The Scheming Gambler's Paradise (1905)

칼립(아드리안 패스다 분)은 메이(제니 라이트 분)와의 첫번째 만남에서 호감을 느껴 데이트를 하지만 새벽이 다가오자 그녀는 마지막 키스의 혈흔만을 남긴 채 홀연히 사라진다. 메이는 태양을 피해 살 수 밖에 없는 뱀파이어 일당의 일원이었다. 이들의 희생물이 된 칼립은 마지막 순간에 메이의 도움으로 목숨을 건지는데, 이미 햇빛에 노출되어 온몸이 타들어가는 증세로 무자비한 살륙을 일삼는 테러 집단의 일원이 된다. 한편 칼립의 아버지 로이(팀 토머슨 분)와 여동생 사라(마시 리즈 분)는 그를 찾기 위해 끈질긴 추적을 벌여 변두리 모텔에서 칼립을 발견하지만 일당에게 다 잡히고 만다. 격투 끝에 탈출한 칼립은 아버지의 헌신적인 치료로 정상인이 되는 데 그 사이 사라가 일당에게 납치당한다. 메이와 사라를 구하려고 나선 칼립에게는 무서운 보복만이 기다리고 있는데...

1980년대 말 컴턴 출신인 닥터 드레, 이지-이, 아이스 큐브, MC 렌, DJ 옐라는 N.W.A를 결성, 빈곤과 차별에 대한 분노를 토해내는 랩을 선보이며 사회적 반향을 일으킨다. DJ의 꿈을 품지만 번번이 현실의 벽에 부딪치던 닥터 드레(코리 호킨스)는 아이스 큐브(오셔 잭슨 주니어), 이지-이(제이슨 미첼)와 함께 컴턴 지역의 삶과 흑인 차별을 그대로 반영한 갱스터 랩에 파고든다. 이들은 첫 싱글의 폭발적인 반응으로 전국구 스타가 되지만 매니저 제리(폴 지아마티)의 농간 때문에 수익이 제대로 분배되지 않자 아이스 큐브와 닥터 드레가 연이어 팀을 이탈한다.

중국계 이민자인 존 리(John Lee: 주윤발 분)는 전미 최고의 프로페셔널 킬러로, 조직적이고 거대한 범죄조직 사이에서 명령을 수행하며 잔혹하리만치 냉정하고 철두철미하게 킬러의 임무를 다한다. 한편 존은 베이찡에 두고 온 동생과 어머니를 미국으로 무사히 이주시키기 위해 마지막 임무를 맡게 된다. 그것은 LA의 최대의 지하 조직을 갖고 있는 미스터 웨이(Mr. Wei: 케네스 당 분)가, 마약밀거래 중 갑자기 덮친 LA 강력계 형사 스탄(Stan Zedkov: 마이클 루커 분)에게 아들을 잃고 그 복수로서 스탄의 아들을 저격하라는 것. 숨을 죽이며 스탄을 가족을 기다리던 존. 그러나 어린 아들과 함께 행복한 가정을 둔 스탄을 보자 차마 방아쇠를 당기지 못한다. 냉혹한 킬러의 세계에서 거역은 곧 제거를 의미하고, 그는 이제 또다른 킬러들에게 쫓기는 몸이 된다. 결국 그는 비자 전문 위조가인 미녀 맥(Meg Coburn: 미라 소르비노 분)의 도움을 받고자 찾아간다. 그러나 존을 쫓는 암살단에 의해 맥은 존과 함께 그들의 제거 대상이 된다. 미스터 웨이의 분노는 존의 가족을 파멸시키기 위한 계획에 이르고 어쩔수 없이 한 배를 탄 맥은 존과 함께 사투를 벌인다.

A group of homosexual people try to live with dignity and self-respect while events build to the opening battle in the major gay rights movement.

1942년, 나치가 점령한 프랑스 파리에서 로베르 클라인은 성공한 미술품 거래상으로 전쟁 중에도 부유하게 살고 있다. 하지만 사실 그는 유태인들이 어쩔 수 없이 내놓는 미술품들을 헐값에 사들여 되파는 식으로 돈을 벌고 있다. 그러던 어느 날, 클라인은 자신이 유태인이라는 오해를 받고 있음을 알게 된다. 그는 자신이 유태인이 아님을 밝히기 위해 조사를 시작하지만, 점점 위기에 몰리게 된다. 미국 출신으로 구 소련, 영국 등에 걸쳐 활동했으며, 사회파 감독으로 불리는 조셉 로지의 대표작. 인간의 이중성과 복잡한 내면을 탁월하게 묘사하여 세계적 절찬을 받았고, 신분을 입증하기 위해 분투하는 클라인 역의 알랭 들롱은 직접 제작에도 참여했다. (시네마테크부산 2010 - 알랭 들롱 & 이브 몽땅 특별전)

Janie lives to dance and will dance anywhere, even stripping in a burlesque house. Tod Newton, the rich playboy, discovers her there and helps her get a job in a real Broadway musical being directed by Patch. Tod thinks he can get what he wants from Janie, Patch thinks Janie is using her charms rather than talent to get to the top, and Janie thinks Patch is the greatest. Steve, the stage manager, has the Three Stooges helping him manage all the show girls. Fred Astaire and Nelson Eddy make appearances as famous Broadway personalities.

A young playwright spends his last cent to pay the past-due rent for the pretty dancer who's his boarding house next-door neighbor. Soon after, he winds up at a gambling club, where he wins big - just before a police raid.

Recognized as Uganda’s first action film, Who Killed Captain Alex? is about the aftermath of a police raid in Kampala in which a police captain is killed.

Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.

A police lieutenant and a patriotic professional gambler, rivals in life and love, combine efforts to corner a gang of Nazi saboteurs operating out of a barber shop, in which their mutual girlfriend works, and unmask its secret leader.

A history about what happened the September 30th, 2010, with former Ecuadorian President Rafael Correa (himself) and other affected people that'll tell us about what happened this fatidic day.

Several prohibition agents display cans and bottles of seized liquor for the camera. They are then shown dumping the goods at a junk yard.

Detective James Quinlan has left his alcoholic wife, sprouting a bloom of insecurity, anger and self-motivation within him to expose the corrupt police force that surrounds him. He abandons his straight life to join his partner Detective Church in order to get on the inside of the circle of double-agents. He secretly sides with a reporter and an Internal Affairs lawyer to expose them to the press.

The conscientious policeman ACP Surya is a powerful and efficient officer who works for law and order and protects people. One day when he is chasing criminals, he meets Maya and falls in love with her. He had previously thought that no woman could ever touch his heart again. Therefore he behaves a little awkwardly and cannot find the right words. Maya, on the other hand, soon finds out that he is a police officer. When both find their happiness of love, however, fate wants Surya to kill an Underworld Don named Drug Manja. His angry and extremely dangerous brother Tamate Shiva seeks bloody revenge, and does not stop at the relatives or the lovers of the brave policemen who are involved in the case.

Into a photography studio full of large fantastic machines steps an elderly couple. The bearded proprietor explains the equipment and gives them a demonstration: he starts machines whirring, and projects a painting of three women onto a large screen; suddenly the women begin to move. The customers are impressed. First the women sits in the special seat: she's projected onto the screen, and her good nature comes out in the laughing image. Then it's the man's turn, but the machine discloses a vastly different nature in him. Will his reaction threaten our proprietor's inventions?

A fine magician of the Royal Court materialises an elegant attire from a transparent glass container, and then, a refined dandy appears, as an ornate palanquin is summoned. Now, what does the illusionist have in mind?

As a conjurer awaits an audience, a procession announces the arrival of a royal representative, carried in a sedan chair, to see him. The conjurer then has a large box brought in. It is opened, revealing a very large folding fan. When the fan is spread out, the designs on it begin to change and move. And this is far from the last of the surprises that the conjurer has in store.

A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog leaps out from behind it. The dog becomes a woman, then a masked man appears. The conjurer sits them each on a box a few feet apart: suddenly the woman and man have changed places. The disappearing and the transfers continue in front of a simple backdrop.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)

A peddler of "the best glue" sets up his outdoor stall. A crowd gathers for a demonstration. As he gives his pitch, two observant cops decide drive off his customers and close him down, much to his fury. He seeks revenge as they sit on a park bench.

A wizard sleeps at a table in his well-appointed sitting room. From a drawer in the table, a snake appears.

A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?

In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground.

Footage shot not long after the 1906 earthquake in San Francisco is edited together so that more than one scene and more than one vantage are included. We see fire raging. We see burned-out buildings, piles of rubble, and buildings with only one wall standing. People stand and watch; others walk purposely through the debris. A carriage passes; the camera pans the desolation. A horse-drawn cart is laden with a family's remaining possessions. A sign hangs outside one building: "A little disfigured but still in business. Men Wanted."

Alice Guy shoots a travelogue documentary all around Spain.

A cook has his hands full with three mischievous devils, who pop in and out of his kitchen.

A shot of a busy street in Paris is shown in reverse.

This film from 1907 is sadly incomplete as it's only available in a two-minute fragment. The opening title card explains that a painter has just finished his work when his assistant comes in and accidentally drinks varnish. The film then picks up as the painter goes haywire and sends the assistant into the painting.

On a warm and sunny summer's day, a mother and father take their young daughter Dollie on a riverside outing.

A magician transforms a woman into a portrait of herself, then restores her to life.

Thieves decide to steal the money an old miser has hidden away. He refuses to open the safe for them, so they threaten to kill a little girl who lives in his building.

Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped?