Maya Miriga (1984)
장르 : 가족, 드라마
상영시간 : 1시간 53분
연출 : Nirad N. Mahapatra
시놉시스
In this quiet drama about a large and loving family, what the parents want the most for their children -- a good education -- causes them to endure what they want the least for themselves, an empty house. As this engaging story opens, a retired schoolteacher and his wife are at home with their four grown sons and one daughter. The oldest son is a teacher whose wife is expecting a baby. The youngest son is a student in New Delhi and, defying custom, his young wife opts to go live with her own family while her husband is at school instead of remaining with her in-laws. Will her behavior and that of the younger generation undermine the tradition that holds the society and family together? After the youngest son graduates and gets a job, he and his wife move across the country to New Delhi. As the siblings continue to grow and develop their own lives and families, the mother and father face a gradual and inevitable adjustment to living without them.
미모의 보석 전문 털이범 '로라'는 칸느영화제에 수천만 달러의 보석을 몸에 걸친 모델이 참석할 것이라는 정보를 입수, 현장에 잠입한다. '로라'는 삼엄한 경비를 뚫고, 엄청난 양의 다이아몬드를 훔치는데 성공하지만 동료들을 따돌린 뒤 혼자 파리로 도망친다. 파리에서 미국으로 밀입국을 시도하기 위해 위조 여권단과 거래를 시도하던 '로라'는 낯선 사람들의 추격을 받게 되고, 놀라울 정도로 자신과 똑같은 외모를 지닌 '릴리'라는 여자의 집으로 우연히 숨어 든다. 그러나 '로라'는 바로 눈앞에서 '릴리'의 자살을 목격하고, 어두운 과거로부터 벗어나고 싶었던 '로라'는 완벽한 '릴리' 행세를 하며 미국행 비행기에 몸을 싣는다.
A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
선천적으로 앞을 못보는 마틴(Martin: 휴고 위빙 분)은 병약한 홀어머니 밑에서 성장하는데 자신이 장애아이기 때문에 어머니가 자신을 미워하고 미워하기 때문에 자기에게 진실을 말해주지 않고 모든 걸 속인다고 오해한다. 이처럼 심각한 피해 의식은 젊은 나이에 요절한 어머니의 죽음마저도 자기를 버리고 떠나기 위해서 조작된 거짓말이라고 믿게 만든다. 세상의 모든 걸 불신하는 마틴은 주위 사람들이 자신을 속이지 못하게 보이지는 않지만 육감으로 느끼는 주변의 풍경들을 사진으로 찍어서 증거로 남겨둔다. 그리고 이 증거품인 사진을 솔직하게 말해 줄만한 정직한 사람을 찾던 중 식당의 주방에서 일하는 앤디(Andy: 러셀 크로우 분)라는 착한 청년을 만나게 된다. 마틴은 자신이 찍은 사진과 자기에게 충실한 개 그리고 자기가 찍은 사진을 정직하게 설명해주는 앤디만을 믿고 의지하며 산다. 마틴을 사랑하기 때문에 마틴의 집에서 3년 반 동안 가정부로 일해 온 실리아(Celia: 제네비에브 피콧 분)는 자신보다 앤디를 더 믿는 것에 심한 질투를 느껴서 앤디를 모함하기 위한 계략으로 앤디를 유혹하는데...
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Led by Dylan Arnold (Oppenheimer, Halloween, Halloween Kills, Netflix's You), premiering at Cannes Court Métrage and landing its creators on Variety Magazine's "Students to Watch" list, Helpless comments on the high stakes of violence in America.
만희는 칸 영화제 출장 중에 부정직하다는 이유로 일자리에서 쫓겨난다. 클레어라는 여자는 선생인데 거기서 폴라로이드 카메라로 사진을 찍고 다닌다. 그러다 만희를 만나 그녀의 사정에 공감하게 된다. 클레어는 마치 여러 가능성의 만희를 미리 혹은 돌아가서 볼 수 있는 사람인 듯 하고, 그건 칸 해변의 신비한 굴을 통해서 그렇게 할 수 있을 것이다.
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While sailing on a yacht off the French Riviera a shy young man and the owner's daughter are shipwrecked on an island.
A quiet ukeleleist and his talkative manager struggle to realize their artistic vision in this comic story of loss and friendship.
No-budget satire on the bleak state of Italian film industry & distribution circa late-'80s-to-early-'90s. Mercurio, a down-to-earth, perennially underseen independent filmmaker, tries to get a distribution company to release his latest movie.
Two men, fifty years young, seduce younger women at the Cannes Film Festival and are quite successful as long as there are no youngsters among them.
A director and his actress go to the Cannes Film Festival, looking for money to finance a movie they wrote. But an unexpected incident will disturb their quest…
In Natal, on the Brazilian north coast, the country is preparing to launch its first manned space rocket into space. A couple lives with their two children near the space centre, she is a cleaner and he is a mechanic, but she dreams of other horizons.
After Kosovo's independence the first internationally recognized sports federation was the one of Table Tennis. Two local Ping-Pong enthusiasts see this as a great opportunity and start self-financing the training sessions for young players.
The Flemish singer Joe Haris has a gig in Cannes during the film festival at which he meets the lovely Diana who aspires to become an actress.
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.
Rachel is experiencing a cruel adolescence, both at home and outside of it; her unemployed father unloading his frustration and rage upon his wife and daughter. Rachel attempts to handle her violent father and protect her mother. Defenceless and exhausted, she and her mother try to comfort one another while awaiting some compassion.
