Algerian filmmaker Tariq Teguia wrote and directed this impressionistic look at a man whose life takes an unexpected turn far away from home. Malek (Abdelkader Affak) is a surveyor from Algeria who is semi-retired, but at the urging of a friend he takes an assignment in Oran. The region in question was the site of frequent battles during Oran's civil war, and an earlier survey that would make it possible to bring electrical utilities to the area was cut short by the fighting. While the zone is still unstable, Malek sets out to complete charting the area, and finds the locals regard him with suspicion and hostility. However, not everyone is disrespectful, and he discovers a young woman (Ines Rose Djakou) who is attracted to him, which leads him to consider abandoning his old life to run away with her. Inland was an official selection at the 2008 Venice Film Festival.
In the life of a young virologist appears a different kind of virus. The kind he wasn't expecting...
A young ordinary communist, Vasiliy Gubanov, was among many who took part in the construction of the most important facility for the young republic, the power plant. He did his job in a way that was beyond human ability. He could love, too, with a passion and a passion for self, but his life was cut short very early.
Following a brawl, Captain Ignat, who is traumatised by the death of his daughter, is ordered together with a regular soldier to find a deserter and bring him back via Moscow to stand before a military court. Although they locate the young soldier, their journey across the wintry moloch that is Moscow is slow and tortuous. Before long, the unlikely trio find themselves drawn into a chaotic maelstrom of violence, corruption, criminality, degradation and squalidness. In the face of the monstrous malaise and everyday horror of life in Russia, the gradual breakdown of the film’s anti-hero becomes a metaphor for Russian society.
A short thriller about the murder, and its aftermath, of a young girl.
A young doctor relocates to a remote region of central Asia, thinking his fiancee soon will join him ...
The life of Marcela, an ordinary Czech woman is explored throughout several decades of her life. We are engaged to struggle and fight back with Marcela as her tragic life unfolds before our eyes especially when dealing with her daughter’s unexpected death, which almost drives her to suicide. The film was initially part of a series about the fate of six married couples, but the events that happened throughout Marcela’s life were the reason why the director decided to focus solely on a documentary about her.
Based on a satirical short story by Fyodor Dostoyevsky concerning the escapades of a Russian civil servant.
The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.
특유의 형식적인 실험 대신 전통적인 방식의 내러티브 영화를 제작했지만, 아미르 나데리의 호기심은 여전히 왕성하다. 말 몇마디로 가정을 붕괴시키는 것이 가능할까? 라스베가스의 단란한 가족. 어느날 낯선 남자에게서 그들의 집 뒷마당에 백만달러가 뭏혀있다는 이야기를 듣자 미세한 균열이 발생하기 시작한다. 반신반의하던 그들은 결국 마당을 뒤지기 시작하고, 일단 마당을 파내기 시작하자 중단할 수 없는 것이 되어버린다. 이 모든 것이 리얼리티쇼의 내기였다는 설명을 들어도 자신들의 돈을 탐내는 누군가가 방해 하는 것이라고 생각할 뿐이다. 생활을 포기하고 뒷마당을 파는 것에만 매달리는 그들. 스스로 제어할 수 있는 범위를 벗어난 인간의 탐욕은 광기로 이어지고, 아무도 믿지 못하는 불안과 의심 속에서 가족은 허무할만큼 순식간에 붕괴되어 버린다. 끝까지 밀어붙이는 아미르 나데리의 집요한 상상력이 빛을 발한다. (옥미나)
10 minutes in the life of several deaf-and-dumb boarding school inmates are reconstructed in real time.
A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...
A sparkling film and surprising look into the middle ages by means of the story of Mariken, whose beauty is used by the devilish comedian Moenen to put people up against each other.
The story is about Charlie, a tik-using (methamphetamine) slacker. Charlie along with his two slacker friends journey through the impoverished shacks and the council flats of Hout Bay, in search of their next hit. Elton, Charlie’s honorable and respectable brother is missing. Only after hearing about his brother’s drug trail, does Charlie pieces together the puzzle that leads him to the truth of Elton’s whereabouts and that family is important. "Ongeriewe" is an authentic and gritty take on the grim reality of drug use when young people feel disempowered. It hits home that drugs offer no glamorous escapism.
A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.
Valentin and Valentina love each other and want to marry. But their mothers are strongly against this marriage. So strong is their hate that they can use any possible means.
Bored with her marriage, Franziska decides to travel to Venice.
Created and produced as a sample of the proposed (never realized) animated feature. "It was like a 30's musical in which Anita left the alligator farm to pursue her dream of opening the ultimate tropical nightclub. I had a script and storyboard [...] Nightclub of the future with live alligators and a tipsy train that serves drinks." -SC
What does a baby's cry have in common with the echo of a mountain yodler, and what connects the head tone of a Tuvin nomad with the stage show of a vocal artist? The answer is: THE VOICE. Against a background of powerful alpine vistas and modern city landscapes, "heimatklänge" enters the wondrous sonic world of three exceptional Swiss vocal artists. Their universe of sound extends far beyond what we would describe as singing. In their engagement with local and foreign traditions, the powerful mountain landscape becomes a stage as do the landscapes and sonic backdrops of modern life.
Aidai the baksy, or witch doctor, lives in the mountains and helps people. She uses mysterious actions to cure the sick and to give infertile couples children. As capitalist forces begin to encroach on tradition, the first casualty is any culture's most fundamental inheritance - land. The healer has to leave her land because the mob thinks the location is suitable for a filling station. A harsh battle between supernatural good and earthly evil ensues.
