Changing Skins (1997)
장르 : 코미디
상영시간 : 1시간 30분
연출 : Andreas Dresen
시놉시스
Inspired by West German terrorists, two pupils hijack a teacher in the GDR.//"Andreas Dresen is one of the most successful contemporary German filmmakers whose career began as the Berlin Wall was crumbling."// “Andreas Dresen’s films open a window into the hearts and minds of everyday people facing-yet not always surmounting-life’s challenges. Like Andrzej Wajda, Dresen consistently portrays the human condition with honest insight and compassion.”//
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Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
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The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.
A stylish and humorous short feature about vampires living in Paris.
Loosely based on the story of serial killer Dennis Nilsen, it explores the interwoven notions of loneliness, desire and trust. Founded upon the conviction that societal homophobia often results in tragic consequences, the work grapples with the disturbing forces that drove Nilsen to kill for company.
A man is hired by a group of people he believes to be gangsters to escort a briefcase from America to Hong Kong. When he arrives, however, his contact is nowhere to be found. With no further instructions, he decides to take in the sights of Hong Kong, which consist of him taking part in a great deal of blood, sex and general weirdness, all while wearing a briefcase handcuffed to his arm.
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