For Husbands Only (1918)

유태인들에게서 전설로 전해져 내려오는 살아있는 인형 '골렘'을 소재로 한 영화로, 동일한 영화 중에서도 가장 뛰어난 수작으로 손꼽힌다. 각본과 감독, 주연을 한 파울 베게너는 1914년에 만들어진 에서도 주연을 맡은 바 있다. 영화 속 유대인 마을은 놀랍게도 스튜디오에 지어진 거대한 세트이다. 16세기 프라하. 한 유대인 랍비가 유대인들의 처형을 막아주기 위한 수호신으로 거대한 진흙 생명체인 골렘을 만들어 그 속에 생명을 불어넣으려 한다. 그러나 사악한 랍비의 조수는 골렘을 자신의 야욕을 채우기 위한 범죄에 이용할 생각에 골렘을 조종하고 마침내는 랍비의 아름다운 딸까지 납치하도록 시킨다. 그러나 랍비에게서 인간의 감정을 선사 받은 골렘은 결국에는 자신을 악용하는 조수의 사악함에 반기를 들게 된다. 독일 표현주의 무성 환타지 영화의 걸작.

It is a variation on the original legend of Alraune in which a Mad Scientist creates a beautiful but demonic child from the forced union between a woman and a Mandrake root. Not to be confused with the 1918 German version of Alraune.

A comedy made by Keystone Studios starring Charlie Chaplin and Mabel Normand, both of whom co-directed the movie. This is Chaplin's only lost film as no copy is known to exist.

Three Broadway chorus girls seek rich husbands.

Chaney plays two roles: mad scientist Arthur Lamb and Lamb's "experiment", known only as the Ape Man. This hideous creature was the result of Lamb's attempts to transplant animal glands into human beings.

Lon Chaney plays a Parisian sculptor who falls in love with his model (Mildred Manning). She, however, cares nothing for him. The film is considered lost.

A banker, after a prophetic meeting with a Gypsy fortune teller, becomes delusional as he searches for a trunk which the seer has told him holds the key to either his happiness or his death. This film is considered lost.

Palestine, under the rule of Rome. Salome, daughter of Herodias and both niece and stepdaughter of King Herod, becomes infatuated with the prophet John the Baptist, who publicly denounces the depravity of the royal family and proclaims the arrival of a new messiah. (Film presumed lost.)

The abandoned Balfour House, which former owner was found dead five years earlier, comes back to life with the arrival of two suspicious sinister-looking tenants. (This movie was lost in 1965 during a fire.)

In the Kentucky hills a store keeper tries to win the love of an innocent schoolteacher. She runs away and seeks refuge with a hermit.

Marilyn Monroe's final project, "Something's Got to Give", has become one of the most talked about unfinished films in history. The story of the film and Marilyn's last days were seemingly lost… until now. Through interviews, never-before-seen footage and an edited reconstruction of "Something's Got to Give", Marilyn Monroe: The Final Days provides a definitive and fascinating look at the last act in the life of the world's most famous and tragic superstar.

This film is presumed lost.

Adventures of an elderly man surrounded by pretty young swimming girls at one of the Belgrade beaches.

This film earned an Oscar nomination for Sound Recording. It is the only film nominated in this category that is among the lost. No negative or print material is known to have survived. Contemporary reviews were scathing, describing the film as a vastly overlong and boring talk-fest.

A poor but ambitious young girl is determined to crash high society, but isn't prepared for the reception she receives.

An English explorer disturbed by the practices of an isolated tribe attempts to rescue a native girl he has become fascinated with. THE DEVIL DANCER was highly praised at time of release for its exquisite cinematography, especially in the use of light and shadow. The film received an Academy Award nomination in this category. Sadly, it is among the lost. No prints or negatives are known to survive.

The circus provides the backdrop for this melodrama that chronicles the lives of four children raised within the big top. Film historian and collector William K. Everson stated that the only surviving print was lost by actress Mary Duncan who had borrowed it from Fox Studios. In the December 1974 issue of "Films in Review," he explained that Mary Duncan, one of the film's stars, wanted it to show to a group of friends in Florida. The star was aware that it was a dangerous nitrate print and assumed that Fox had others. She threw the only copy in the ocean, a mistake characterized by Everson as "a monumental blunder to rank with Balaclava, Sarajevo, and the Fall of Babylon as one of history's blackest moments."

Shakespeare's tragedy of two young people who fall desperately in love despite the ancient feud between their two families.