Now That the Buffalo's Gone (1967)

A UCLA student film. A powerful New American Cinema protest against the decline and fall of the American Indian, using quasi-three dimensional color techniques as part of its overall structure. Winner of innumerable awards. 'Described by the filmmaker as 'an elegy to the lost heritage of the plains Indians,' this is a moving and intricately made work utilizing still photos, film clips, television footage, bits of old speeches, solarized color, and stroboscopic effects.' - Media & Methods