Central Bus Station (2019)

정신병원을 배경으로 거액의 상금을 걸고 탈출하는 '파라노이아' 게임. 게임의 마지막 날, 마침내 정신병원에 도착한 '루카스'와 '클로이'는 먼저 도착한 4명의 참가자와 거센 신경전을 벌이게 된다. 상금을 얻기 위해 시작된 '파라노이아' 게임은 어느새 빠져나갈 수 없는 죽음의 게임으로 바뀌게 되는데... 목숨의 위협을 받는 루카스와 클로이, 그리고 4명의 참가자. 극한의 상황, 최고의 상금! 이제는 살기 위해 탈출해야 한다!

언제 또다시 터질지 모르는 테러로부터 조국을 지키겠다는 망상 하에 매일같이 거리에서 의심스런 사람들의 행동을 감시하고 녹음 기록으로 남겨 놓는 남자 폴. 그런 그에게 하나밖에 없는 혈육 라나가 찾아온다. 선교활동을 하는 부모를 따라 아프리카, 유럽 등지에서 자란 라나는 어머니의 죽음 후 삼촌을 보기 위해 10년 만에 미국을 찾은 것. 이상주의자인 그녀는 홈리스들에게 음식을 나눠주는 '생명의 빵 bread of life' 선교원에서 일을 하며 폴과 가까워지기 위해 노력한다. 하지만 친구도 가족도 없이 광적으로 '국가 안보'에만 몰두하는 그와 잘 지낸다는 것이 쉽지 않다. 그러던 어느 날 두 사람은 우연히 한 중동인 살인 사건을 목격하게 된다. 평소 그를 위험인물로 점찍어 놓았던 폴은 테러 용의자였던 피살자의 배후를 밝혀내려는 목적으로 조사에 착수하고 라나는 삼촌도 돕고 그의 가족을 찾아 시신을 전달해 주기 위해 사건 해결에 뛰어든다. 둘은 피살자의 고향인 트로나까지 찾아가고 그곳에서 폴은 자신이 가졌던 망상의 실체와 마주하게 되는데... 혼란스런 심정으로 그들은 다시 뉴욕까지의 긴 여정에 오른다.

In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

10년 전 논란의 연극 ≪불면증≫ 이후 사라졌던 무대연출가 ‘알마’. 젊은 여배우 ‘비앙카’는 그녀의 새 연극 주연을 맡아 무대가 될 어느 버려진 정신병원으로 향한다. 그녀는 108시간동안 잠들지 않고 각성 상태가 되어 완벽히 캐릭터에 몰입하라는 ‘알마’의 지시에 따르지만, 깨어있는 시간이 길어질수록 환각과 환청을 경험하고 조금씩 다른 세계로 끌려가는 것을 느낀다. 현실과 악몽 사이에 갇혀 미스터리한 존재에게 쫓기게 된 ‘비앙카’는 이 끔찍한 곳을 탈출할 수 있을까?

It is 2016 and a fearful world seems to be on the brink of a nuclear catastrophe. A researcher in psychical events and his girlfriend travel to deepest Dartmoor to investigate a centuries-old building. What they unlock and discover is way more than they could have ever bargained for. An exciting first feature from newcomer Eugene McGing, who expertly takes familiar tropes and gives them a fresh spin in this genuinely terrifying haunted house tale.

An imaginative boy who frequently makes things up witnesses a murder, but can't get his parents or the police to believe him. The only people taking him seriously are the killers - who live upstairs, know that he saw what they did, and are out to permanently silence him.

The sequel to "Yossi and Jagger" finds character Yossi (Ohad Knoller) leading a sad existence after losing his partner Jagger on the battlefield. A chance encounter with a middle-aged woman linked to his past shakes up his otherwise staid routine and sends him on a spontaneous pilgrimage to Tel Aviv. It is on the roads of southern Israel that he reignites the fire of his former self.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

Set in Tel Aviv, focuses on an interconnected group of friends and their various relationships. At the center is the adorably bookish Omer, about to turn 30, who still hasn't found himself, and his free-spirited best friend Miki, who both end up inadvertently dating the same handsome journalist, Ronen.

Mike Anderson, a tough American reporter on a dangerous foreign assignment, finds his own life in jeopardy when he uncovers a deadly labyrinth of political intrigue that threatens the lives of thousands. Dispatched to investigate a mysterious and fatal attack on an overseas US naval base, Anderson, a leading investigative journalist and ex-US marine, finds himself back on familiar ground. Instinct makes him question the official CIA explanation that cites an unknown terrorist group called Black October. Alone, and armed only with his combat training and determination to uncover the truth, he sets out to expose a complex and dangerous political web.

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

Six teenagers decide to spend the night at an old abandoned school where 27 years ago a horrible massacre occurred. The kids run afoul of the vicious crazed security guard who committed the brutal killings.

Life in a Tel Aviv apartment complex, an urban mosaic whose seedy characters, try as they might, can't get out of one another's faces. Gabi, a bobbed haired sexpot, and her lover Hezi—who's older, balding and married—rent a room to have an affair, while Ezra, a pot bellied divorcee, supervises an illegal construction site next door. All this racket drives Schwartz, a Holocaust survivor, to a mental breakdown. Other characters include illegal Chinese immigrants, a teenage boy who's afraid to serve in the army, and a corrupt police detective.

A group of friends in a Tel Aviv suburb get together to watch Universong, a Eurovision-like television song contest. They gather to watch and are depressed by the lifelessness of the Israeli entry, a parody of many recent offerings, a flashy, grating song about "amour." Realizing that Anat is distraught over the crisis in her marriage, they decide to compose a song to cheer her up. As a lark, they enters their cellphone video of it in next year's contest, and it becomes Israel's entry.

In December 1993, a luxury condominium tower block collapse after ground erosion from the neighbouring hillside. About 50 people lost their lives and to this day has become one of the darkest and saddest tragic incidents in Malaysian history. Twenty years later in 2013, a group of documentary filmmakers venture into the remaining two blocks that is left standing to do a ghost hunting expedition. What they discovered is not for the faint-hearted.

Tamar, a 33-year-old Tel Aviv comics artist, watches passersby, listens to their conversations and translates her impressions into comics with an ironic expression. She peels off the mask from a society, in the eye of the storm, that claims to be liberal and in which everyone has an opinion about everything. Secure between her four walls, she touches the darkest spots of her life- a bomb attack, a failed marriage, coping with depression. A young, modern woman in today's Israel.

A historical documentary documenting the rise, function, and abandonment of a 17 story building that once housed The Rochester Psychiatric Center. This film tells the story of the building through historical footage, interviews of former staff and patients who recount their memories of the behemoth facility while also exploring the abandoned building as it is today.

One weird guy, accompanied by his ambitious neighbor exterminating some aphids.

원전 사고와 대지진 후 폐허가 되어버린 후쿠시마. 가장 풍요로운 땅이었던 그곳은 이제 사람이 살 수도, 농사를 지을 수도 없는 절망의 상징이 되었다. 오랫동안 농사를 지어온 소이치의 집도 근처 도시로 떠나지만, 보상금을 거부한 채 가족들은 뿌리 없이 흩어진 나무처럼 마음이 메말라간다. 그러던 중 소이치는 오래 전 마을을 떠났던 동생 지로가 후쿠시마의 집으로 돌아와 살고 있다는 소식을 듣게 된다. 가족의 비밀스런 상처를 가슴에 안고 마을을 떠났던 지로는 사람들이 모두 떠나고 나자 그리웠던 고향을 다시 찾아온 것. 그곳에서 지로는 홀로 농사를 지으며 남은 일생을 보내겠다고 하며 모두를 놀라게 한다. 기약할 수 없는 희망을 향해 자연은 생명의 힘으로 정화를 시작하고 돌이킬 수 없는 과거의 상처 위에 가족은 하나의 마음으로 다시 시작할 수 있을까…