We Jam Econo: The Story of the Minutemen (2005)

Instrument is a documentary film directed by Jem Cohen about the band Fugazi. Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

A ship is attacked at sea for its cargo by a group of thieves who murder a newlywed doctor and rape his wife. Three years later her twin sister is kidnapped by the same pirates, who begin to die strange deaths...

7 Television Commercials is a collection of music videos from English alternative rock band Radiohead, covering the period from their The Bends (1995) and OK Computer (1997).

Project Questor is brainchild of the genius Dr. Vaslovik: he developed plans to build an android super-human. Although he's disappeared and half of his programming tape was erased in the attempt to decode it, his former colleagues continue the project and finally succeed. But Vaslovik seems to have installed a secret program in Questor's brain: He flees and starts to search for Vaslovik. Since half of his knowledge is missing, he needs the help of Jerry Robinson, who's now under suspect of having stolen the android.

화성 같은 미국의 이민지옥에 살고 있는 10대소녀 ‘에이미’는 엄마와 단둘이 미국으로 건너와 학원을 다니며 영어를 배우고 있다. 낯선 이곳에서 ‘에이미’와 살아가기 위해 엄마는 항상 밤늦도록 일을 하고, 게다가 재혼까지 결심하는데... ‘에이미’는 그런 엄마가 마음에 들 리 없다. 기댈 곳 하나 없는 그녀의 유일한 친구는, 마찬가지로 미국에 온지 얼마 안 된 ‘트란’ 뿐. 분명 우정으로 시작한 만남이지만, 시간이 흐를수록 ‘에이미’는 ‘트란’에게서 친구 이상의 묘한 감정을 느끼게 된다. 어느 날, ‘트란’은 ‘에이미’에게 아무 감정 없이 쿠키를 선물로 건네지만 ‘에이미’는 그 선물을 사랑의 시작이라고 착각한다. 친절하지만 속 마음을 알수 없는 '트란'은 '에이미'를 더욱 불안하게 만들고, 결국 영어수강료를 환불 받은 돈으로 비싼 은팔찌를 ‘트란’에게 사주는 모험을 택한다. 그리고 그의 남자친구가 되길 간절히 소망한다. 그 와중에 낯선 나라의 요구에 자신들이 짓눌려 가는듯한 불안을 느끼는 그들. 환경과 문화가 다른 타국에서의 이민생활은 결코 만만한 것이 아니다. 낯선 곳에서 처음 사랑을 느낀 남자에게 받은 상처, 그리고 엄마, 가족..그 어디서도 완전한 관계를 맺지 못한 에이미는 ‘고향’과 ‘아버지’에 대한 그리움으로 한국에 홀로 남은 아버지에게 긴 편지를 쓰기 시작한다.

From neighborhood ciphers to the most notorious MC battles, "Freestyle: the Art of Rhyme" captures the electrifying energy of improvisational hip-hop--the rarely recorded art form of rhyming spontaneously. Like preachers and jazz solos, freestyles exist only in the moment, a modern-day incarnation of the African-American storytelling tradition. Shot over a period of more than seven years, it is already an underground cult film in the hip-hop world. The film systematically debunks the false image put out by record companies that hip-hop culture is violent or money-obsessed. Instead, it lets real hip-hop artists, known and unknown, weave their story out of a passionate mix of language, politics, and spirituality.

An in-depth look at the lives and struggles of the community of fishermen living by the river Titash.

In 1955, Tobias Schneebaum disappeared into the depths of the Peruvian Amazon. He had no guide, no map, and only the vaguest of instructions: Keep the river on your right. A year later Schneebaum emerged from the jungle…naked, covered in body paint, and a modern-day cannibal. Titled after Schneebaum’s 1969 cult classic memoir about his formative experiences living in the Amazon, Keep The River On Your Right is the extraordinary stranger-than-fiction story of Schneebaum’s return to the jungle, 45 years after his original visit, to reunite with the very tribesmen he loved and who gave him nightmares for nearly half a century. A deeply affecting and searing portrait, sibling filmmakers Laurie and David Shapiro capture a man in utter conflict, a fearless adventurer, and one of the most charming, enigmatic, and perplexing men ever captured on screen.

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

이탈리아 네오리얼리즘의 거장 페데리코 펠리니(Federico Fellini,1920~1993) 감독의 생애를 다룬 다큐멘터리.

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.