Los Tarantos (1963)

고요한 초록빛의 다뉴브 강가. 이 곳에 터를 닦아 자손을 낳고 살고 있는 두 집시 집안이 있다. 먼저 1세대. 그르가와 자리야. 그들은 생사고락을 함께 한 친구사이지만 25년동안 만나지 않을 정도로 애증 관계에 있다. 다음으로 자리야의 아들인 마초. 그는 그르가의 옛 똘마니였던 다단과 역시 서로 씹고 씹히는 관계 속에서 근근히 우정을 유지하고 있는 2세대 친구간이다. 그리고 3세대. 마초의 외아들 자레와 다단의 여동생 딱정벌레 이름은 따로 있지만 난쟁이만한 키를 가진 그녀를 두고 사람들은 그렇게 부른다. 이제 이야기의 전개는 2세대부터. 집안을 책임져야 하는 처지이지만 늘 놀고 먹는 한심한 백수, 마초 어쩌다 결혼식을 앞둔 하루 전, 천지신명의 도움인지 손자를 도와주려는 할아버지의 마지막 베품인지, 자리야가 세상을 뜬다. 마초는 당장 다단에게 달려가 결혼식과 장례식을 한꺼번에 치룰 수 없다고 하지만 다단을 사망소식을 사흘 후로 연기할 것을 종용한다. 어쩔 수 없이 다음 날, 마초의 집 마당에선 결혼식이 치뤄지고 혼인 서약이 울려퍼진다. 난장판 분위기의 피로연. 급기야 난쟁이 신부가 도망을 치는데. 한편 일전에 사업 자금을 꾸러 온 마초의 거짓말로 친구가 죽은 줄 알고 있던 그르가. 그는 키다리 손자와 뚱땡이 손자를 데리고 친구의 묘를 방문하러 이 말으로 오고 있던 중 이었다. 오는 도중 길을 잃은 그르가의 마차는 도망치던 신부와 맞딱뜨리게 되고 이 순간 불꽃이 튀는 두 사람이 생긴다. 딱정벌레와 그르가의 키다리 손자. 둘은 운명적인 만남을 감지하고 첫눈에 사랑에 빠지는데. 그르가의 등장으로 인해 한때 그의 돈을 떼먹었던 다단은 울며겨자먹기로 여동생과 키다리 손자와의 결혼을 승낙하고, 자레는 사랑하던 마을 처녀와 짝이 지워진다. 그러나 불행하게도 그날 밤 그르가마저 세상을 뜬다. 자 이제 자신이 원하던 짝을 되찾았던 이 두 커플은 어찌 될 것인가?

The everyday life of accountant Levante, his family and the other people of a small town in the Tuscan countryside is taken by storm by the serendipitous arrival of five beautiful flamenco dancers from Spain.

행복한 서른, 포피는 일도 열심, 노는 것도 열심이다. 개성 넘치는 패션 스타일로 오해를 사기도 하지만 포피는 아이들에게 고루고루 신경을 쏟는 훌륭한 초등학교 선생님! 수업을 마치면 공중돌기, 플라멩코 댄스에 도전하고 주말이면 친구들과 클럽에서 밤새 놀기도하며 독신생활을 만끽하고 있다. 잃어버린 자전거를 대신해 자동차 운전연수를 받기로 한 포피, 그러나 까칠한 성격의 운전교사 스콧은 한없이 긍정적인 포피에게도 만만치 않은 상대다. 한편 관대하면서도 책임감 넘치고, 여유로우면서도 유쾌 발랄한 그녀에게 너무너무 잘 어울리는 키다리 매력남이 등장하는데...

A small Spanish town, Villar del Río, is alerted to the upcoming visit of American diplomats and its ruling townsmen begin preparations to impress the American visitors, in the hopes of benefiting under the Marshall Plan. Hoping to demonstrate the side of Spanish culture with which the visiting foreign officials would be more familiarized, the Castilian citizens don unfamiliar Andalusian costumes, hire a renowned flamenco performer, and re-decorate their town in Andalusian style, meantime waiting for their uncertain arrival.

부카레스트역에 도착한 한 파리청년은 멀리서 어렴풋이 들리는 독특한 여인의 목소리에 매혹된다. 그는 이 소리를 따라 도심의 외곽까지 나가게 되고 그곳에서 백인들에 의해 내몰린 집시무리들을 발견한다. 집시들과 함께 생활을 하게 된 그는 집시들의 매혹적인 문화를 배우며 그들이 직면하고 있는 사회의 편견을 목격하게 되는데...

A look at the history and traditions of flamenco music and dance.

The protagonist, Bora, is a charming but mean-spirited gypsy, while his older wife, Lence, is submissive. Bora is in love with the younger Tisa, who is being offered in marriage by her father. The two get themselves in trouble and eventually have to flee. Tisa rejects her husband and she and Bora get married in the church, and their adventures continue.

Gypsy Romeo and Juliet: A boy and a girl from rival families fall in love.

Caco is a proud, handsome man, head of a family, and very powerful in the local community. Yet he has been torn to pieces by the death of his beloved daughter. He constantly visits her grave, weeps silently at her photo and has transferred all his wildly protective love and attention onto his mentally challenged nephew, Diego. It seems that Diego's father, Caco's brother, is in hiding after having killed a man from the Caravaca family, who are equally powerful in the community. They are looking for vengeance and have come to Caco for justice. When he refuses to betray his brother, the Caravacas grow impatient. When they realize they are getting nowhere, they threaten to kill Diego. Despite his fierce pride, Caco eventually realizes that the cycle of killing and revenge must be broken. But how can he achieve this and protect everyone he loves?

Waiters’ competition at Heroes’ Square in the late thirties. Dressed as waiters, Kapa and Pepe awake in the bronze chariot of the millennial sculpture group. They drive along the Danube promenade, and on the concrete reinforcement of the demolished Budapest rondella hotel they get involved in a showdown of political background. In the burnt-down Sports Hall the waiters train for a last supper, Pepe and Kapa run around the big laid table with trays in their hands. While doing so, Pepe keeps crying out: "I am the best one, I am the most beautiful one, I am the king, I am the god..." Sitting in a boat on the Danube, a ship goes past them, and the Niagara falls, majestic and breathtaking, resound in their ears. On each passing away something new will come to life – as rapped by Sub Bass Monster.

The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

The movement of a bullfighter's body died in America originates a massive concentration of people in an Andalusian people. Owed to the influence of so many persons, all the houses are enabled, even the brothel.

A tragedy looms for a young Gypsy violinist whose half brother is in the throes of first love.

The story unfolds in Bilbao. Rocío (Emma Suárez), is in love with Mario (Antonio Banderas), a free rider with a lot of face that, to top it all, is partner of the business of her father, Domingo (Francisco Rabal) with whom she maintains incestuous relations. When Domingo passes away, both Mario and Rocío's mother have to put to the front of the business, finishing with the inheritance that could receive Rocío. In the midst of her frustration, a young business worker, secretly in love with Rocío, will try to have the legacy of her father end up in the hands of his rightful heiress.

In his time of greatest splendor, the singer Miguel 'Bambino' Vargas Jiménez (1940-99) was the last frontier of flamenco, an immense musical genre that he developed and brought closer to large audiences: an artist of artists, the idol of the roadside bars, whose inimitable style, scenic magnetism and heartbreaking personality made of his figure a myth, a king without a kingdom, a giant of the popular music of the 20th century.

Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.

RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.

A famous painter returns to Spain under a false name as he once had to run away, to meet his half gypsy daughter, who has become a flamenco dancer. He offers her his house, making popular rumors take flight.