Finally Got the News (1970)
장르 : 다큐멘터리
상영시간 : 57분
연출 : Stewart Bird, Rene Lichtman, Peter Gessner
시놉시스
FINALLY GOT THE NEWS is a forceful, unique documentary that reveals the activities of the League of Revolutionary Black Workers inside and outside the auto factories of Detroit. Through interviews with the members of the movement, footage shot in the auto plants, and footage of leafleting and picketing actions, the film documents their efforts to build an independent black labor organization that, unlike the UAW, will respond to worker's problems, such as the assembly line speed-up and inadequate wages faced by both black and white workers in the industry. Beginning with a historical montage, from the early days of slavery through the subsequent growth and organization of the working class, FINALLY GOT THE NEWS focuses on the crucial role played by the black worker in the American economy. Also explored is the educational 'tracking' system for both white and black youth, the role of African American women in the labor force, and relations between white and black workers.
1899년 뉴욕, 거리에는 뉴스보이들이 '더 월드' 신문을 팔고 있다. 이 구역의 뉴스보이들 중 우두머리는 '잭 캘리'로 언젠가 평화롭고 행복만 가득한곳으로 가서 살 날을 꿈꾼다. 그러던 어느 날, '더 월드'는 더 많은 수익은 내기 위해 뉴스보이들이 신문을 팔기위해 사는 신문의 값을 더 올려버리는데.. 심지어 신문을 다 팔지 못하는 뉴스보이는 그 부담을 다 떠안아야하는 상황! 잭은 이 불공평한 현실을 받아들이지 않고 '더 월드'와 맞서 싸우기 위해 노동조합을 설립하는데... 전세계인들의 극찬을 받은 브로드웨이 뮤지컬 "뉴시즈"를 실황 영상으로 만나본다!
A Sicilian worker, a member of the internal commission in a factory in Bergamasco, believes he has won it over the owner because he has obtained important improvements, but the astute employer sells the company to a multinational company.
무척 인간적인 과학 기술 다큐멘터리로 우버, 아마존, 딜리버루 같은 기업에서 일하는 전 세계 노동자들의 삶을 조명하며, 플랫폼 경제가 실제로 어떤 비용을 초래하고 있는지를 폭로하는 작품이다.
Circumstances force the union leader of a factory to marry his own boss, a rich and arrogant lady who has ulterior motives.
Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.
동성금속 단조반에 신입 주완익이 들어오고 단조반원들은 그를 환영한다. 200여 명의 단조반원 중 가난을 벗어버리고 싶은 한수에게는 소박한 꿈이 있다. 동생을 대학에 보내고, 봉제공장에 다니는 미자와 결혼하여 단란한 가정을 꾸리는 것. 한편 김 전무는 노조 결성에 대비해 치밀한 사전 준비를 해나가고, 한수는 평소에 알고 지내던 주임에게 회사 편에 선 노동자로 포섭된다. 단조반원의 중심인물인 석구와 원기는 노조 건설을 결의하고, 단조반원들은 잔업 및 특근 거부 등을 벌이며 노조 설립을 준비한다. 주임으로부터 반장 승진을 제안 받은 한수는 완익을 밀고한다. 이로 인해 완익의 대학생 신분이 발각되고, 해고와 동시에 구속된다. 노조 창립 이후 회사는 노조 핵심 인물들을 해고하지만, 노조원들은 출근 투쟁을 벌이며 회사와 맞선다. 그러던 중 원기가 피습당하는 사건이 발생하고, 노조원들은 이를 한수의 짓이라 생각한다. 이 일로 한수는 관리자들의 농간에 놀아났음을 알게 된다. 회사 측은 폭력배들을 고용해 점거 농성 중인 해고 노동자들을 무력으로 진압한다. 노조원들을 바리게이드를 쌓고 대항하지만, 이들의 무차별적 폭력에 속수무책으로 당하고 공장 밖으로 무참히 끌려 나간다. 한수는 동료들의 비참한 모습을 외면하지 못하고, 공장 기계 가동을 멈추고 다른 노동자들과 함께 그들을 구하러 나간다.
The rebel leader Jose Real is allowed to leave prison for one day to visit his family. But it is a ruse to make him reveal the whereabouts of his rebel gang. This existential drama disguised as a saga about the proletarian struggle presents a lonely and insecure individual who is challenged to act more heroically than he is prepared to, but who constantly questions his confidence and loyalties.
It was women who closed the gates and launched the Solidarity strike when, on a Saturday in August 1980, workers, satisfied with a raise, stopped their protest and wanted to leave the Gdansk shipyard. If it had not been for the initiative of several determined women, perhaps there would not have been any August 1980 in Polish history. Under martial law, with the men in prisons, the women took on their role. They were not interested neither in joining the union’s power structure, nor in particular posts. The most important thing was their work and its results. When communism in Poland came to an end on June 4, 1989, the vast majority of women in Solidarity disappeared from the political stage. They let themselves be forgotten when their colleagues were taking over the most important posts in power in a free Poland. This documentary by Marta Dzido and Piotr Śliwowski reminds us about these forgotten heroines, giving us a new perspective on the last 30 years of Polish history.
FINALLY GOT THE NEWS is a forceful, unique documentary that reveals the activities of the League of Revolutionary Black Workers inside and outside the auto factories of Detroit. Through interviews with the members of the movement, footage shot in the auto plants, and footage of leafleting and picketing actions, the film documents their efforts to build an independent black labor organization that, unlike the UAW, will respond to worker's problems, such as the assembly line speed-up and inadequate wages faced by both black and white workers in the industry. Beginning with a historical montage, from the early days of slavery through the subsequent growth and organization of the working class, FINALLY GOT THE NEWS focuses on the crucial role played by the black worker in the American economy. Also explored is the educational 'tracking' system for both white and black youth, the role of African American women in the labor force, and relations between white and black workers.
A mixture of documentary and fiction examines the new god of Capitalism offered to the Serbs with the ending of state socialism. We look at a number of strikes in Belgrade during the late 2000s and these introduce us to several characters playing themselves. Employees dressed in American football helmets and pads square up with employers' heavies in their bullet-proof vests, resulting in explosive situations. A visit from the Russian tycoon's representative and vice president Joe Biden's arrival further complicates the proceedings.
Biographical portrait of the labor movement and left wing movement in Uruguay, "Conversations with Turiansky" combines two stories. The first portrays the son of immigrants, the engineer passionate about the mystery of electricity, the man in love, the movie buff. The other places the protagonist in his time: union struggles, the advance of authoritarianism, prison and the challenges of the present. In both are present the lucidity, commitment, discreet tenderness and humor of Wladimir Turiansky.
Since its adoption in June 1955 by the Congress movement, the Freedom Charter has been the key political document that acted as a beacon and source of inspiration in the liberation struggle against Apartheid. It was reputedly the main source that informed democratic South Africa’s liberal constitution and a constant reference point for the ruling African National Congress (ANC) and rival political parties that it spawned since 1994, all claiming the Freedom Charter’s legacy. Freedom Isn’t Free assesses the history and role of the charter, especially in relation to key political and socio-economic aspects of developments in South Africa up to the present period. It includes rare archival footage with interviews of a cross-section of outspoken influential South Africans.
A film documenting work shortages during the Depression of the 1930s and the attempts to deal with the unemployed, in particular young men. The film discusses the establishment of relief camps and projects, where men were paid twenty cents per day; the founding of organizations such as the Co-operative Commonwealth Federation (CCF), Workers' Unity League, and Relief Camp Workers' Union; general unionization and protest of the unemployed, including the On To Ottawa Trek, Regina Riot, sit-in strike from May to June 1938 at the Vancouver Main Post Office, Vancouver Art Gallery and Hotel Georgia, and the resulting Bloody Sunday of June 19.
Gdańsk, Poland, September 1980. Lech Wałęsa and other Lenin shipyard workers found Solidarność (Solidarity), the first independent trade union behind the Iron Curtain. The long and hard battle to bring down communist dictatorship has begun.
An explosion in one of the largest chemical plants in Europe, the Petrochemical complex in Tarragona, triggers the labour struggle of a group of workers who demand what is fair for everyone.
The film investigates an industry considered one of the pillars of growth during Kirchnerism in which, during these years, relations and conflicts were drawn between the manufacturers - foreign in its entirety -, the auto parts companies, the Argentine government, the Brazilian one, the union leaderships. -centrally from SMATA-, the workers and the left. The documentary delves into the interests that intersect and the confrontations that originate between the different actors in the chain, which became clear in recent times when the industry, which aspired to reach one million cars manufactured per year, began to regress. The different actors of the "Journey to the Center of Production" are intertwined in the conflict of the auto parts company Gestamp, which opened a dispute regarding who pays for the crisis in the sector and what solutions are seen in that dispute.
스턴트의 달인 아홉 명이 모여서 각종 엽기적인 스턴트를 선보인다.
일반인들은 도저히 상상조차 할 수 없는 비정상적인(?) 행위부터 재미 삼아 사람들을 놀리는 단순한 몰래 카메라 형식의 장난까지…
이렇게 그들이 벌이는 스턴트 행위를 에피소드 별로 편집하여 90분간 폭소와 입을 다물지 못하는 놀라움에 빠지게 한다. 2000년 MTV를 통해 첫 방송된 동명의 TV 시리즈를 극장 개봉용 영화로 만들었다. TV 시리즈 는 극장판의 연출을 맡은 제프 트레메인 감독과 조니 녹스빌, 의 감독 스파이크 존스가 함께 창안한 프로그램, 온갖 스턴트에 도전하는 고정 출연진의 황당하면서도 아찔한 모습을 즐기라는 컨셉이다. 극장판 역시 내용이나 구성 등 TV 시리즈와 다를 바 없다.
For a book project, photographer Timothy Greenfield-Sanders took photographs of 30 stars of adult movies, each pair of photographs in the same pose, clothed and nude. This film records the photo shoots and includes interviews with the performers and commentary from eight writers (and John Waters). The actors and writers discuss economics, nudity and exhibitionism, careers, and private lives.
승무원은 이제 Jackass 2.0에서 남긴 것을 끝내기 위해 출발했습니다.이 버전에서는 Wee Man이 식음료 쇼핑몰에서 미니 모터 바이크 깜짝 놀이기, 정자 테스트, 몸가짐 테스트 킹콩으로 위장한 승무원뿐만 아니라 인도에서의 들뜬 모험의 3 회 에피소드도 포함됩니다
