Tough Guise: Violence, Media & the Crisis in Masculinity (1999)

The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.

This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. The film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.

현대 인도 여성들을 둘러싼 두 개의 극단적인 풍경. 카메라는 미인 대회 입상을 통해 부와 명예를 거머쥐려는 젊은 여성들과 힌두교 근본주의 교리를 좇아 병영식 생활을 참아내는 어린 소녀들의 모습을 여과 없이 담고 있다. 현대 인도 사회 내부에 존재하는 문화 충돌의 격류를 충격적이면서도 매력적으로 잘 묘사하고 있는 작품. (2012년 9회 EBS 국제다큐영화제)

Those krazed VHS-hunting pupz from Everything Is Terrible! (everyone’s favorite found footage chop shoppe) are back with their third inner-eye-opening feature, containing a feat never before attempted in either human or canine history. EIT! asks but two simple questions, “What if we make a movie composed ENTIRELY out of dog-related found footage?” and ‘'What if this magickal movie, made up of thousands of other dog movies, is also a remake of Alejandro Jodorowsky’s 1973 masterpiece The Holy Mountain?” Well, let’s stop asking dumb rhetorical questions because this never-ending spiral of World-Pup winning, sunglasses-wearing, murder-solving, skateboarding pooches is real! No Bonez about it, this is it! Are you dog enough to go fetch it? ARFFFFFF!

In 1996, Tsurisaki Kiyotaka, one of Japan’s most infamous death photographers, ventured into the center of Hell itself - the Rue Morgue neighborhood of Bogota, Colombia. With death and murder rampant, the corpses eventually find their way to embalmer Froilan Orozco, who has been tending the dead for over 50 years. We watch as bodies are brought in to his shop and he prepares them for their funerals.

Men, most of them naked, talk about their penises. They range from 17 to 70+, all from the U.S. The interviews are edited around themes: discovery, early sexual experiences, masturbation, size, oral sex, libido, performance, disease and maladies, maturity. A lexicographer discusses language, especially slang; a few archival educational-film clips divide the topics. Images and stories mix with facts and philosophical reflection. The usually private becomes public.

Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."

A powerful exploration of the evangelical campaign to infuse African culture with values imported from America's Christian Right. The film follows American and Ugandan religious leaders fighting sexual immorality and missionaries trying to convince Ugandans to follow biblical law.