The Catcher in the Rye (2008)

Pirk's fumbling voyages continue in Star Wreck III - Wrath of the Romuclans. There were improvements in the graphics, a more complicated storyline, and lots of new, tasteless humour. Many consider this to be the funniest of the old episodes, although Pirk's excessive swearing did raise a few eyebrows back int he day... Star Wreck III saw the first of the now traditional red-shirted security guard jokes. Having wrecked his ship in the previous episode, Pirk now commands a brand new starship, and is sent to investigate a Romuclan attack plan on a backwater space station. It all ends with the most massive space battle in the history of the P-fleet, and it's lead by Pirk... With odds like that, does humanity stand a chance?

The first Star Wreck animation was inspired by the classic computer game Star Control 2. Star Wreck I was drawn frame by frame using Deluxe Paint Animation, so the visuals are just as crude as the dialogue. Then again, this was one of Samuli's animations to have dialogue. The only thing Star Wreck I has in common with the later episodes are the characters' names. The so called plot is simple: Plingons are attacking Earth and the CPP Kickstart must fight them off. The story is bad, the graphics are bad and the acting is really bad. This is a classic!

See how Pirk got stranded in the past! Star Wreck V: Lost Contact was the first film to use live actors instead of cartoons. Real sets would have cost too much, so we decided to try bluescreen, just for fun. Our expectations weren't high, but it worked. So the movie was shot against a cheap blue bed-sheet and the blue background was replaced with spaceship bridges. The story was a parody of Star Trek: First Contact. The Korg send a ship back in time to 20th century Earth. The Kickstart, being the only functioning P-fleet ship around, has to follow. The Korg plan to assassinate rockstar Jeffrey Cochbrane (Played by Rudi Airisto and a pair of sunglasses) and his band Dethdestro before their concert attracts the attention of Vulgars. This would stop humanity's first contact aliens and change the future. If that wasn't bad enough, all Jeff wants to do is play loud and drink too much, but now Pirk and his crew must force him to save the world...

In Star Wreck IV: The Kilpailu ("kilpailu" is Finnish for "competition"), several new characters were introduced, now drawn by Rudi Airisto. He would like to take this opportunity to apologise for the silly-looking Ferret graphics - the palette simply ran out of colours. The Kickstart is sent to take part in a competition organised by a powerful alien race, the Zarquons. Further complicating Pirk's already impossible mission, Mr Spook, unable to bear Pirk's incompetence, resigns and returns to his home planet of Vulgarus. His replacement is Mr Info. Being a robot, Info is immune to Pirk's insults, but is at least as irritating as good old Spook.

Samuli returns to the crime scene in Star Wreck II: The Old Shit, this time with Rudi Airisto, who joins as a writer and the voice for the Vulgar, Mr. Spook. The second film is a huge improvement over the first in every way. This time the space battles and the bridge were rendered in 3D and more sounds and music were added. The acting was much improves and the crew come across as actual personalities. The film is full of slapstick humor and it actually works very well at times. This time, Pirk's mission is to go to the Fibula sector and destroy all enemies. But before getting to fire a single shot, the crew of the Kickstart must solve some serious problems on their own ship...

'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.