Paris (1998)

A loving couple Martin and Lea have some problems with each other too.

카스트로는 직장을 구하기 위해 애인과 함께 도시로 떠난다. 그런데 의문의 남자들이 카스트로의 행방을 쫓는다. 거기다 카스트로와 거의 헤어지다시피 한 아내까지 그를 뒤쫓기 시작한다. 카스트로는 자신을 뒤쫓는 자들을 피해 도시의 거리를 달리고 또 달린다. 작가 새뮤얼 베케트의 1938년작 『머피』에서 영감을 얻었다고 한다. 긴장을 늦출 수 없는 도심 추격전은 우스꽝스러우면서도 신선한 혼돈에 빠지기도 한다.

During the Battle of Sutjeska, partisan troops must endure 24 hours of big and heavy attacks on German units Ljubino grave, to the main Partisan units, with the wounded and the Supreme Headquarters, pulled out the ring that is tightened around them.

A band of thugs belonging to an organized crime family assaults several casinos at the same time creating death and panic in their wake. As they flee the scenes of their crimes police begin to close in on them, so they quickly hide themselves in a villa owned by a wealthy industrialist taking him and his family hostage.

The Film revolves around life and struggle of Farmer, who has to pay his electricity bill and is tired of dealing with the corrupt systems in bureaucracy and politics in India.

Emma is a teenager when she is the victim of a terrible road accident in London, and needs psychiatric care after she suffers from resulting brain injury. Her mother, Silvia, confines her in the house, and Emma's personality becomes aggressive, leading to a regrettable series of violent deaths.

Two screwballs get mixed up with monsters, mad scientists and vampires.

This documentary examines the life and legacy of controversial Italian filmmaker Lucio Fulci through interviews with his colleagues, each of whom answers the question, "What is your fondest memory of Lucio Fulci?". The responses are as varied as the people who knew the late writer-director, providing a nuanced look at the man behind such gory grindhouse classics as City of the Living Dead and The House by the Cemetery.

An aging soccer player has a part-time girlfriend, a young fan, and doubts about throwing a game.

A tribe of primitive "mudpeople" encounter a croquet ball, rolling through their forest. Following it, they find themselves on a vast, deserted Long Island estate. Entering, they begin to become civilized and assume the stereotypical roles and dress of people at a weekend party. There follows an allegory of upper-class behavior. At last, they begin to devolve toward their original status, and after a battle at croquet, they disappear into the woods.

In 1988, after much cunning political maneuvering, Loïk Le Floch-Prigent and Alfred Sirven become the chief executives at Elf. They discover a company that runs on kickbacks: in exchange for the oil rights, Elf makes handsome but discreet payoffs to the leaders of African nations. With the tacit complicity of President Mitterrand, and with eventual political and personal interests in mind, the new management takes charge of the slush fund. Within months, Sirven, Le Floch-Prigent and his wife Fatima Belaïd fill their pockets with more than they could ever have imagined.

Mother stands in for a runaway bride and marries the groom by proxy, then both set out to convince her daughter to reconsider. Later they mistake the missing bride and her companion for two escaped convicts and pursue them with a sex obsessed teenage boy in tow. All paths cross at a remote motel run by a jilted church deacon.

Adrenaline junkie Roger Gilbert leads an otherwise ordinary life until one day he rides to where no man had ridden before.... the planet Stardust 420.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.

Moody, atmospheric ghost story starring Mason as a retired tradesman who purchases an old mansion that has been vacant for 40 years because it is believed to be haunted by the spirit of a young woman who had died there. Unaware of the mansion's reputation, Mason and his wife Mullen move in and hire a young woman, Lockwood, to keep house. Soon after Lockwood's arrival, strange things begin to happen in the household, and it becomes apparent that she is possessed by the spirit of the dead girl, though Mason scoffs at the idea. On death's door and bedridden, Lockwood asks for the same doctor who treated the woman who died 40 years ago. He arrives and treats her. The next morning Lockwood is cured, and it is revealed by the police that the doctor's dead body was found in his carriage hours before the time Mason claims he arrived to see Lockwood. Convinced that not only the ghost of the girl but that of the doctor as well entered his home, Mason finally believes in the supernatural.

This film follows a year in the life of a young African-American girl as she turns 13. Temporarily running away from home to sort out her life, which of course sends her family and friends into a frenzy, she soon returns with new purpose - to buy a car. This sends her into a working frenzy - baby sitting, mowing lawns, washing cars, and pursuing jobs obviously advertised for adults. The film ends with Nina's 14th birthday and promise of her future.

Sci-fi story about a man (Timothy Dwight) on the run from a Big Brother-like security force.

A Texas oil driller schemes to steal millions of dollars in oil.

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.