Occupied Cinema (2018)

물은 진정 삶의 본질이다. 물이 없이는 그 무엇도 존재할 수 없다. 는 전문가들이 가장 중요한 정치적, 환경적 이슈로 주목하는 ‘지구의 수자원 위기’를 다룬 다큐멘터리다. 영화는 정치, 오염, 인권 등의 문제들과 맞물려, 물 공급 민영화에 맞서는 다양한 인물들과 사례들을 소개한다. 과학자와 환경 운동가들은 ‘도대체 누가 물을 소유할 수 있는가’라는 근본적인 질문을 던지면서 인류 모두에게 찾아온 이 위기를 재차 확인 시키고, 수자원 확보를 둘러싼 정부와 기업의 검은 커넥션을 고발한다.

Enchanting holiday tale of a young runaway who has broken into an old movie palace, looking for shelter on a snow-filled Christmas Eve. Closed for decades, the building is filled with countless discarded artifacts from the past. The girl is discovered by the old caretaker, who uses the ghosts and spirits that inhabit this long-abandoned world to turn her life around.

"The Boss" is a documentary about transition, privatization and corporations in Croatia, and touches upon the history of the largest Croatian corporation - Agrokor.

Can you imagine a water market? A market where owners of water stock would buy and sell, while others would profit on its price without needing it? What would life be like if all of the planet’s water resources, superficial or subterranean, the waters of rivers, lakes and glaciers, belonged to the private sector? ‘Life For Sale’ examines the biggest water market in the world, set up in Chile.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.

A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.