Lucidity (2019)
장르 : 다큐멘터리
상영시간 : 8분
연출 : Jeff Zorrilla
시놉시스
An illusory meditation on the street culture of New York City, represented through a collage of overlaid events and characters that collide at chance during the filming, chemical development and digital scanning process. Through this method, the artist embraces accidents and coincidence in favor of uncontrolled artistic expression.
Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.
Lady Divine becomes enraged when her boyfriend cheats on her and descends into a life of murder and mayhem.
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
Non-judgmental vignette following a day in the life of one young man living inside a poor, small-town filled with broken dreams and addiction.
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
A short tale about nature and isolation. Narrated by Andrei Tarkovsky. Shot on 16mm Fomapan R in spring 2020.
It's the last night at the closing Royal Alamo Cineplex and two slacker employees work the concessions stand, arguing about life and movies while contemplating their futures.
When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
Short Subject [commonly known as Mickey Mouse in Vietnam] is a 16mm underground animated short film. Mickey Mouse enlists with the army and ships off to Vietnam.
Brother Howie is a Jamaican Rastifari who dreams of the land of his ancestors: Africa. On a journey in search of his roots and his identity he travels through three continents and (with great humor and sensitivity) discovers the world and Africa.
Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.
Medellin. Tireless car traffic. In the margins of a society launched at top speed, some lurking engines shutdown to make a living; Jugglers at intersections, employees on breaks, whose precise and repetitive work mark the flow of time which is always repeated.
HARD-CORE is a frank and irreverent documentary that asks the question, "what is hard-core?" Seedy, grainy, and fast-paced, this is a nostalgic look at an ephemeral moment in the history of a subculture: punk rock in San Francisco in the late eighties. Everyone from fucked-up teenagers to elderly Mexican tourists attempts to explain the allure and mystique of the scene. Filmed at SF's historical petting-zoo/theater/punk rock emporium The Farm.
BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.
Onde Nostre is a lifestyle documentary film that shows the peculiarity of the Italian surf scene and the beauty of this sport, even in a country that's not usually considered a top destination for catching waves. With this film we intend show the passion and high level of the Italian surfers. The film is shot mainly in 16mm and super 8 and only a small part is shot digital in order to emphasize the beauty of the landscape. The film has a romantic approach to surfing. Action has a great relevance, with slow motion segments and an emotional editing. Onde Nostre also shows Italian surfers lifestyles and the endless search for good waves in the Mediterranean sea.
Optically printed fragments of film I shot in the autumn months in Seattle. -JB
This film was made in response to seeing some of Caryn Clines films. Caryn re introduced me to shooting my films outside. -JB
A woman folds some pictures representing natural landscapes and place them into a real lanscape. Fiction and reality blur into each other.
"This short, silent film, a gallery of shots put together like a jazz improv, uses many devices to affect the image that comes from the camera. I play with superimpositions, with drawing and scratching on the film, and layering over the camera images with texture and color. The result is a rather rhythmic, physical, playful event intended simply to happen as you watch it. The actual imagery of objects in a museum gallery, seen frequently throughout, was footage shot in the Colby College Museum of art in the 1960s." —Abbott Meader