Mi hijo Ceferino Namuncurá (1972)
장르 : 드라마
상영시간 : 1시간 22분
연출 : Jorge Mobaied
시놉시스
Biopic of Ceferino Namuncurá (1886-1905), son of a Mapuche cacique and a white woman, and the first Indian of South America to be beatified. The film starts out as a war movie, showing his father Manuel battling the Spanish and taking a white woman as his captive bride. But little of interest happens after Ceferino is born. His beatification relies partly on his "miraculous" survival after falling in a stream as a baby, but the film does not present this with any great drama, and plods through the rest of the boy's life with similar tepor. Ceferino does well in school, attracts the interest of a priest, attends a Catholic school in Buenos Aires, and studies for the priesthood in Italy, where he dies of tuberculosis after a few unconvincing coughs.
에스키모의 삶을 촬영한 다큐멘터리 (1922)의 성공에 힘입어 플래허티는 파라마운트로부터 폴리네시아에 관한 다큐멘터리를 제작할 것을 제안받게 된다. 아내와 함께 사모아 섬에 도착한 플래허티는 백인들이 이 섬에 도착하기 이전의 원주민들의 삶의 방식을 자신의 카메라에 담고자 하였다. 는 낚시, 요리, 축제 등 현대문명에 노출되지 않은 폴리네시아 원주민들의 일상이 담긴 영화로, 플래허티는 인위적인 연출을 통해 작품에 극적 긴장감을 불어넣기보다는 객관적이고 관조적인 시선으로 원주민들의 소박하지만 아름다운 삶을 응시하고 있다. (부산시네마센터 2011 - [개관영화제]백화열전)
This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.
Remember the culture clash in THE GODS MUST BE CRAZY? This time it's real. One of the most ancient cultures on our planet is undergoing a major change. The Ju/Hoansi Bushmen in Namibia are not allowed to hunt anymore and need to converge with our so called “civilized” lifestyle. For the first time the Ju/Hoansi Bushmen travel through the Kalahari and then right into the heart of Europe. What starts as a look at their fascinating culture becomes an even more fascinating look at our Western lifestyle. A warm and humorous reflection of our habits through the eyes of people who are about to give up their million year old traditions.
The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.
Founding father of Anthropology, Bronislaw Malinowski's work raises powerful and disturbing questions today. This is a look at his legacy and the imprints it has made on the generations that followed.
Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions and frequent happinesses that punctuate daily life in Benares, India's most holy city. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give the viewer a wholly authentic, though greatly magnified and concentrated, sense of participation in the experiences examined by the film.
Rye, a photographer, and Chris, a political science student, are in their final year of college, and have lived together in the same house for three years. While their bond has grown increasingly stale since first moving in together, they’re tethered by a common history and lingering grief; they know the house and its traumas in ways none of its few rotating tenants ever can. Set in the politically charged recent past at Hampshire College - an alternative school without grades or majors - the film's protagonists struggle with the demands of communal living and the concentrated emotions that come with it, against a backdrop of mass protests, long winters, creative passions, and armchair philosophy.
A synaesthetic portrait made between French Polynesia and Brittany, Color-blind follows the restless ghost of Gauguin in excavating the colonial legacy of a post-postcolonial present.
David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.
Portrays the Nuer, Nilotic herdsmen of the Nile basin. Shows how their daily lives revolve about their cattle, and depicts the psychological bonds between them. Includes extensive use of Nuer music and poetry.
After his father dies, law student Adolfo (Jorge Marchand), returns to his native village in the South of Bolivia, where he falls in love with Claudina Silvia Arévalo, a beautiful chola girl nicknamed La Chaskañawi, which means "girl with big eyes" in Quechua. Falling under her spell, Adolfo forgets about his fiancee in the city, abandons his law studies, and succumbs to alcohol. Based on the 1947 novel La Chaskañawi.
Marianne Lehmann, born in Switzerland in 1936, married a Haitian and moved to Port-au-Prince in 1957. Fascinated by voodoo cult objects, she began with buying them to avoid their scattering abroad. Over the years it became the largest collection in the world to be donated to Haiti. The film shows the beauty of these objects, their significance and importance to the world's cultural heritage and highlights the link between voodoo (Haitian vodou), the slave insurgency and the creation of the first black nation.
A group of filmmakers travel to a Kolla community in Salta to film their folkways. We see all aspects of their life: farming, herding, cooking, football, and making music during a Pachamama festival. In the course of filming, the leader of the Kolla community changes the filmmakers' view of what the documentary should be, and at the end of their visit they are changed. "La vida se puede ir amasando, como el barro": As life goes along, it becomes more pliant, like clay. An announcement at the beginning of the film states that this is neither fiction nor documentary, but I'd say it's closer to documentary.
In Cerro Bayo, a mountainous region of Patagonia on the Chilean border, a Kolla Indian falls in love with a girl from another village. His mother disapproves the relationship and hates the woman. When the girl becomes pregnant with his baby, he must travel to find better work, leaving her alone with the mother's wrath.
Biopic of Ceferino Namuncurá (1886-1905), son of a Mapuche cacique and a white woman, and the first Indian of South America to be beatified. The film starts out as a war movie, showing his father Manuel battling the Spanish and taking a white woman as his captive bride. But little of interest happens after Ceferino is born. His beatification relies partly on his "miraculous" survival after falling in a stream as a baby, but the film does not present this with any great drama, and plods through the rest of the boy's life with similar tepor. Ceferino does well in school, attracts the interest of a priest, attends a Catholic school in Buenos Aires, and studies for the priesthood in Italy, where he dies of tuberculosis after a few unconvincing coughs.
A unique 'direct cinema' feature length documentary (no narration or interviews) originally filmed in the Spring of 1970 and concluded during the Summer of 2017 (footage added, restored, and re-edited). A day in the life of an inner-city Harlem elementary school. In 2018 filmmaker Phil Gries reunited with seven of his former Harlem elementary students whom he hadn't seen in 50 years.
An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.
Estonia's first ethnographic film. Made by Johannes Pääsuke in 1913 on his expedition to Setomaa, the South-Eastern region in Estonia.
The Bapst Brothers: Romain, Maurice and Jacques – whom we will also meet in The Gruyere Chronicle (produced in 1990) – are peasants and carriers and work with their father. In autumn and winter, they bid for the community’s wood, cut down the pine trees and bring down the logs through the snowy woods by horse-drawn sleigh.
