Echo (1964)

1978년에 제작된 을 리메이크 한 2007년 작품 의 속편으로 살인마 마이클의 잔인한 살인행각과 그의 표적이 된 여주인공 로리가 그에게서 벗어나기 위해 고군분투하는 이야기이다.

L.A에서 포르노 배우로 활동하던 마이키는 빈털터리가 되자 별거 중이었던 아내의 집으로 돌아온다. 아무런 말 없이 자신을 버렸던 남편의 뻔뻔함에 혀를 내두르는 아내와 장모, 하지만 막무가내로 사정하는 마이키에게 집세를 분담하는 조건으로 잠시 머무르는 것을 허락하게 된다. 며칠 동안 잠잠하던 마이키, 어느 날 도넛츠 가게에서 일하는 십 대 소녀를 만나게 되고 그의 못된 ‘옛 버릇’이 다시 살아나기 시작하는데...

Evelyn and her oblivious son Ziggy seek out replacements for each other. As Evelyn tries to parent an unassuming teenager at her shelter, Ziggy fumbles through his pursuit of a brilliant young woman at school.

Lady Divine becomes enraged when her boyfriend cheats on her and descends into a life of murder and mayhem.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.

Everyday life in a commune near Munich in the spring of 1969

HARD-CORE is a frank and irreverent documentary that asks the question, "what is hard-core?" Seedy, grainy, and fast-paced, this is a nostalgic look at an ephemeral moment in the history of a subculture: punk rock in San Francisco in the late eighties. Everyone from fucked-up teenagers to elderly Mexican tourists attempts to explain the allure and mystique of the scene. Filmed at SF's historical petting-zoo/theater/punk rock emporium The Farm.

Eric Swain and Troy Bernier are scientists by day and amateur filmmakers by night. Over the years these two friends have turned out many of their own amateur, sci-fi inspired movies. Journey to Planet X follows the filming of Planet X, the duo’s most ambitious endeavor to date, and sheds light on their unique brand of “movie magic.”

Justin is a film editor surrounded by performances. Sick of sitting in a dark room watching others, he starts to envision ‘70s cabaret style performances of his own. When a new relationship starts to develop, Justin has to decide how badly he wants to come out from behind the camera.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Invading aliens are taking over the brains of folks in a small town. The head leech is a wad of black tinfoil with a couple of white thumbtacks for eyes. Others are spidery-like rubber things pulled along by strings.

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

In a small New Hampshire town, the local peeping tom, Freaky Farley is embroiled in a tale of murder, monsters, ninjas, witches, angst, anger, insecurity and madness.

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...

A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.