Luau (1982)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

A butcher in Paris takes his revenge after his daughter is brutally attacked.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

A high-speed drive through the streets of Paris.

Pirelli Film's first promotional short, starring John Malcovich and Naomi Campbell.

Between 1795 and 1801, 306 drowned people were recovered from the Seine river, near Paris. Peter Greenaway propouns a historical approach were 25 significant cases of drownings are catalogued, dissected and elaborated, with multilayered visuals and 'documentary' asides.

This story first takes you to Misslimeri, a little Sicilian village, and into the home of Don Ruggero, a wealthy landowner. Don Ruggero is an iron-hearted man and strongly prejudiced against the lower classes. His son, Corrado, a young fellow, loves Rosalia, a shepherdess, but Don Ruggero has always refused to allow their marriage and to recognize little Vincenzino, their child, as his grandchild. Finally to destroy all Corrado's hopes, he discharges poor Rosalia from his farm, where she had been employed for many years. Even the sight of her departure with Vincenzino in her arms does not soften him. Rosalia is the very ideal of the Sicilian beauty, and Capt. Altieri, an officer in the service of the Dominators, the Bourbons, admires her immensely, but all his approaches are strongly repulsed by her. Don Ruggero and his son have for a long time conspired to free their motherland from the hands of the Bourbons, and when they receive news of the arrival of Garibaldi.

The filmmaker Errol Morris explores the excessive eating habits of a five-time champion of the Philadelphia Wing Bowl.

Daffy attempts to convince Porky, as Friar Tuck, that he really is Robin Hood.

Thomas the cat finds Tweetie in the snow, warming himself by a cigar butt. Thomas's mistress rescues the little yellow bird before her cat can devour him, but Thomas doesn't give up.

Elmer wonders if he'll ever catch the rabbit; the voice of God takes him through a flash-forward to the year 2000. Elmer is equipped with a rocket-launcher rifle, but he's no smarter. He shoots Bugs, who shows him a photo album with baby pictures. We see a sequence of Bugs and Elmer as babies. Elderly Bugs digs his own grave and tricks Elmer into getting in.

A.T Shank & Son have a bad day at the parlor when a falling boulder flattens their hearse. Emotional and literal pitfalls lie in wait for the odd couple as they make their way cross country with just a coffin for company. This short animated caper puts the fun back into funeral as their journey and relationship unravel on an epic scale.

A grotesque story starring a man obsessed with Antonio Machin, whose only desire was always to be black.

Two young security guards at an unusual corporation have a bad night.

T'was the night before Christmas and all through the house not a creature was stirring, not even a mouse.

Tom is chasing Jerry again. In a panic, the mouse runs into the doghouse of little Tyke, the bulldog. Right next to the sleeping Tyke sleeps Spike, his father. Tom unthinkingly snatches the puppy out of his house. When Spike wakes up and sees this, he delivers a stern warning: Stay away from my boy, or else. Jerry realizes that sticking close to the boy is the best way to repel his feline tormentor, but Tom is not about to let the mouse evade him so easily.

A barmaid, a Mexican officer and a terrible toreador form a love triangle, as they dance, skip, kiss, punch and slap to the tune of Bizet's "Carmen." Later, the barmaid cheers her lover, and the officer razzes him, during the big bullfight. The toreador and the bull are not above clowning, but never doubt they are two fearsome opponents striving toward a gruesome climax.

The lady of the house has gone out for a few hours, leaving her baby in the care of a stereotypical 1950s teenager, who immediately begins calling her friends. Tom and Jerry must call a truce to their constant chases as the baby, unsupervised, continually gets loose. When the baby escapes out the front door, Tom and Jerry chase it to a construction site, where they frantically try to keep it from harm.