The Way She Was (1979)

레일라는 자신이 가지고 있는 모든 감정적, 육체적 욕망을 낯선 이와의 섹스를 통해서 해소하려고 한다. 어느 날 밤, 클럽 파티에서 우연히 데이비드라는 남자를 만나 첫 눈에 반해버린다. 그 둘은 우연히 다시 만나게 되고, 레일라가 적극적으로 다가가보지만 데이비드는 그녀에게서 도망쳐버린다. 하지만 머지 않아 데이비드 또한 걷잡을 수 없는 감정에 레일라를 찾아가고 둘은 즐거운 시간을 함께 보낸다. 데이비드를 만난 후 라일라는 난생 처음으로 사랑이란 감정을 깨닫게 되고, 제어 되지 않는 자신의 마음 때문에 힘들어 한다. 그러던 어느 날, 데이비드의 아버지의 죽음으로 둘 사이에 긴장감이 맴도는데...

On a Tuesday night, five couples have separate sexual adventures. Matt and Kris, friends for years, want to have an only-once, no-strings good time. Abby and Andrew, married, celebrate his birthday, but it's marred by angst and miscommunication. Mia and Eric are exes, making sure they are over each other. Jaime and Ken work together and this is a first date. Inez and Gord invite his roommate, Dave, to join them. By the time each couple has gone through a prelude, foreplay, sex, an interlude, orgasm, and afterglow, they've answered basic questions: can sex be anonymous, are we bored, is our marriage really finished, does anyone tell the truth, and how do we make someone happy?

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

Michelle De Winter lives the good life, wining and dining with only the richest men who are fortunate to cross her path. Her daughter Yvette, whom Michelle insists on introducing as her 'niece', is a fashion model. She is saving herself for the right man, despite the fact that she is part of the free love generation and lives with a group of promiscuous creative types. While Michelle is searching for a new millionaire playboy, Yvette falls for the handsome Peter Von Hallstein. She asks the fatherly Dr. Fink to help her come up with a scheme to get Peter to propose to he

Eve is dressed in a long raincoat and follows the handyman around as he makes his appointed rounds. She watches as he has humorous run-ins while cleaning toilets, taking scrap metal to the dump, cleaning windows, delivering a tree, climbing poles, and remaining a gentleman while trying to help a topless hitchhiker. But why is she watching him so carefully?

A filmed burlesque show, staged at the El Rey Theater in Oakland, CA.

Adolf Schwartz has been killed. Who did it? No-one knows or cares, as they're too busy being distracted by busty Margo Winchester, who hitch-hikes into town and gets involved with all the local men.

A man searches for his brother on an island where a vicious woman keeps slaves on a plantation.

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

A scientist discovers a way to turn cow manure into energy. Two secret agents are dispatched to find out the formula but they devote more time to having sex with each other than they do going after the scientist. Pretty soon everyone in the area is after the scientist but they also wind up spending more time having sex with each other.

Filli and the cavemen from "When Women Had Tails" are living a carefree life inside a dinosaur skeleton. But when conman Ham introduces them to the concept of currency and economics, their lives fall apart. On top of that, Filli starts to fall in love with Ham.

New Yorker Carlo Cofield goes on a vacation to Southern California, where he quickly becomes immersed in the easy-going local culture while getting entangled in two beachside romances.

A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.

Sex-Power is a sweet bit of candy-colored psychedelic fluff with an astringent dose of agitprop militancy in its chewy center. While most of the film is in English there is occasional French dialog without the benefit of English subtitles, but you hardly need to know French to get the gist of what is happening. This is the tale of a young Frenchman who arrives in Northern California looking to forget a lost love (Jane Birkin) and ends up encountering various forms of feminine power as embodied by Bernadette Lafonte as Salome and Catherine Marshall as “la fille moderne.” The film moves through space and time in an impressionistic, lysergic dreaminess.

The tormented loves of the young Ottavio, first for the countess Gamiani and then for the writer Georges Sand.

어느 날 '포르노' 행성에서 발사된 섹스 광선이 지구에 쏟아진다. 광선을 맞은 시민들은 옷을 벅어 던지고 발정하고. 혼란에 빠진 인류를 구하기 위해 우리릐 전사 '플레쉬'와 그 짝패들이 출동한다.

Isabelle (Marisa Mell) runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev (Robert Hossein), a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac (Alberto Dalbes), the owner of the place, decides to close the castle...