Na krásnom modrom Dunaji (1994)

지브롤터에서 00섹션 요원들의 모의훈련 도중 004가 의문의 죽음을 당한다. 한편 소련 고관 코스코프가 체코에서 망명을 하려하는데 이에 007이 돕게 된다. 이 과정에서 코스코프를 사살하려는 첼리스트 여자 저격수를 처치하려하나 이상한 예감에 가벼운 상처만 입힌다. 영국 정보부는 코스코프에게서 소련의 푸쉬킨 장군이 영국과 미국의 스파이를 암살하는 스미어트 스피어넘 작전을 진행 중이라는 정보를 얻게 되지만 이 모든 것은 무기 판매상 휘태커와 손잡은 코스코프가 푸쉬킨을 제거하려는 게획이었는데...

Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.

Set in a sleepy Austrian mountain village, ex-detective Simon Brenner has grown weary of his job repossessing cars and embarks on an extended getaway to the countryside. But before long he becomes embroiled in the convoluted world of the locals of a supposedly quiet town.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

쾌락을 찾아서, 죽음을 맞으러, 여행을 떠난다! 베스와 휘트니, 그리고 로나는 동유럽 여행 중 우연히 만난 모델 엑셀의 제안으로 슬로바키아의 한 호스텔에 가게 된다. 호스텔의 주인은 그 지역의 수확제에 참가 할 것을 제안하고, 은밀히 그들의 여권 사진과 정보를 각지 고객들에게 보낸다. 헌팅 클럽의 고객들은 살인할 대상을 차지하기 위한 치열한 경매를 펼친다. 한편 토드와 스튜어트는 낙찰받은 여자들을 죽이기 위해 슬로바키아로 오는데...

Based on the true story of Valerie Solanas who was a 1960s radical preaching hatred toward men in her "Scum" manifesto. She wrote a screenplay for a film that she wanted Andy Warhol to produce, but he continued to ignore her. So she shot him. This is Valerie's story.

In 1969, Taylor Mead complained to his friend artist Wynn Chamberlain that Andy Warhol had never paid him for any of the work he had done for him and Wynn said he would make a film especially for Taylor. Inspired by the banality of 1960's television, Chamberlain wrote and directed Brand X, an 87 minute series of faux television shows spoofing the politics and mass media of the day, complete with commercials for Sex, Sweat, Computer Dating and Peanut Butter. BRAND X follows Taylor Mead through a day in a wacky television studio as he portrays an exercise guru, a talk show host, a veteran returning from the American Civil War, a hospital patient in a soap opera, the President of the United States and a televangelist giving the Nightly Sermon. BRAND X satirizes President Nixon, the Vietnam War, sex, drugs, computers, money and race relations.

Songs for Drella is a concept album by Lou Reed and John Cale, both formerly of The Velvet Underground, and is dedicated to the memory of Andy Warhol, their mentor, who had died unexpectedly in 1987. Drella was a nickname for Warhol coined by Warhol Superstar Ondine, a contraction of Dracula and Cinderella, used by Warhol's crowd. The song cycle focuses on Warhol's interpersonal relations and experiences, with songs falling roughly into three categories: Warhol's first-person perspective (which makes up the vast majority of the album), third-person narratives chronicling events and affairs, and first-person commentaries on Warhol by Reed and Cale themselves. The songs on the album are, to some extent, in chronological order.

A rock band is on the brink of super-stardom. Until now they've juggled their music career with cocaine smuggling. The musicians and their manager wish to sever ties with organized-crime, leave the drug world behind and concentrate on music. They are coerced into doing one last job for the Mob. They lose the $2 million of cocaine and find themselves marked men unless they can fulfill their obligations.

James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.

Written 30 years earlier, Lou Reed’s hymn celebrates five flamboyant characters, each one a fragile icon from Andy Warhol’s Factory: Holly Woodlawn, Candy Darling, Joe Dalessandro, Joe Campbell (aka Sugar Plum Fairy) and Jackie Curtis. Over five delicate tableaux Stéphane Sednaoui films these young people proudly displaying their sexuality and creativity, each one dreaming of becoming a star on the New York scene.

Documentary about American artist and former Warhol superstar, Brigid Berlin.

Andy Warhol's Silver Flotations is a portrait of Warhol's famous installation of floating silver helium-filled balloons at the Leo Castelli Gallery in 1966. Willard Maas's lyrical "film poem" is the only visual document of this seminal exhibition.

Three celluloid letters sent from different parts of the globe to Paul Morrissey, director of Trash, Flesh and Heat, collaborator with Warhol and agent for the Velvet Underground.

Egotistical faded star Hedy Lamarr visits a plastic surgeon to be transformed into the "14-year-old girl" she believes herself to be. She is then caught shoplifting by Mary Woronov and is put on trial, with Tavel as the judge and her five ex-husbands the jury. Hedy remains self-centered and detached throughout, posing and primping and bursting out renditions of "I Feel Pretty" and "Young at Heart."

It's July 1976, and two Nova Scotian teens, Kit and Alice, are hitting the road with their sights on Sydney and their minds on the future. With them is Kit's new imaginary friend, who looks conspicuously like Andy Warhol, but who assures Kit that he is a spirit animal. Kit and Alice have big dreams, but do they really want the same things?

Interview with the italian composer Claudio Gizzi about his lifetime and work as part or the extras of the Blu-Ray edition from What? (Che?) (1972) from Roman Polanski

Captures the sculptor Marisol posing among her work.

Marisol has been posed against a light-coloured background and carefully lit from left and right. Her face emerges from the dark mass of her hair. The film is slightly out of focus throughout. At one point she glances off-screen, then resumes her gaze into the camera.