When the Oak Leaves Fall (1991)

장르 : 애니메이션, 코미디

상영시간 : 28분

연출 : Vlasta Pospíšilová

시놉시스

The story is a celebration of the cleverness and wit of the simple peasant Čupera, who triumphs not only over the demon of alcohol, but also over the bureaucratically persistent and thorough devil. The hell that the farmer goes through during the withdrawal process is stylized as a shantytown, a galley with a prison and a dehumanized night club.

출연진

Jan Werich
Jan Werich
Narrator (voice) (archive sound)

제작진

Vlasta Pospíšilová
Vlasta Pospíšilová
Director

비슷한 영화

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After confronting her fiancé, Paul, in a cheap motel, Betty discovers the horrifying secret that has kept him from sleeping for days.
The Haunted House
Mickey seeks shelter from a storm in a house that turns out to be haunted. The skeletons command him to play the organ; they dance and play along.
현명한 암탉
고전 단편 애니메이션 '현명한 암탉'에 도날드 덕이 데뷔한다. 옥수수를 심고 있는 작은 암탉은 돼지 피터와 도날드 덕으로부터 도움을 요청하지만, 둘 다 '배가 아프다'며 거절한다. 옥수수를 수확할 때가 되자 돼지 피터와 도날드는 여전히 암탉을 돕지 않고, 이에 암탉과 병아리들은 직접 수확을 한다. 마침내 암탉은 옥수수를 요리하고, 도날드와 돼지 피터에게 요리를 권하지만, 자세히 보니 그들은 놀라운 사실을 발견한다.
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맨해타
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
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생명의 빛
카메라없이 처음으로 만들어진 작품. 실제로 필름 위에 나방의 날개, 꽃잎 조각, 풀 등을 콜라주 형태로 붙여놓고 일련의 프린트 과정을 거친 작품으로 널리 알려져 있다. 이미 죽어버린 생명체가 작가의 손길을 거쳐 스크린 위에 다시 투영될 때의 빛의 숨결을 받아 새로운 생명으로 환생한다는 역설적인 메시지를 지니고 있다. 바로 빛의 깜박거림으로 인하여 영사기를 통해 보여지는 나방의 날개는 마치 살아서 움직이는 것같은 환상을 관객들에게 제공한다.
Eye Myth
After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth?