The Sannikov Land (1973)

Victor Sluzhkin signs on as a teacher of geography in a secondary school in his native Perm (in the Urals) and gets lost in a haze of hard vodka, desperate love for a nymphet-like student and the stress of educating teenagers. Geographer, as the students immediately dub Sluzhkin, attempts to escape from the grueling, dull, stultifying reality of Russia's provincial life in a rafting tour to the Urals. Accompanied by wild, adventure-seeking adolescents, faced with the numerous grim surprises of the nature, Geographer is poised to find himself and his own truth.

2014년 에베레스트 등반 시즌에 일어난 눈사태와 비극적인 후유증을 셰르파의 눈으로 보았다. (2021년 제6회 울주세계산악영화제) 연출의도 2012년 에베레스트 등반 시즌을 취소한 어느 탐험대의 결정이 이 다큐멘터리를 시작하게 된 계기였다. 그해 셰르파 3명을 포함하여 11명의 등반가가 사망했다.

This first co-production of the Soviet and Indian cinematographers is dedicated to the Tver merchant Afanasy Nikitin who in 1466-1472 blazed the trade way from Europe to India. The film is based on Nikitin’s travel notes. Starring in the film are popular Russian actor Oleg Strizhenov and India’s 1950s movie star Nargis.

A group of people setting out to find a previously assumed land and upon reaching it, not knowing how to deal with the customs of the place, have to deal with all the consequences.

The film was made on the basis of the literary version of events in the life of the famous Russian ethnographer, anthropologist, biologist and traveler who studied the indigenous population of South-East Asia, Australia and Oceania.

The film deals with the process of globalization based on the thought of geographer Milton Santos, who through his ideas and practices, inspires the debate about Brazilian society and the construction of a new world. Santos discusses his views on the importance of respecting difference and his belief that an alternative globalisation model could wholly enfranchise all citizens of the world. An illustrious presence in 20th century social sciences, the man dubbed as ‘geography’s philosopher’ eloquently elucidates a developing world perspective on the global age.

Algeria from above is the first documentary made entirely from the sky on Algeria. Through the eye of the famous Yann Arthus-Bertrand this documentary vividly depicts this great country, and its vibrant cultural and natural treasures. From North to South and from West to East, it shows us the entirety of Algeria, lives in the large hectic coastal cities, Atlas mountains, oases of the Sahara or gentle hills of the Sahel. With a rich past that seems to have crossed all civilizations, and a territory where all natural environments amalgamate, Algeria appears here in all its diversity and its unity.

An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.

Explores the plans for the construction of the monumental dam on China's Yangtze River, the structure that when completed in 2009 will become the Three Gorges Dam. It is slated to be 610 feet high, 1.3 miles across, creating a reservoir 400 miles and the largest power plant in the world.

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Many geneticists and archaeologists have long surmised that human life began in Africa. Dr. Spencer Wells, one of a group of scientists studying the origin of human life, offers evidence and theories to support such a thesis in this PBS special. He claims that Africa was populated by only a few thousand people that some deserted their homeland in a conquest that has resulted in global domination.

The first Easter Island documentary, filmed in 1935 when the Belgian naval ship Mercator came to collect Drs. Henri Lavacherry and Alfred Métraux, who had arrived six months before to carry out archaeological and ethnological work. The film, directed with melodramatic gusto and featuring a full orchestral score by Maurice Jaubert (who also did the narration), shows islanders, the monuments, and a public dance. A theme of decay and decadence characterizes the film, the motif portrayed gruesomely by extensive close-ups of the inhabitants of the leper colony there at the time. The film suited a romantic image of a mysterious lost civilization, the survivors eking out a pitiful existence on a barren rock. (Grant McCall)

Disenchanted with their fixed places on the map, the states swap spots in hopes that each can get to see a different part of the country and do something different for a change.

이 작품은“묘사적이지도, 설명적이지도, 흥미롭지도 않은” 방식으로 6개 서아프리카 나라 지방민들 삶 속의 리듬과 제례의식을 탐구한다. 이 작품을 통해 관객들은 작품 속 심미관과 음악들을 통해 아프리카 대륙 오지로의 시적 여행과 삶의 공간에서의 아프리카인들과의 내밀한 소통을 경험할 수 있다.

With a dual motion a cruise ship and a fishing boat pass one another on the Nile and butlers in turbans set up a wooden gangway. Thanks to a rope and pulley system cows climb skywards then disappear into the hold of the sailing vessel. On the bank, black-haired women rock back and forth, bursting out laughing and showing the first signs of going into a state of trance. Never-before filmed gestures and faces of the people of the Nile succeed one another, uprooted to an unknown, magical world. The Banks of the Nile is one of the first experiments of film in colour that uses the Kinemacolor process.

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.