The Seer Who Walks Alone (1985)

In this East German film, the third one in The Third is Margit's third lover. After her mother's death, Margit has two affairs which don't work out, and one lesbian friendship which she retains. She is looking for a husband, though, and thinks she has spotted a candidate in her fellow factory worker. As she contemplates marrying him, her story is told in a series of flashbacks.

In order to stop a vampire from terrorizing the countryside, some locals decide to break into his coffin at night and steal his ashes. Complications ensue.

Otto Scheidel (Manfred Krug) has been captain of the Elbe steamer Jenissei for over twenty years, but his ship, the last of its kind, is going to be converted into a floating restaurant. Otto, whose his strong attachment to the ship has already cost him his relationship with his girlfriend Caramba (Renate Krößner), refuses to take another job and instead joins a railway construction brigade.

Dr. Charon and his group of mad scientists built a neutron bomb with trying to blackmail the free world for global power. But the hero appears, Neutron, who, with the help of Dr. Thomas and reporter Nora spoil those plans.

Vampire hunters track down a vampire and attempt to steal the ashes from his coffin in order to stop him from reviving nightly.

The film begins when Eugenio, a 14 year old child, is conduced from his grandparents home outside Rome, to Giancarlo (his father) in the city, by Giancarlo's friend (called "Moustache"). As Eugenio is bothering Moustache, he threatens Eugenio with leaving him in the middle of the country. He finally does it. When Giancarlo finds out, they return for Eugenio, but he is now lost. Meanwhile we're told the story of the child and his relation with the family, and why he feels unwanted.

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

The film portrays the Swedish playwright, novelist, poet, essayist and painter August Strindberg's life 1849-1912. Through his extensive correspondence and literary production, from the supposed first work, the drama "The Free Thinker" (1869), to the posthumously published "The Occult Diary" (published 1977 ). But also his three wives, Siri von Essen, Frida Uhl and Harriet Bosse, and the children Karin, Greta and Hans are given space in the film. The unpublished first drama "The Free Thinker", depicts a young man forced to break with family and tradition to follow his conscience and ideals, becomes a prophecy about the author's own life.

어느 한 시간과 또 다른 시간과의 연결에 관해 이야기 하고 있다. 영화는 전통과 근대성, 과거와 현재, 동서양문화의 혼합 등에서 발생하는 구체화된 긴장감들이 나타나고 있는 현대 일본사회 속을 파고 들어간다. 사회 속의 여러 모습을 담은 장면들을 혼합하면서, 감독은 우리가 살아가고 있는 순간에 대한 자신의 주관을 관객에게 전달해 준다. 또한 다양한 효과들(화면분할이나 프레임 속 프레임 등)을 사용하여, 현재 일본에 대한 시각을 재구성할 수 있는 비디오의 모든 잠재 가능성을 실험하고 있다.

Young and correct Paquito meets a girl on the streets of Buenos Aires. They spend some time around the city, while discovering the outgoing and enigmatic character of Delia.

A short film that sets up an opposition between functional forms of industrial age and decorative ones from Indian tradition.

In this picture, the barrier epitomizes the line between reality and dreams, the pattern of harmony and happiness. The delicate, pretty, sensitive Dorotea and the sedate middle-aged composer Antoni meet by chance. He gives her shelter in his house. Famous composer falls under the spell of young Dorothea: A pretty, thin-skinned, though quite an eccentric girl.

Barbara, a young girl, lives in an old country house with her father and her teacher. One night, she dreams that a fireman enters her room through the window. Having grown, Barbara leaves her father to travel across the world, before coming back to her childhood fantasies: one day, she calls the firemen, and locks herself with one of them in her bedroom.

장 라신느의 1670년도 비극을 화려한 바로크 양식으로 각색한 작품. 로마제국의 황제는 대중의 뜻에 따라, 사랑했던 팔레스타인 여왕과의 결혼을 포기한다.

Lisandro Alonso returns to La Pampa, to the same locations of Freedom, to shoot his Carta para Serra (or Sin título), with a camera that seems to float among the vegetation. He has the company of Misael Saavedra, and yet instead of looking back (or making a tribute to his actors, because that was the subject in Fantasma) this movie seeks to be a prologue for his next one.

A young couple go on a picnic in the forest, where the woman reveals that she is pregnant.

A Soviet dam project means that many old Ukrainian villages will end up under water. There are conflicts between the dam engineers and villagers who don't want to move.

A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.

Keiko Suzuki is a lonely waitress in Tokyo. Her father passes away of cancer and she becomes obsessed with the passage of time. And so, three weeks before her 22nd birthday, she decides to record this period of time in the most accurate way possible, regardless of how lonely or banal this record ends up being.

프랑수아즈는 친구 드니스와 함께 고급 부티크를 돌아다닌다. 그런데 프랑수아즈는 사랑하는 남편 앙리에게 애인이 있다는 것을 알게 된다. 화가 난 프랑수아즈는 집을 나와 보헤미안 예술가들이 모여 사는 에스트라파드 거리에 방을 구한다. 앙리는 아내를 되찾고 싶어 하지만, 프랑수아즈는 더 이상 남편을 믿지 못하고, 더구나 그녀는 가난한 음악가에게 마음이 흔들린다. "앙투안과 아투아네트" "에두아르와 카롤린"에 이어 파리의 젊은 커플들의 이야기를 다룬 세 번째 작품이다.