Three young women with dark, curly hair stand on a stage with a black background and patterned carpet or tile underfoot. They wear tights, ballet shoes, and frilly dresses to the knee with multiple petticoats and ruffled drawers. They begin by raising their right legs up by their heads, and then perform a dance with a variety of kicks and leg movements, their hands either in the air or pulling up their skirts. The sisters also grab their right legs again and hop in a circle, then do cartwheels and land on the floor in the splits. Jumping back to their feet, the women twirl in circles and around each other in circles in what appears to be a type of pirouette, while holding up their skirts and showing their bloomers in a manner similar to the cancan.
Three athletes make their way to wicker baskets that contain a mishmash of wacky costumes. They need to dress up as quickly as they can, and make their way back on the running track.
Daily practice of life boat crew, showing boat being upset purposely by the men. As these boats are self-righting and self-bailing, the scene is particularly interesting.
Yarmouth Fishing Boats Leaving Harbour is an 1896 British short black-and-white silent documentary film, directed by Birt Acres, featuring a fleet of fishing smacks leaving the harbour at Great Yarmouth, Norfolk, UK. The "attractive Victorian film," was according to Christian Hayes of BFI Screenonline, "one of the twenty-one subjects presented by Birt Acres to the royal family on 21st July 1896, the day before the marriage of Princess Maud to Prince Charles of Denmark, at one of the very first royal film performances."
