The Line of Destiny (1956)

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

After getting through the O/L Examination with outstanding results, Anuththara with his friends eagerly look forward to experience their final years in school as seniors in the A/L class. They befriend Ahinsa and the other new girls who join their school. Ahinsa draws everyone’s attention for her smartness as well as her cheerful yet mysterious behaviour. Her irregular school attendance and the rumours circulating about her, make the others suspect that there’s a hidden story behind her cheerfulness.

Rangana is a young musician from the working classes who dreams big. His aim is to rise above his station, even as he toils the low-rent barroom circuit with his band, playing night after night to under-appreciative crowds to make a frugal living. Tanya is the love of his life, the woman whom all this will be worth achieving. She is just finishing school. As he toils through the nights, his need of a mode of transport - a motor bicycle - becomes more and more apparent. He dreams of one day collecting enough money to buy one, finally buying a second hand motorbike despite his mother's great protest. He now wants to taste his new found freedom with his beloved Tanya, along the city streets of Colombo. As Rangana and Tanya embark on this motorbike journey across the city, questions about their present, challenges to their future and the very essence of their lives is brought to the fore, in "Motor Bicycle."

Goal is the story of bunch of ordinary village children who challenge the impossible with the help of a teacher who refuses to see them fail.

반군 단체를 무너뜨리려는 목적으로 섬에 잠입한 인도 첩보원. 전쟁의 포화에 휩싸인 그곳에서 한 열정적인 기자를 만난다.

내전을 피해 망명하기로 한 주인공은 브로커에게 ‘디판’이란 남자의 신분증을 산다. 처음 만난 여자와 소녀를 자신의 가족인 양 꾸민 뒤 위험을 무릅쓰고 프랑스에 도착한 그는 일자리를 찾아 파리 외곽의 동네로 향한다. 시민권을 얻을 때까지 가족 행세를 해야 하는 세 사람, 모든 것이 낯설었지만 서로의 존재 덕분에 그들은 조금씩 웃음을 되찾아간다. 하지만 자신들이 새로 택한 터전이 갱들이 지배하는 무법지대임을 알게 되면서 또 한 번의 위기가 찾아오는데…

우렁찬 코끼리 울음소리로 시작하는 이 모험 액션영화는, 실론의 정글속에서 벌어지는 남녀간의 로맨스와 삼각관계의 갈등 코끼리떼와 벌이는 인간의 대결구조가 볼 만한 부담없는 작품이다. 이 영화는 아프리카가 무대가 아니라 실론 (지금의 인도네시아) 차 농장이 그 무대로 결혼한 지 얼마안된 여주인공 루스 윌리 (엘리자베스 테일러)가 새로운 환경과 시아버지에 대한 강박관념 때문에 환경에 적응하는 못하는 상황을 그려준다.

Chandar is a black leopard who lives near the beach of Ceylon (Sri Lanka) together with his mother and his sister.

A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.

Heena Hoyana Samanallu (Dreaming Butterflies) (Sinhalese: හීන හොයන සමනල්ලු) is a 2017 Sri Lankan Sinhala family drama film directed by Rohan Perera and produced by Sunil T Fernando for Sunil T Films. Shehan, who belongs to a higher middle class family is the only child of Madhavi (Dilhani Ekanayake) and Adithya (Saumya Liyanage). Their lives changed unexpectedly when Shehan is diagnosed with leukemia.

After his wife leaves him, a man with a severe case of OCD who fears that his own urine is contaminating everything around him, admits himself to a mental hospital for treatment to overcome his fear and win his wife back.

Bimba Devi alias Yashodhara is a 2018 Sri Lankan Sinhala language epic, biographical drama film written and directed by professor Sunil Ariyaratne. This historical biographical film film depicts the life of princess Yashodhara, the wife of Prince Siddhartha.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.

Wassanaye Sanda (Moon of the Autumn) (Sinhalese: වස්සානයේ සඳ ) is a 2018 Sri Lankan Sinhala romantic drama film directed by Udayakantha Warnasuriya. It follows the story of two young lovers Mihiri & Sandesh and struggles they face.

Adarei Man (I Love) (Sinhalese: ආදරෙයි මං) is a 2018 Sri Lankan Sinhala romance film directed by Prageeth Rathnayake as his maiden direction and produced by Jagath Chandana for Romeo’s Eye Picture. It is the love tale of a rich but kind hearted boy named Pavan and his relation with a middle class girl named Malmi

Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.

리랑카의 두 청년 마노즈와 스탠리. 가난한 고국을 벗어나 서양에서 일자리를 잡고 새로운 삶을 시작하고 싶지만, 그들이 할 수 있는 건 매번 거절당하는 비자 신청에 서로를 위로하는 것뿐이다. 그러던 어느 날, 두 사람은 독일 바바리아에서 열리는 국제 핸드볼 대회의 초청장을 우연히 발견하고, 친구와 동료 들을 끌어모아 참가신청서를 제출한다. 마침내 스리랑카 핸드볼 국가대표가 된 마노즈와 친구들. 독일 공항에 도착하자마자 각자 흩어질 계획을 세우는 그들은 끝을 알 수 없는 여정을 위해 마침내 비행기에 오른다.

Baddegama or, more correctly, Beddegama is a 1980 award winning Sinhalese language film directed by Lester James Peries that follows the lives of village people in British Colonial Sri Lanka. The film is based on the 1913 book titled as "The Village in the Jungle" by Leonard Woolf.

Jeevan (Kunchacko Boban) and Salim (Biju Menon) are taxi drivers in Gulf.They live in a small apartment which they share with Kumar (Neeraj Madhav). A Sri Lanka Native Thamara Enters their life and they are forced to accommodate her in their apartment . The events happened in their life is the plot of Madhura Naranga.

A home-guard serviceman assigned the task of standing watch over a barren no-man's-land begins to experience an existential crisis after years of lonely service.

Bound together by the voice of Lamont, a young black man pushed by the constant surveillance of his everyday life to discover the real power is off-screen. Lamont uncovers a living and breathing New York City with his new found power. At the same time, actress Iris refusal to die in an audition spurs her to get out of the pretentious grind of being in. She becomes the focus of Lamonts camera as he follows Iris into her psychological descent, while her roommate Mira, is desperate for fame no matter the price.