페라리 (2023)

Leon Watkins runs a community helpline in South Central LA, where anyone in need of help is welcome. One of his most frequent visitors is local gang leader, John Wesley Hunter, otherwise known as “Joker” to the streets. After a day of hustling and almost losing his life in a shoot-out, Joker goes to the one place where he knows he can get help. All in a typical day’s work for Leon until an unlikely woman shows up insisting on aiding him in his fight for his community. This unlikely team defies social constructs by working together to actively fight oppression and gain nation-wide recognition for a hidden reality of many. Along their way they experience the deep-seeded hatred that has plagued America, great love, and tragedy as they leave behind a legacy.

Victoria Ocampo was born into the Argentine oligarchy at the end of the 19th century, but her privileges did not exempt her from living in a patriarchal society. Thusly, she knew how to disengage in the stereotypes of her time.

A young advertising executive, blinded in a gun accident, attempts to rebuild his life and career by living through a nightclub entertainer who befriends him.

Kristine and her husband Dr. Richard Carlson had an amazing life with their two daughters. But when Richard tragically passes away, Kristine is knocked off balance. Comfortable with living in Richard’s shadow, she is now forced to navigate the unchartered territory of becoming a single mom while dealing with pressure to become the new face and voice of the “Don’t Sweat the Small Stuff” brand. Looking deep inside herself, Kristine comes to understand the true essence of emotional authenticity and not sweating the small stuff, which leads to the resilience and confidence needed to carry on the legacy of the beloved brand.

Satirical artist and art director, Suzanne Heintz, adopted her fake family more than 15 years ago to challenge persisting stereotypes about women's lives.

미국 여성운동에 앞장선 저널리스트이자 페미니스트인 글로리아 스타이넘의 전기영화

Giant of cinema, the embodiment of creation, Orson Welles is the man who reinvents the film language at 24-years old. Who is hidding behind this impressive figure? This movie is a journey towards the man behind the legend. It drags us into the labyrinth with multiple mirrors that Welles erases and recreates at the mercy of his imagination.

Based on the true story of Matthew Winkler, a beloved minister who, in 2006, was found shot and killed in his Selmer, Tennessee home, his wife and young daughters missing. Authorities soon zeroed in on Matthew's wife, Mary, as the prime suspect in the murder. After her capture, the residents of Selmer were left to wonder what would drive Mary to shoot her husband in the back as he slept. They would get their answers during her trial, when what went on behind the closed doors of this seemingly perfect family was revealed for all to see.

A theatrical documentary about Hrytsko Chubai, a genius of Ukrainian poetry, a connoisseur of literature, art and music and the brightest representative of Lviv underground culture of late 60s early 70s.

The life and career of two-time Oscar winner Vivien Leigh, who battled tuberculosis and manic-depression but always remained a star.

A featurette on L. Frank Baum, author of The Wonderful Wizard of Oz and other children's books.

회색고래 가족, 거대한 빙벽에 갇혀 돌아갈 길을 잃다! 1988년 모두가 서로를 향해 날을 세우고 있던 냉전이 한창이던 때, 조용하기만 하던 알래스카의 작은 마을에 큰 뉴스거리가 생겼다. 먹이를 찾아 북극까지 찾아온 회색고래 가족이 거대한 빙벽에 갇혀버린 것! 우연히 이를 발견한 뉴스 리포터 ‘아담’(존 크라신스키)에 의해 회색고래 가족의 상황이 전국에 알려진다. 기적 같은 희망, 전세계가 힘을 모아 따뜻한 손길을 내밀다! 방송을 본 그린피스 자원봉사자 ‘레이첼’(드류 베리모어)이 고래가족의 구출작전에 합류하고 주지사에 도움을 요청하지만 이를 무시하자, 인터뷰를 통해 위험에 처한 회색고래 가족에 대한 관심을 호소한다. 결국 이는 국제적인 이슈로 떠오르며 냉랭했던 미국과 소련까지 화합해 전세계가 고래가족을 구하기 위해 한 마음으로 움직이는 전무후무한 사건이 벌어지는데… 과연, 전세계가 지켜보는 가운데 회색고래 세 가족은 무사히 구출될 수 있을까?

While walking home late one night, a man notices another man walking as well. Only this man has an eerie smile. What are his intentions?

Based on the boundary-breaking motorcycle journeys of Zenith Irfan who, at 20 years of age, is the first Pakistani woman to have made a solo motorcycle journey through the northern regions of the country.

전쟁으로 분열된 우크라이나 동부 돈바스 지역의 전쟁과 분열 상황을 희화한 작품. 는 연결되지 않는 파편적 장소와 에피소드들로 우크라이나의 현주소를 드러낸다. 거리, 회의장, 산부인과, 검문소, 버스, 사무실 등 다양한 공간에서 사람들은 돌출 행동을 한다. 관습과 편견 나아가 전형성을 기반으로 하는 동시에 뒤트는 이 영화는 마치 한바탕 소동극을 보는 것처럼 인물들의 부조리한 행동에 주목한다. 그리고 행위가 일어나는 공간을 지속적으로 의심하게 한다. 영화 속 공간이 모두 연극의 무대 공간 같기 때문이다. 전체를 관통하는 내러티브 없이 개별 인물들의 말과 행위를 나열하듯 풀어내던 영화는 점차 왜곡되고 부패한 사회를 마주하게 한다. 규칙도, 인권도, 신뢰도 무너진 사회에서 분열은 계속된다. 극의 마지막 장면은 지금까지의 소동들에 대한 또 다른 층위를 만들어낸다. 시작과 끝 사이에 일어난 다양한 상황에 대한 새로운 독해를 불러오는 놀라운 통증의 순간이다.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

아사노 타이기는 후나바시 공립고등학교 브라스 밴드 클럽의 멤버이다. 그는 작곡의 어려움에도 불구하고 이치후나 야구단을 위한 새로운 응원가를 만드는 데 도전하고, 전설적인 응원가 ‘이치후나 소울’을 만들어 낸다. 그후 고등학교를 졸업한 어느 날, 심각한 고통과 구토를 느끼던 아사노는 자신이 암에 걸렸다는 사실을 알게 된다.

휘트니 휴스턴 전기 영화. 영화 "보디가드"로 스타덤에 오른 순간부터 2012년 사망하기까지의 이야기