Mirrors of Bergman (2015)

어린 시절, 충격적인 사고로 부모님을 잃은 남매. 이 일로 동생이 소년원에 수감된다. 그로부터 10년 후, 동생이 출감하기를 기다린 누나는 어린 시절의 일이 부모님들이 새 집에 이사오면서 들여놓았던 거울의 짓이라 믿고 조사에 들어간다. 그 거울의 역대 주인들을 추적한 결과, 모두 비참한 죽음을 맞이했다는 사실을 알게 되고 그들이 모두 거울의 조종을 받은 희생자들이란 가설을 세우게 되는데...

오즈에서 캔자스로 돌아온 지 6개월이 지났지만, 도로시는 여전히 그곳의 사람들과 풍경에 대해 이야기한다. 엠 숙모는 그런 도로시를 병원에 데리고 가지만, 도로시는 곧바로 병원을 탈출하게 되고 깨어보니 오즈에 와 있다. 하지만 오즈는 이미 악마의 음모로 마법에 걸린 상태이고 옛 친구들도 돌로 변해 있었다. 도로시는 그곳에서 새롭게 알게된 친구들과 함께 악마에 맞서 싸울 모험을 시작하는데...

Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.

As her marriage to decorated war hero Oliver draws near, well-heeled Diana moves into an apartment within an otherwise unoccupied, sprawling London house where she starts to experience strange and terrifying nightmares. But are these troubling night terrors merely the symptom of an unsettled mind, or the sign of something far more sinister at work? Hounded by a pair of sleazy journalists, Diana soon crosses paths with American tourist Jenny, who appears to have a strange connection to the foreboding house and its dark past.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

Preceding her death a young woman relives her life in a mirror world, giving her the chance to fight her killer.

스웨덴의 포뢰 섬에 위치한 잉마르 베리만 감독의 집은 전세계의 영화감독들에게는 성지와도 같은 의미가 되었다. 미카엘 하네케, 클레어 드니, 이안, 라스 폰 트리에 등이 이곳에 찾아와 베리만의 개인공간을 둘러보며 그들 각자에게 베리만 감독과 그의 작품들은 어떤 의미인지를 회고한다. 이곳에 오지 못한 우디 알렌, 마틴 스콜세지, 웨스 앤더슨은 뉴욕에서 이야기에 동참한다. 거장감독들이 밝히는 베리만에 대한 애증의 기억들, 혹은 우리가 모르던 베리만 이야기.

Tommy finds a cursed mirror and a diary in an attic in the new house they moved in. The mirror starts to give Tommy horrible and gruesome visions as his crush keeps rising from the dead.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

A newlywed couple checks into an old hotel in New Orleans where the wife begins having dreams in which she encounters a sinister group of people who seem to want her for some nefarious purpose. When people around her start dying, she realizes she is not dreaming.

When characters stare at the camera in the films of Alfred Hitchcock, the look is almost always associated with the threat of death (through the eyes of a victim, a murderer, a witness). This momentary suspension between death and life is partly what makes Hitchcock the indisputable master of suspense.

Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

Cleverly conceived and artfully edited, Christian Marclay's 7 1/2-minute video, Telephones, comprises a succession of brief film clips that creates a humorous narrative of its own in which the characters, in progression, dial, hear the phone ring, pick it up, converse, react, say goodbye and hang up. In doing so, they express a multitude of emotions--surprise, desire, anger, disbelief, excitement, boredom--ultimately leaving the impression that they are all part of one big conversation.

Dylan and Tracy's relationship comes into question in the bathroom at a party.

A supercut of television’s The First 48. (Aaron Valdez)

Her guerilla friends find out that Sakîne has never seen herself in a mirror. So they go on the quest to transport a tall mirror up into the mountains.