Lettre à la prison (1969)
장르 : 드라마
상영시간 : 1시간 15분
연출 : Marc Scialom
시놉시스
In 1970, Tahar, a young Tunisian, travels to France for the first time to help his older brother, who is wrongly accused of murder and incarcerated in Paris. He first stops in Marseille, where he meets Tunisians very different from those familiar to him; enigmatic French people; and a strange atmosphere that makes him doubt his brother’s innocence, his own innocence and his own mental integrity.
Underworld: Endless War is a collection of three short, anime-style tie-in stories – whose creation was supervised by Len Wiseman, director of the first 2 Underworld movies and producer of Underworld 3 & 4 – each tell a different story, and at different periods of history to highlight new events of the Underworld mythology. These stories also tell of what happened before the events in Underworld: Awakening.
인종차별주의, 가난, 질병이 산재해있던 1930년대 초 LA의 벙커힐을 배경으로 작가지망생인 콜로라도 출신 청년과 아름답고 침착한 성격의 멕시코 여인의 로맨스를 담은 영화.
The Short Films of David Lynch (2002) is a DVD collection of the early student and commissioned film work of American filmmaker David Lynch. As such, the collection does not include Lynch's later short work, which are listed in the filmography. The films are listed in chronological order, with brief descriptions of each film. The DVD contains introductions by Lynch to each film, which can be viewed individually or in sequence. # 1 Six Figures Getting Sick (Six Times) # 2 The Alphabet # 3 The Grandmother # 4 The Amputee # 5 The Cowboy and the Frenchman # 6 Premonitions Following an Evil Deed
이제 막 의사자격증을 손에 쥔 아프리카 콩고 출신 ‘세욜로’는 프랑스 시민권을 얻기 위해 프랑스 북부의 시골 마을 ‘말리 고몽’의 의사가 되기로 결심한다. 말리 고몽은 파리에서 300km나 떨어진 곳으로, 주민 전체가 흑인을 평생 본 적 없는 깡촌. 말리 고몽 시장은 흑인인 세욜로가 절대 마을 주민들에게 환영 받지 못할 거라고 만류하지만, 그는 한술 더 떠 아프리카의 가족들까지 모두 프랑스로 불러들이며 핑크빛 미래를 꿈꾼다. 프랑스 하면 파리!? 세욜로의 가족은 에펠탑과 샹제리제를 상상하며 한껏 들떠 말리 고몽에 도착했는데… 오~마이 갓! 여기는 고향 콩고 보다 더 낙후된 마을. 세욜로 가족은 크게 실망하고, 설상가상 살면서 흑인을 처음 본 마을 사람들은 그들을 마치 벌레 보듯 경계하기만 하는데…
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
백인 우월주의에 빠져있는 한 무리의 사람들이 있다. 마을의 작은 슈퍼마켓에서 우연히 마주친 흑인 남성이 자신의 아이에게 미소를 짓자 백인 남자는 폭발하고, 그 흑인 남성은 가족 앞에서 무차별 폭행을 당하게 된다. 그렇게 끝날 줄 알았던 사건은 폭력을 행사한 백인 남자가 납치를 당하면서 또 다른 국면을 맞게 된다. 이 단편은 아직까지도 인종 차별이 만연한 미국을 배경으로 충격적인 엔딩을 선사하는데, 폭력에 폭력으로 맞서는 현 사회에 대한 씁쓸함을 다시 한번 느끼게 만든다.
Emma is a young woman who's yet to find herself. In the meantime, she has to deal with the high expectations that society has set for women.
Glimpses and sparkles of light lead us onto the dreamy path of a timeless place, immersed within ancient nature. There, the ancestors move beyond the darkness, seeking to create another (im)possible world.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
미국 실험영화의 새로운 흐름을 이룩했다는 평을 얻은 실험영화의 고전. 내러티브 없이 유사한 장면들이 반복, 순환됨으로써 마치 꿈을 재현한 듯한 느낌을 주는 초현실주의 작품이다. 어느 여성이 꿈 속에서 또 다시 꿈을 꾸는 듯한 나선형 구조이며, 떨어지는 열쇠, 빵을 자르는 칼, 전화기, 거울 등의 상징적 오브제가 반복 등장한다. 흔히 정신분석학적으로 해석되기도 하는 이 영화의 목적을 마야 데렌은 ‘신화적인 경험을 창조하기 위함’이라 밝힌 바 있다. 마야 데렌이 여주인공으로서 직접 출연하며, 두 번째 남편인 알렉산더 해미드와 2주 여의 시간 동안 자신들의 집에서 손수 촬영했다. 대표작이라 불리는 이 첫 번째 작품으로 마야 데렌은 감각을 뒤흔드는 미학을 만들어 내며 차별적인 실험적, 독립적인 초기 미국 여성 영화의 근간을 마련하였다.
닐 블롬캠프 감독의 'Oats Studios' SF 단편 프로젝트 첫번째작. 기술적으로 우월한 외계종족의 침략으로 무너져버린 인류에 대한 이야기이다. 절망적인 약탈과 무자비함에도 불구하고 사람들은 계속 싸울 용기가 남아있었다.
Suzie, a hopeful fashion school graduate seeks inspiration in the city of Paris after moving in with her famous DJ boyfriend. Bored and left alone in an unfamiliar city, Suzie attends a mysterious fashion show, where she soon finds out that there is something sinister going on beneath the designer clothing.
Investigating autumn, temporal alterations, and their effect on movement
A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.
휴양도시 니스에 관한 매혹적이면서도 신랄한 관찰. 아름다운 풍광을 지닌 관광지로서의 니스가 아니라, 웨이터, 청소부, 댄서 등 그 안에서 살아가고 있는 사람들의 모습을 카메라에 담아 역동적인 삶의 활기를 보여주는 한편 해변과 거리에서 나른하게 소일하는 관광객들의 모습을 통해 사회의 모순과 위선을 꼬집고 있다. (필름포럼 - 2011년 에세이영화 특별상영)
Each day after work, Carlos, a language school teacher, frequents the heady surroundings of his local cruising ground. One evening he encounters a teenage boy from his class named Toni, and the two engage in a brief sexual tryst. As the relationship between teacher and student begins to develop, some dark truths emerge about the young man and his mysterious group of friends.
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The true story of Saartjes Baartman, a black South African worker who moves to London with her master in the early 19th century. Although she dreams of being an artist, once in Europe she is exploited as a sideshow attraction due to her large buttocks and genitalia.
A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth?
Filmed in France in 1950, it was not completed nor released until 1971