The Taste of Salt (2011)

임금이 밀려 힘들어하는 남자와 딴 남자와 결혼해야 하는 여자. 불투명한 미래에도 둘은 사랑에 빠진다. 하지만 남자는 바다를 건넜다가 사라지고 마을에선 불가해한 일이 발생한다. 그리고 남자를 목격했다는 증언. 그가 정말 돌아온 것인가.

아들을 잃은 소피아(캐서린 워커)는 흑마술사 조셉(스티브 오램)을 통해 아들의 목소리를 듣고자 한다. 먼저 교외의 집을 빌려 조셉과 함께 흑마술을 준비하는 소피아. 조셉은 그런 그녀에게 흑마술에는 엄청난 인내과 대가가 따를 것임을 경고한다. 험난한 과정 속에서 모두가 지쳐갈 때 즈음, 예상했던 결과가 제대로 나타나지 않고 조셉은 소피아의 목적이 아들의 복수였다는 것을 알게된다. 조셉의 분노, 그리고 위험에 빠지는 소피아. 과연 소피아는 자신이 원하는 바를 얻을 수 있을까?

벤은 여러 가지 의미에서 아주 평범한 남자이다. 그의 삶의 유일한 낙은 룸메이트인 이부와 정기적으로 체스를 두는 일이다. 이부가 병에 걸리자 벤은 그가 지침으로 삼아왔던 냉소적인 태도에 직면하게 되고 그 부정성의 본질을 생각하지 않을 수 없게 된다.

A companion piece to Pelourinho: They Don’t Really Care About Us (NYFF57), King of Sanwi continues Akosua Adoma Owusu’s exploration of Michael Jackson as a global pop icon. Here, Michael’s long affinity with the African continent—from the Jackson 5’s arrival in Senegal in 1974 to Michael’s coronation as an Ivorian king in 1992—is captured in vibrant, fuzzy archival video, made visceral by Owusu’s funky audiovisual collage and richly material direct animation effects.

시골에서 소를 키우던 모리는 더 나은 삶을 찾아 수도 다카르로 상경한다. 하지만 다카르에도 그가 찾던 희망이 없다는 사실을 알게 된 모리는 유럽에 건너가기로 마음을 먹고 대학생인 앤타를 유혹한다. 두 사람은 함께 프랑스로 가기 위해 도피자금 마련 방법을 모색하지만...

태평양전쟁 말기인 1944년. 전국 각지의 공장에서 군수 증산 운동이 시작된다. 정밀병기에 쓰이는 렌즈를 생산하는 동아과학에서도 남자는 100%, 여자는 50%의 증산 목표가 발표된다. 남자의 반이라는 목표에 자존심이 상한 여자 공원들은 스스로 목표치를 3분의 2로 높인다. 조장 와타나베 쓰루를 중심으로 여자들은 생산 증가를 위해 온 힘을 모아 노력하지만 얼마 안 가 피로가 누적되며 오해와 반목으로 무리가 생기기 시작한다. 하지만 상사들의 따뜻한 보살핌과 동료들 간의 이해를 통해 공원들의 결속은 더욱 강해지고, 그들의 노력 역시 보답을 받는다.

When Lena and Ulli start the engine of their old Land Rover, Lady Terés, they have a plan: to drive from Hamburg to South Africa in six months. What they don't know yet is that they won't ever get there. Two totally different characters, jammed together in two square meters of space for almost two years, they experience what it really means to travel: leaving your comfort zone for good.

Binta, a little girl from Senegal, tells us about the everyday life in her village, the importance of education for the girls, and about her father's great idea to make the world a better place.

A Senegalese platoon of soldiers from the French Free Army are returned from combat in France and held for a temporary time in a military encampment with barbed wire fences and guard towers in the desert. Among their numbers are Sergeant Diatta, the charismatic leader of the troop who was educated in Paris and has a French wife and child, and Pays, a Senegalese soldier left in a state of shock from the war and concentration camps and who can only speak in guttural screams and grunts.

Bizet's Carmen gets a modern adaptation. Seducting, provocating, sensual. All the ingredients for a perfect drama. With her charm, Karmen gets out of many situations.

The film describes a strike in a French textile factory, when the striking workers occupy the factory.

Iranian Iradj Azimi directed this French historical drama re-creating events depicted in the famous 1819 painting The Raft of the Medusa by Jean Louis Andre Theodore Gericault (1791-1824). The ill-fated voyage of the frigate Medusa begins when it departs Rochefort for Senegal in 1816. After striking a sandbar off the African coast, 150 civilians row safely to shore, but Captain Chaumareys (Jean Yanne) orders 140 soldiers and sailors onto a raft (minus supplies) and has it cut loose. Only 14 survive from the 140, creating a scandal back in France. Gericault (Laurent Terzieff) later talks to three of the survivors while researching his painting. Work on this film began in 1987, but sets destroyed by Hurricane Hugo caused delays, so the film was not completed until 1990. However, it then remained undistributed until an incident in which writer-director Azimi slashed his wrists in front of French Ministry of Culture officials.

Four men from a nomadic Tibetan tribe undertake their annual, ritualistic pilgrimage to a sacred salt lake. Salt gathered in this traditional fashion will be sold to provide the economic livelihood of the tribe for the coming year. The journey, necessary for the group's survival, also incorporates a number of rituals necessary for their culture to survive in the modern world.

In 1990, when Bischofferode entered the market economy, potash production in East Germany was in third place in the world's export ranking and in West Germany in fourth place. Bischofferöder Kalisalz is of a special quality and the plant therefore had loyal customers in Western Europe, especially in Scandinavia, even before the fall of the Wall. In the West, there is a major competitor - BASF subsidiary Kali und Salz AG from Kassel. The film reconstructs the mega-deal in one of the world's most important raw materials markets. The so-called potash merger was the biggest economic deal of German reunification, which has cost the taxpayer almost two billion euros to date. The Free State of Thuringia - the federal state with the best potash deposits in Germany - is still the big loser of the mega-deal today. Thuringia may be rich, but it loses almost all its potash mines, along with Bischofferode, and now has to spend millions of euros each year to rehabilitate and secure its mines.

A day with the artist Joe Ouakam.

Two women and two men tell their stories of exile caused by being lesbian, transgender, bisexual and gay.

The rules are simple in Senegalese wrestling: First man down, loses. The sport derives from ritual manhood trials and has developed into a national sport with packed stadiums and huge prizes. Today, the fight is supplemented with bare knuckle boxing but without any protection. The 22­-year-­old cattle herder Ndoff has been chosen to compete in an annual talent event in Dakar, and faces a possible breakthrough as a pro wrestler. LAAMB is the story of a sport filled with myths and extreme voodoo rituals, and a modern tale about fighting one’s way out of poverty.

The Unknown Woman is a documentary film scripted and directed by Elina Kivihalme. It depicts the reality of Finnish agriculture and forestry during the war years, when the home front relied entirely upon the work and endurance of the women. All farm work, caring for the children, woodcutting and other forestry operations were undertaken by the civilians, as the men in their prime were on the front.

The vege­ta­bles come from the garden behind the house, the fish comes out of a can, and money for bread is earned at the factory. It’s because of this money that they came here. Women from Turkey stand side-by-side with women form Meck­len­burg at the conveyor belt of a fish-proces­sing factory in Lübeck. Their hands are stained brown, the pungent smell of fish clings to them, and their arms and backs ache. If these jobs were done by men, machines would have been invented long ago to replace them. But female labour is cheap and the women do not complain. They have learned to work – and therein lies the source of their pride. (Source: https://www.artechock.de/film/text/filminfo/g/ge/gefubr.htm)