나의 한국영화 (2002)
장르 : 다큐멘터리
상영시간 : 2시간 1분
연출 : Kim Hong-joon
시놉시스
A personal and subjective video essay series on the Korean cinema, consisting of 9 episodes. Its episodes include fragments of memory about Korean films and their ‘field’, actual moments of what is happening here and now, and images excerpted from Korean films. [Ep 1] My Chungmuro (2002) [Ep 2] For March of Fools (2003) [Ep 3] Smoking Women (2003) [Ep 4] Kino 99 (2003) [Ep 5] Song of Keumsoon (2004) [Ep 6] The Creative Restoration of ‘An Empty Dream’ (2005) [Ep 7] Reflection on Kim Gu (2005) [Ep 8] Garibong, Again (2006) [Ep 9] A Short Film about Pre-1945 Korean Cinema (2006)
Humankind has always dreamt of the night sky. Of the infinite freedom offered by the black void, and of the strong, shining beacon inviting us to ascend. This is a story, a history of the events that led up to our conquest of space, and the consequences throughout wider humanity. The film is a collage. Of genres, documentary and comedy. Of media, drawing from painting and film. Of films, cannibalising all film history. Of truth, both objective and subjective. Watch the small steps and let your mind take a giant leap.
Since its publication 200 years ago, Mary Shelley’s Frankenstein has influenced vast swathes of popular culture. Adaptations have starred cinema legends from Boris Karloff to Robert De Niro – and even Alvin and the Chipmunks. From tales of science gone mad (Jurassic Park) to stories of understanding the other (ET, The Hulk, Arrival), traces of the story and its themes have spread across our media. With Frankenstein Re-membered, video artist and film historian Chris Gerrard collects these diverse fragments from the birth of cinema until the present day and in the tradition of Victor Frankenstein himself, attempts to stitch them back together into an adaptation of the original Shelley novel.
"How Every Film You Watch Tells You To Love The Rich and What To Do About It" explores the representations of wealth in cinema. It looks into how most beloved characters are subtly more well-off than they should be, how criticisms of the system are crushed, how the rich have become the average in the world of the cinema. And it shows how these stories distort the view of the real world, and are used against you by politicians.
인생을 500 단어로 어떻게 집어 넣습니까? 뉴욕 타임즈의 사망 기사 작성자에게 물어보십시오. OBIT는 역사의 최전선에서 죽음 이후의 삶을 기록하기 때문에, Times 기사의 일일 의식, 기쁨 및 실존 적 불안에 대한 첫 번째 엿볼입니다.
(구글번역)
A provocative and poetic exploration of how the British people have seen their own land through more than a century of cinema. A hallucinated journey of immense beauty and brutality. A kaleidoscopic essay on how magic and madness have linked human beings to nature since the beginning of time.
스페인의 이비자 섬에는 희대의 사기꾼 2명이 있다. 세잔느와 르누아르의 모조화를 단숨에 그릴 수 있는 호리와, 호리의 전기를 쓰는 어빙이 바로 그들. 어빙은 이전에 하워드 휴즈의 가짜 전기를 쓴 게 밝혀지지만, 무엇이 진실인지는 알 수가 없다. 허버트 조지 웰스의 소설 <우주 전쟁>을 실제 상황 보도를 가장한 라디오 드라마로 만들어 미국을 충격의 도가니에 몰아넣었던 오슨 웰스가 다시 시도한 페이크 다큐멘터리 형식의 영화로, 편집을 통해 피카소가 오야 코다르를 훔쳐보는 듯한 장면을 연출해 냈다. 파블로 피카소가 ‘예술은 하나의 거짓말이다’라고 이야기 한 데에, 웰스는 ‘진실을 이해하기 위한 거짓말이다’라고 덧붙였다. 프랑수아 트뤼포는 이 작품의 편집이 특별하며 다큐멘터리와 같은 형식을 통해 시적인 느낌을 전달한다고 했다.
A tribute to a fascinating film shot by Alfred Hitchcock in 1958, starring James Stewart and Kim Novak, and to the city of San Francisco, California, where the magic was created; but also a challenge: how to pay homage to a masterpiece without using its footage; how to do it simply by gathering images from various sources, all of them haunted by the curse of a mysterious green fog that seems to cause irrepressible vertigo…
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
A mother of three leaves the children at home to spend a month in Paris on her own. She re-reads “The Second Sex” by Simone de Beauvoir, a book she loved when she was young.
George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)
자동차 수리기술자인 남편과 두 아이를 데리고 아파트에 사는 매력적인 젊은 주부 쥘리엣 쟝송... 영화는 그녀의 하루 - 어느날 저녁에서 그 다음날 저녁 -를 보여준다. 그 사이의 낮 시간동안 그녀는 파리에서 매춘을 한다.
A girl haunted by traumatic events takes us on a mesmerising journey through 100 years of horror cinema to explore how filmmakers scare us – and why we let them.
An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.
"Land of Dreams" - When the daughter Johanna is born in 1983, Jan Troell tells the story about his childhood Sweden and how things were when he grow-up in the land of fairy tales and potential prosperity.
CREMASTER 4 (1994) adheres most closely to the project's biological model. This penultimate episode describes the system's onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion - three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island's folklore ...
A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.
The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A bastard documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.
기물 파손 행위가 있은 후, 영화 제작자의 아버지는 집 앞에서 펼쳐지는 장면을 기록하기 위해 감시 카메라를 설치하기로 결정합니다.
Twenty-five films from twenty-five European countries by twenty-five European directors.