idea of freedom, which is reflected in the hand-processed Scope format, but is undercut with a sense of foreboding. There's no particular story; beginning, middle or end, just fragments of lives lived, rituals performed.

This film is about the relationship of a mother and her daughter, the split-up of their family, the blessing and curse of belonging together and about coming of age - all this from the perspective of the young girl Aglaja. The story is based on real-life events, an Eastern European circus artist family that fled to the West. If they want to stay in the circus business they have to make up an exotic act. The mother spends all their money to buy a very dangerous act: hanging by her hair high up in the dome of the circus while juggling with burning torches. Every night Aglaja is terrified by the fear of losing her mother. But, on some day, she has to follow the family tradition and become the "Woman with the Hair of Steel".

"Blushing Charlie" - Truckdriver and bachelor Charlie meets homeless and seven months pregnant Pia. They both dream of finding someone to share their lives with. Charlie then faces a dilemma whether to take part in a demonstration in favor of Cuba, and in addition with his employer's truck.

동유럽의 떠오르는 신예 감독 6인이 ‘세대’라는 주제를 가지고 각각의 단편을 만들었다. 독립적인 애니메이션은 니콜라이 니키틴의 주도 아래 진행된 이 프로젝트의 단편들을 하나로 묶어주는 기능을 한다. 공산주의 붕괴 이후 첫 세대의 목소리를 담고 있는 이 영화는 동유럽이 이제 새로운 하나의 유럽에 동참할 준비가 되어있다는 것을 확신시켜 주는 동시에 이 영화를 통해 동유럽인들 스스로가 자신들을 성찰하고 있음을 보여준다.

Directed by Saman Salur

The heroes of the film are manual workers, members of a Socialist Brigade. Gyula, the brigade leader once has a dream where the gate-keeper searches through Lenin, about to leave the factory. He decides to stage Gelman's play, Premium, with his brigade, since the drama very effectively depicts what they see in the world around.

Enacting the story of a hunt with wild but precise gestures, the Polish animator Witold Giersz’s The Horse (award-winning at the Krakow Film Festival for “its exceptionally interesting animation technique”) explodes with color and brings to life the physical strokes of paint of which it is made. The film never lets you forget that what you’re seeing is simply paint being rearranged into recognizable shapes, yet the pumping musical score and expressiveness of its titular character provide a simultaneous emotional experience. The abstract backgrounds render the narrative world beautiful and strange yet entirely comprehensible, as the film depicts an epic chase from humanity’s past.

Loving cult film and idiosyncratic musical portrait of summer festivities in the Catalan village of Crespià, with early performances by the well-known faces from the work of Serra.

Short science fiction film, a companion piece to Kluge's Der Große Verhau and Willi Tobler und der Untergang der 6. Flotte.

Short propaganda film. Warsaw's post-war reconstruction as seen through the eyes of the passengers of a red bus.

27년 간의 식물인간 상태에서 깨어난 소설가 신효. 누구에게도 인정받지 못했던 젊은 시절과 달리 현실에서 그는 ‘전설’이 되어 있다. 그러나 그는 출판된 소설들이 자신이 쓴 원작과는 완전히 다르다는 것을 발견하고, 의문을 풀기 위해 ‘우연제’와 단서를 쥐고 있는 27년 전의 인물을 찾아 나서기 시작한다. 젊은 작가들의 작업실 ‘우연제’를 만든 당대 최고 소설가 김기진의 아들이지만 아버지에 대한 열등감을 감추고 있는 성환, 신효의 재능에 헌신했지만 결국 그를 파멸로 몰고 가는 여자 재혜, 여공 출신의 성공한 젊은 소설가지만 문단의 질시로 주저앉고 마는 경미. 과연 신효를 대신해 불멸의 명작을 완성한 이는 누구일까?

The terrorist Fors arrested after an attack on a OPEC meeting. Shortly afterwards town minister's daughter gets kidnapped by two men who require Fors be released and that he will flight phase to Albania. SÄPO agent Olsson will handle the case.

As if we were in a small town. An ordinary day in a kid’s life. An incredibly hot day. Here everything is unique. One gang. One game. One field. One girl. In the span of one day, how can this boy arrive at such a changing point in his life from which there is no return?

A three hour shot containing light, dark, and a BNSF train in the desert.

이 작품은 35mm로 촬영되었고, 영화 전체를 걸쳐 다중 노출을 사용한다. 여러 이미지가 한데 보이는 장면들은 우리에게 자연에서 도시로 변화하는 것을 동시에 보여준다. 오닐은 또한 긴 패닝과 트래킹 샷을 사용하는데, 이는 특별히 디자인된 컴퓨터로 작동하는 움직임으로 컨트롤한 것으로 오리지널 테이크에 정확하게 다른 레이어를 추가할 수 있게 한다. 그는 또는 영화의 많은 부분에 저속 촬영을 사용했다.