Abbandono (1970)
장르 :
상영시간 : 32분
연출 : Werner Nekes
시놉시스
"...Nekes retreats behind his film. What is left is a double portrait, in which neither Dore 0. nor the grand landscape remain unchanged. The cold of the icy coastline - long shots of stones, snow and the sea - dwindles away before the image of Dore 0. Solitude is superflous, when the grandiose mountain meadow invites somersaults. ... In this case Nekes handles what he shows considerately. He releases the objects he portrays. He allows them to unfold. And so model and patterns actually serve another purpose: to let poetry grow, and energy and beauty and confidence nell'abbandono." (Dietrich Kuhlbrodt, Filmkritik, 9/1971).
A part of Werner Nekes' lyrical anthology DIWAN.
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
An attempt to transform a Roman Western into a Greek tragedy.
“The changing dots, ectoplasmic shapes and electronic music of L. Schwartz’s ‘Mutations’ which has been shot with the aid of computers and lasers, makes for an eye-catching view of the potentials of the new techniques.” – A. H. Weiler, N. Y. Times
"His films are like a roller-coaster. His way of throwing the act of seeing into utter confusion is an attack on the eyes in their corporeal function, and to attack the eyes is to take on tile body itself as your opponent. The film makes you break out in sweat only by shooting a safe, peaceful gymnasium in the dark." - Koharu Kisaragi
Film in Which There Appear... is a six-minute loop of the double-printed image of a "China girl" or "Shirley card", her image off-center, making visible the sprocket holes and edge lettering on the film. According to Land, within the loop, "no development in the dramatic or musical sense" occurs. Fred Camper described Film in Which There Appear... as "a kind of Duchampian found object, a [...] film that focuses attention on the medium and the viewer."
Duras narrates a short story while the camera travels through the streets of Paris with short interludes of solemn music.
Short documentary of David Lynch building a lamp.
Two black bounty hunters ride into a small town out West in pursuit of an outlaw. They discover that the town has no sheriff, and soon take over that position, much against the will of the mostly white townsfolk.
테크놀로지가 정점에 이른 지구는 컴퓨터 네트워크의 기습적 침투로 붕괴 위기에 직면해있다. 컴퓨터가 인간의 사고와 감정을 대신해주며 추억까지 소프트웨어로 팔고 사는 시대다. 더구나 인류는 모든 전자기기가 방사하는 전자파에 의해 문명병, 죽음에 이르는 병인 NAS(New Nerve Attention Syndrome: 신경감퇴증)에 시달리고 있다. 실리콘 칩 메모리 확장 장치를 뇌에 이식해 놓은 조니(Johnny Mnemonic: 키에누 리브스 분)는 비밀정보를 입력한 후 의뢰인에게 전달하는 스페셜리스트이다. 그는 이 프로그램을 장치하기 위해 자신의 어린 시절 기억을 송두리째 지워버렸다. 하지만 조니는 머릿속의 칩을 제거하고 잃어버린 기억을 되찾으려 한다. 인간으로 되돌아가고자. 그러기 위해선 비싼 대가를 지불해야 한다. 그 돈을 마련하기 위해 조니는 위험한 마지막 거래를 떠맡는다. 세계에서 3번째로 규모가 큰 제약기업인 파마콤 소속 과학자 두명이 회사에서 빼낸 NAS 치료방법이 담긴 귀중한 데이터를 전달하는 것이다. 그러나 입력된 데이터는 조니의 용량을 훨씬 초과하는 것으로 최대한 빨리 다운로드 하지않으면 그는 곧 죽게 되는데...
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
The action of the film is direct: Holt walks through the tall grasses of a swamp while filming with her Bolex camera, guided only by what she can see through the camera lens and by Smithson's verbal instructions. The viewer experiences the walk from Holt's point of view, seeing through her camera lens and hearing Smithson's spoken directions. Vision is obstructed and perception distorted as they stumble through the swamp grasses.
Viola's seminal piece, The Reflecting Pool, was made three decades ago on analogue video tape and yet could easily pass for a contemporary digital piece; in it, Viola emerges as central protagonist from a thick forest into a clearing filled by an artificial pool. As the noise of an aeroplane slowly passes and fades overhead, Viola approaches the edge of the pool, whereby he removes his shoes, squats down yelling and then prepares to make a powerful jump.
노년의 요나스 메카스는 홈 비디오같은 사적 자료들을 통해 자신의 삶을 다시 돌아본다. 내밀하고 친밀한 분위기의 영상들은 때로 예상 외의 혼란과 낯선 기운을 포착하기도 한다. 스탠 브래키지, 알렌 긴스버그, 홀리스 프램튼, 백남준 등 동료 예술가들의 모습을 보는 것도 작은 재미를 준다.
Stop-motion photography blends with extreme slow-motion in Clair's first and most 'dada' film, composed of a series of zany, interconnected scenes. We witness a rooftop chess match between Marcel Duchamp and Man Ray, a hearse pulled by a camel (and chased by its pallbearers) and a dizzying roller coaster finale. A film of contradictions and agreements.
같은 동네에 사는 잭과 데이빗은 동시에 실비아를 사랑하고 있는 사랑의 라이벌이다. 1차 대전이 발발하자 두 남자는 같이 공군에 입대하지만, 이곳에서도 계속 경쟁을 이어나간다. 오랜 기간 필름이 분실되었다가 1992년에야 기적적으로 다시 관객과 만날 수 있었다.
전성기는 40년 전, 대표작은 단 하나뿐인 왕년의 웨스턴 무비스타 ‘리 헤이든’에게 어느 날 서부극 보존 협회의 평생 공로상이 주어진다.
시상식에서 전한 즉흥적이고 솔직했던 수상소감으로 뜻밖에도 많은 이들에게 깊은 인상을 남긴 ‘리’. 단 하루의 기적으로 그토록 원하던 배우로서의 길을 다시 걷게 되는데…
Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.
A 2012 short-film, text by Theodore J. Kaczynski, made of scans of a document from an FBI Laboratory, about the danger of experiments with accelerated particles.
The first part (winter) of a seasonal study of the Hudson river in New York.
