Epilogue (2005)

Less and Less, Luc Moullet’s 40th film, concerns development and expansion, from 1968 to 2010, of the devices based on computers, automats, interactive terminals and others that can be found everywhere.

A lyrical recreation of Lightnin’ Hopkins’ decision at age eight to stop chopping cotton and start singing for a living.

An atmospheric portrait of four women who leave the factory where they work to go to the beach.

A man believes all the advertising he hears.

An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except for her young grandson, who talks to her about the happy times they shared between the two of them when she was well.

In Rembrandt, Haanstra shows that it is possible to make a fascinating film only with images from paintings. He had to travel though all over Europe to numerous museums and private owners in order to film the works of art. In the work of the great painter, Haanstra recognizes his particular interest in man as an individual human being, cutting straight through all the religious motives. And Haanstra also wants to see Rembrandt as an individual.

The Bolivian community settled in Argentina celebrates over two consecutive Sundays in October the festival of their patron saint: Our Lady of Copacabana. Music and dance groups arrive from all over the country and meet in the Charrúa quarter in Buenos Aires. This celebration is the most important event for Bolivian immigrants and goes beyond folklore and religion to become a vibrant meeting place and bring about the cultural cohesion of traditions deeply-rooted in the collective memory of a people.

In the summer of 1924 Claude Friese-Greene, a pioneer of colour cinematography, set out from Cornwall with the aim of recording life on the road between Land’s End and John O’Groats. Entitled The Open Road, his remarkable travelogue was conceived as a series of shorts, 26 episodes in all, to be shown weekly at the cinema. The result is a fascinating portrait of inter-war Britain, in which town and country, people and landscapes are captured as never before, in a truly unique and rich colour palette.

In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.

The oldest Greek feature film to be saved, starring a burlesque comedian Sfakianos (or Villar), who had trained in France. Villar gets a job at a dry cleaner’s and wanders through Athens. He makes one gaffe after the other and gets involved in various adventures.

A young African man must try every trick in the book in this attempts to win the heart of the most beautiful girl in his village.

한 무리의 청년들이 이상한 의식을 시도하며 사회의 낡은 관습과 기성 세대를 비판한다. 이 중 한 명인 주인공은 마치 연극 무대처럼 텅빈 거리로 나와 이곳저곳을 돌아다닌다. 그러는 동안 주류 사회의 위선과 경직성, 사람들의 공허와 외로움이 초현실적인 분위기 속에서 드러난다. 현실의 문제를 다루면서도 핍진성의 요소를 의도적으로 빗겨가는 실험적 연출이 돋보이는 작품.

Short directed by Mansour Sora Wade.

A film diary in which Perlov films the minutiae of his and his family's day-to-day life. From these small bits, he builds up a broad picture of life in Israel in the '70s and '80s.

A look at the Baath party's project to construct a system of dams.

Using edited archive footage, mockery is made of Italy's dictator Benito Mussolini.

Standard Gauge is an autobiographical film that examines Morgan Fisher’s work as an editor in the film industry. The film goes through scraps of rejected material along with commentary on the meaning of all the scrapped images. This film is an account and critique of the processes of meaning within film production through an examination of both materialism and the institution of film itself.

Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.

A fascinating pictorial history of a New York City bar whose customers, from the hard-drinking working class Irish to the coiffed African American gay male, continually transform its focus during its 10-year reign.

A city symphony film in 16mm composed from advertising signs, building facades, fragments of music and conversation, and unmarked sites of vanished cultural landmarks in Los Angeles.