The Sack (1966)

Visionary, radical, spiritual seeker, renowned poet, founding member of a major literary movement, champion of human rights, Buddhist, political activist and teacher. Allen Ginsberg's remarkable life challenged the very soul of the United States.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.

In 1950, when a young communist director arrives to take charge of a stud farm, his efforts to draw on the experience of the old hands there meet with little success. Indeed, so outraged are they at the changeover to communism that they harass him at every turn, especially after he treats a local barmaid as if she were a whore of some kind. After administering a beating to him, the old hands are nonetheless incensed when he calls on the police. The director doesn't get enough help, however, because the stable hands stab him before running off for the border.

A wife, tired of her husband's non-stop carousing, sues him for divorce. The judge, however, comes up with a novel solution--he makes the husband take his wife's place in the household--including dressing like her--for 30 days to see what it's like to be his wife.

Journalists from all over America meet Marlon Brando in a New York hotel room to interview him about his new film, Morituri. Seeing this as an opportunity to let the legendary actor promote the film, they find Brando unwilling to talk about it, instead he is more interested in larking about and turning on the charm when being interviewed by a former winner of the Miss USA competition.

Bruno, a bisexual but closeted young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother Ringo. Mari doesn't know that when the boys go off to work together in the city they raise cash by turning tricks and burglarizing houses.

The Sultan of Zanzibar has a harbor infested with sharks, which makes it impossible for ships to trade with him. In an attempt to fix the problem, he brings twelve hippos into the harbor to keep the sharks away. His idea works well enough, but once the hippos are no longer a novelty and the people no longer feed them, they begin to starve. After the hungry hippos rampage through the city looking for food, Aban-Khan, the king's adviser, slaughters all the hippos except one, a little hippo named Hugo.

A priest arrives in a village and give advice and comfort to different people. He meets a wheelchair-bound former representative of the Communist party, a woman who is dying of tuberculosis and an astronomer who sings in a punk band.

Artist David Hockney discusses his theory that artists were secretly using optical devices such as mirrors and lenses in creating their work as early as the 15th century.

Now when he had left speaking, he said unto Simon, launch out into the deep and let down your nets for a draught. And Simon answering said unto him, Master, we have toiled all the night, and have taken nothing: nevertheless at thy world I will let down the net.

A moving story of a bright and sensitive schoolboy growing up in an old, established boarding school in the city of Debrecen in eastern Hungary.

The film is set over the course of a New Year's Eve night in the Croatian port city of Split, where it follows three parallel plots. The first plot line features a small-time drug dealer Nike (Marinko Prga) and a young widow Marija (Nives Ivankovic); the second plot line deals with a drug addict called Maja (Marija Skaricic) who decides to have sex with an US Navy sailor called Franky (Coolio) in exchange for some heroin; the third one shows a young couple, Luka and Andela (Vicko Bilandzic and Ivana Roscic) who spend the night desperately looking for a place to celebrate the New Year by having their first sexual experience. The plots are connected through Dino Dvornik's concert, where all of them pass through at some point, and through the omnipresent fireworks that dot the night sky over the course of the film.

A country boy comes to Budapest to study and tries desperately to retain his integrity amid the corruption of the capital.

Filmmaker Jack Bond and Salvador Dali got together at Christmas 1965 to make Dali in New York, a highly entertaining film. Dali devoted two weeks of his life to creating extraordinary scenes for the film, performing "manifestations" with a plaster cast. A thousand ants and one million dollars in cash. When he confronts the feminist writer, Jane Arden, sparks fly. "You are my Slave! I am not your slave. Everybody is my slave." Dali recalls his meeting with Freud, "The last human relationship ever" About his wife, 'But for Gala I would be lying in a gutter somewhere covered with lice" Jim Desmond's dazzling cinematography captures the great artist painting as Flamenco virtuoso Manitas de Plata performs. Dali in New York is a rare treat for anyone who loves film and the living theatre of Dali's surreal universe.

During the worldwide Depression of the 1930s, a young shopgirl is in love with a man of her own financial class, but succumbs to the seductive machinations of her wealthy boss.

A divorced middle-aged woman takes home an ardent suitor, only to discover that he prefers her teenage son. The mother is an overworked coffee-shop attendant, the suitor turns out to be a plain-clothes policeman and the boy is a frustrated flautist.

Self fashion show.

동유럽의 떠오르는 신예 감독 6인이 ‘세대’라는 주제를 가지고 각각의 단편을 만들었다. 독립적인 애니메이션은 니콜라이 니키틴의 주도 아래 진행된 이 프로젝트의 단편들을 하나로 묶어주는 기능을 한다. 공산주의 붕괴 이후 첫 세대의 목소리를 담고 있는 이 영화는 동유럽이 이제 새로운 하나의 유럽에 동참할 준비가 되어있다는 것을 확신시켜 주는 동시에 이 영화를 통해 동유럽인들 스스로가 자신들을 성찰하고 있음을 보여준다.